The big transition to the dungeon requires more time to conceive the framework of the next stage, especially the Capital dungeon with an extremely complex background.
In fact, it’s not that the idea is slow, but that there are too many parameters that need to be considered, and I have a problem that I always like to use prototype characters to deduce plots, which easily burns the CPU.
For example, among the supporting characters who appeared in the previous stage, their names may seem inconspicuous to you, but in fact they are all based on real characters.
Lu Junbi seems to be the editor-in-chief of the first "Yangzhou Prefecture Chronicles" and "Jiangdu County Chronicles" in history. He is definitely a popular figure in the local area.
In addition to Wang Yuan, during the Wanli period, there was a famous scholar named Wang Tingna who was a salt merchant. In his early years, he was adopted by a salt merchant from the same clan as his adopted son.
The adoptive father of the celebrity Wang Tingne definitely had no son, and he was the prototype of Wang Yuanwai.
Zheng Zhiyan was elected as a salt merchant in Yangzhou during the Wanli period and was the father of Zheng Yuanxun, a celebrity in the late Ming Dynasty.
Wu Xiu, the prefect, rebuilt the Daming Temple and Hepingshan Hall, built the Meihua Ridge, and reorganized the water system of Yangzhou City. After that, the overall layout of Yangzhou City remained basically unchanged for hundreds of years.
There are also Zhu Naxia, Lu Junbi's good friend who has only met once, and his great-grandfather Zhu Yingdeng, who is also known as the Four Talents together with Gu Lao, the leader of the previous book, and his grandfather Zhu Yuefan, who appeared early in the previous book.
I also fabricated a large model of salt merchant operations in the late Ming Dynasty. The amount of money each salt merchant should earn for each salt introduction was set, but the parameters were not set properly and it was a bit broken, so it was not clearly revealed in the book.
Having said so much, I just want to explain why it is easiest to get stuck when connecting stages.
Because the emergence of new supporting characters will inevitably lead to a lot of re-enactments.
Anyway, debts must be paid. This book strives to be a debt-free person. I will make up for the four owed chapters in the second half of the month when the situation is relaxed.
