It's still the same one-family building, but there are a little more people today. In addition to the four people Ayase Haruka, there are also two more people, Shu Shilin and Otake Shinobu.
Shirin Kuki, born in 1943, is already over fifty years old, but he is a well-known actor and has won the Japan Film Academy Award for Best Actress twice.
The other Otake Ninja may be more famous. In 2011, he also won the Purple Ribbon Medal from the Japanese government. The Purple Ribbon Medal is awarded to those who have made outstanding contributions in the fields of academics, art, and sports. I will not go into details. . The most talked about thing is his delicate relationship with his ex-husband Sugimoto Takafumi, the saury of the Akashi family.
For two seniors with outstanding status and three sisters, the Great Condor felt that he was the most conspicuous husky among a group of wolves in this room.
"Mother, you don't have the right to dictate how this family should be." Haruka Ayase said with a serious face. Even though the sentence itself was a question, her tone was extremely firm, "You haven't even swept the yard once. The boss is not young anymore. Don't talk nonsense like a child."
"Axok, wait a minute, you are going too far. She is also your mother no matter what."
The character of Kuki Shirin is the sister of the grandmother of the character of Koda Kou.
"Ah Du, you have given birth to a lot of girls, and there is something wrong with you." Shu Xilin's tone was a little reproachful.
"But..." Otake-nin retorted.
"What but, I'm not old enough for my aunt."
"Hahaha." "Hahaha."
The words behind "Kuki Shirin" are actually not in the script. They were just playing against each other. When they heard this improvised sentence, Otake Shinobi and Ayase Haruka couldn't help but burst out laughing. Not far away The Great Condor and Xia Fan who were with Masami Nagasawa also laughed out loud.
However, there is one thing to say, the level of the veteran actors is still much higher. Even in the opposite scenes, their expressions and movements are very good. Just by looking at them, Da Shenying can see the gap between himself and them.
"Pretty hot, right?"
During the break, Hirokazu Kore-eda came to the big condor sitting in the corner and asked.
"It's okay, I can hold on." The Great Condor responded while sitting on the chair. After so long, several people were familiar with each other, so there was no need to care about those etiquettes.
The Great Condor was wearing a dress today, a white shirt underneath the black dress. In this outfit, given the current temperature, the Great Condor would sweat as long as he moved, but fortunately there were many electric fans in the house.
"Have you been in contact with your family recently?" Hirokazu Kore-eda asked.
The last time we filmed the scene between the eldest sister and Rei Asano on the mountain, it was not only Haruka Ayase who noticed something strange about the Great Condor, but as the director, Hirokazu Kore-eda also noticed it, and even talked to Haruka Ayase about the Great Condor afterwards. .
"without..."
"Don't you miss home?"
"It's okay, I'm not a very homesick person." The Great Condor smiled and shook his head.
Hirokazu Kore-eda held the door frame with his right hand and looked at the little girl in front of him.
When selecting actors, Kore-eda Hirokazu naturally wanted to know the actor’s detailed information, and LLC (Nogizaka 46 Contract Club) gave him much more detailed information about the Great Condor than other actors. Even his family situation, why did he join Nogizaka Ichi? The whole series was handed over to him. It can be said that Kore-eda has as much background information on the Great Condor as LLC.
The more he looked at it, the more he realized that this child was really suitable for the role of Rei Asano. When he saw the Great Condor for the first time, he noticed that she had a sense of aloofness. Maybe this word is too strong, but he I think the feeling of alienation from others in the Great Condor is good. It's said to be gloomy but different at the same time. It was precisely because of this other side in a sense that he decided to cast the Great Condor, even though she was an idol.
In addition, she traveled all the way from Asahikawa to Beijing alone due to family circumstances. This kind of perseverance is rare even in adults. This kind of perseverance and strong sense of strength in the Great Condor coincides with Asano Rei.
If she continues to follow the path of acting, her future achievements may not be smaller than Haruka Ayase.
However, he has a way of talking about the plot of a movie, and he can debate this topic all night long, but when it comes to comforting people, he is very bad at it. I had to change the topic.
"The scene was played very well just now." Kore-eda Yuka changed the topic stiffly and nodded.
The Great Condor also nodded in confusion, wondering what Kore-eda Yukazu wanted to talk to her about.
"It's the same feeling as in rituals. Is it really okay for me to be here? Is it really okay for me to appear in this place at this time? When this thought comes to my mind from time to time, I feel suddenly heartbroken." Hirokazu Kore-eda told The Great Condor explained.
"Just, when the ceremony was over, I breathed a sigh of relief, feeling like I was finally free."
After chatting for a few words, the entire crew got back into action. After testing a few shooting locations and confirming that the scene was right, the official filming began.
After finishing their grandmother's funeral, the family gathered in the living room to talk to each other. Everyone had their own actions. In just a few dozen seconds, under the control of Kore-eda Hirokazu, the six people in the picture were shown as independent Individuals naturally choose the movements of their own choosing, and these movements are displayed through the clever balancing pole.
The eldest sister returned home and opened the doors and windows to get some air. The mother went straight to the Buddhist shrine. The second sister walked aside and took off her stockings. The third sister and her mother worshiped together. Asano Rei was like a guest. After getting a box of ice cream from the old lady, she consciously walked to the French door in the wooden corridor and sat down against the door frame.
"Actually, I want to get rid of this family." Otake Shinobi finished speaking and took a mouthful of ice cream.
"Eh? Do you want to sell it?" Old Mrs. Shu Xilin asked.
Ayase Haruka, who was standing nearby hanging clothes, heard this and turned to look at Otake Shinobi.
"It's hard work cleaning the yard and stuff, right? These kids will always get married, so let's live in an apartment with easy management."
"Don't say these things without permission, okay?"
As soon as Otake Nin finished speaking, Ayase Haruka forcefully interrupted her words.
"Mom, you don't have the right to make any decisions about this family, do you? Mom has never done anything like cleaning the yard, right?! Management or something like that, what do you know if you have given up on this family." Ayase Haruka said sternly, as if She is the mother.
Nagasawa Masami, who came out with a beer at the side, saw this scene and was so frightened that he almost spilled the beer and wiped the wine stain at the corner of his mouth with his hand.
"Why are you doing this? It's just a suggestion."
"Okay, okay, stop talking." Shu Xilin tried to smooth things over.
"Why do you always talk like this? I feel very sorry for you." It seemed that the more he thought about it, the more angry he became. Otake Shinobi did not listen to his aunt.
Behind Otake Shinobu, the Great Condor was leaning against the door frame, holding a plastic spoon in his hand and scooping up the ice cream in the bowl. Under this situation, Asano Rei had no desire to eat the ice cream.
Otake Shinobi continued: "But to be honest, it's not because your father ran away with another woman."
At this point, the blurry figure of the big condor that was out of focus behind him stopped poking at the ice cream just now.
Rei Asano didn't have much of a role in this scene, and it ended with a shot of the big condor looking toward the backyard.
"Hey, CUT, it's OK." Hirokazu Kore-eda shouted outside.
Kore-eda Hirokazu looked away from the machine and looked at the big condor sitting next to the door frame. Ever since he told her to write a diary to find a sense of immersion last time, he now does the filming over and over again, and his expressions are very upright. This makes Kore-eda Yuka was a little amazed at the rapid improvement of the Great Condor's acting skills.
