About Douluo (non-plot, can be skipped)

Let’s not discuss what Douluo’s work is like! Let me first talk about why I chose him.

Looking at the worlds mentioned in my introduction, you can actually find commonalities. Resident Evil has a virus disaster, Jin Yong's martial arts has a Mongolian invasion, Marvel has Thanos destroying the world, and prehistoric times have gods and Buddhas who dominate all living beings.

These are worlds where civilization is facing disasters and needs to be solved urgently, including parasitic beasts, spiritual cages, Transformers, and the Holy Grail War that may appear in the future. Civilizations all have similar crises.

Now look at Douluo, is it very consistent, or even very consistent? The gods are superior to all living beings, the soul master family and the soul master's hall are oppressing the soul master, and the soul master is entitled to enjoy the labor of ordinary people. The most important thing is Unfortunately, for tens of thousands of years, civilization has been stagnant. The soul master's supreme idea is to keep civilization in the feudal era. Even at the end of the second part, Poseidon forcibly stopped the historical process of the Sun and Moon Empire's unification of the continent and forced history to reverse course.

This is undoubtedly an out-and-out disaster for human civilization, and it is also what needs to be changed the most.

Let’s talk about the Douluo book itself! Let’s not mention the hydrogen man. It’s the result of catching a bug and deducing it in an extreme direction. Everyone likes to ridicule Douluo for his weak combat ability, so it becomes popular. It’s just like a French joke. It doesn’t matter if it’s just for fun. It would be outrageous to take it as the truth.

To be fair, not counting the Divine Realm, Douluo's combat power system is roughly equivalent to an enhanced version of martial arts. After all, it can move instantly and fly physically. If the Divine Realm is included, it will not be a big problem to compete with a major country in World War II. of.

For the protagonists at this stage, it happens to be a type that is difficult to liberate, but not too difficult. After all, they have left the industrial system left by mankind in the 21st century, and the mechas will be damaged.

As for whether to lick Tang San or not, I can only say that Tang San doesn't have many opportunities to appear in the plot. How much interaction can a group of revolutionaries have with the son of a down-and-out noble? The intersection is also the intersection of dividing land among local tyrants.

As for the female character... I can only say that I tried my best to portray it. In the biochemical plot, there was originally a role for Alice. There was originally a scene between Alice and her clones and the many Lannos: "Lanuo, you can fire!" "It's a tribute to the plot of Li Yunlong's attack on Ping'an County, but it's just because I'm not good at writing female characters.

You all know the fans of kayaking...

As for the bold idea of ​​marrying a rich man and using it with ten thousand people, I can only say that you are really awesome.

Anyway, let’s do this for now! I first wrote the dungeon of the main god. Chu Xuan’s role was really difficult to handle. Z was so impressed with Chu Xuan’s character that he couldn’t control himself in the later stage and had to use Zheng Zha who was strong enough. This can be explained by force defeating skill.

The author is also an ordinary person. It is actually very troublesome to conceive the plot of a high-IQ character. Not all authors are Jue Ge. They go out to collect materials without inspiration and solve (make) a secret room murder case with their own hands.

At present, the concept of the main god copy can only be said to be barely enough to write, and there will be twists and turns, but it is difficult to say that there is a particularly highlight or unexpected plot. After all, Chu Xuan's level is too high, and there are many who are said to be the first wise men in the starting point. people support orz

That’s it for now, don’t think I’m verbose.