In "Haijie Diary", the relationship between the boy and the fourth sister is naturally not at the level of boyfriend and girlfriend. The story between the two does not have an ending, it just stays in the ambiguous period, allowing the audience to imagine the subsequent development.
Or strictly speaking, in fact, the stories of the four sisters do not have a so-called "ending". What remains in the hearts of the audience is a story that is still developing, and it is the real life of the four sisters.
After teasing the young Hamabe Minami, Minami Hayato expressed his condolences to Nao. The two of them have been doing well during this period. It can be seen from the fact that they still have time to go to the beach to see the scenery together, and there is not much pressure.
This made Minato Hayato feel relieved, and he also looked forward to the next two weeks of shooting.
If there are two confidantes on the crew, the location is the beautiful Kamakura, the characters are simple, and the shooting atmosphere is relaxed, then this can't be completely considered work, it can almost be regarded as a vacation.
The most important thing is that a director like Hirokazu Kore-eda, who prefers to be more literary and artistic, is famous for being obsessed with details. Even if Hayato Minato is fishing here after filming his own scenes, he can still take the blame with the eldest lady. To the director.
In this case, Mizuna Hayato has decided on his shooting status during this period.
For example, today, as a new arrival, he was naturally not arranged to take pictures as soon as he arrived, but watched from the sidelines.
In other words, he is the only one who is special. If anyone else had the same role as him, they would probably start filming as soon as they arrived and then run away after filming. But before he came, he said he would stay for two weeks, so Kore-eda Hirokazu followed his own pace. coming.
But Hirokazu Kore-eda soon regretted his decision.
The main stage for filming is the house where the four sisters live. The performance area, cameras and other equipment are all inside, but the house is not big, so the director's monitor can only be placed in the small courtyard outside.
Mizuna Hayato moved a chair and sat a few meters away from the surveillance screen, where he could see the performance inside from the courtyard sliding door.
I saw him wearing sunglasses, shorts and flip-flops, with one leg resting on top of the other unscrupulously. He was eating ice cream with one hand and stroking the dog next to him with the other hand. The assistant Yokoya Kotona helped He is holding a parasol.
It doesn't look like he's here for filming, but like a young man coming to the beach for vacation, with a maid, a dog, and ice cream.
Hirokazu Kore-eda looked at the actors preparing on the screen, then glanced at Minakami Hayato, and then at the screen. Suddenly, he felt that Minakami Hayato was particularly annoying.
But my father is the financial sponsor, so I can only endure it.
At this time, he felt as if he was the president of a company. He said everything in the company and had enough self-restraint. However, the chairman sent her mistress to experience life. Of course, he also had the power to command, but he had to give face.
Minato Hayato was admiring Nagasawa Masami's beautiful legs through his sunglasses when he suddenly felt the director's constant gaze and stopped eating ice cream for a moment.
"What? Does the director want one too?" After asking, he didn't wait for Kore-eda Hirokazu to answer, and turned directly to Yokoya Kotona and said: "Yokoya, prepare an ice cream for the director as well."
"Okay." Yokoya Kotona nodded in agreement.
Only then did Hirokazu Kore-eda notice that there was an incubator placed next to Hayato Minato's chair. After Yokoya Kotona opened it, he clearly saw many ice cream bars piled in a pile of ice cubes, several bottles of drinks, and even liquor.
"I don't have to..." Seeing that the assistant was about to take out the ice cream, Kore-eda Hirokazu quickly waved his hand and refused: "Forget the ice cream."
"Oh, right!" Mizuno Hayato slapped his head: "Blame me, blame me."
Kore-eda Hirokazu thought he remembered that he was filming now and was finally going to restrain himself.
Minazina Hayato said to him again: "I should ask in advance, the director doesn't like ice cream, how about a can of beer? Or maybe I can have some..."
"No!" Kore-eda Yukazu finally refused loudly: "The filming will start soon!"
"Oh." Mizuna Hayato nodded in understanding: "Then I'll freeze it first and give it to you after I finish taking pictures."
Kore-eda Hirokazu was speechless. He suddenly had a bad feeling. It had been several months since the filming of "Umi Street Diary" started.
It's been a month, but the atmosphere seemed to have changed when Hayato Minazinari came. I just hope that the atmosphere of the crew will not be ruined by him.
"By the way, Minakami-kun, you dog..." After Kore-eda Yuhei calmed down, he suddenly looked at Minakami Hayato again.
"Huh?" Mizuna Hayato had the illusion of being insulted.
Then he realized that Kore-eda Hirokazu should be referring to Nao Nao next to him, and he also understood the director's worry. He patted Nao Nao's head and said, "It's okay, director, don't worry, Nao Nao is coming with me." There is a large crew, so we will keep quiet when filming starts."
Hearing this, Kore-eda Hirokazu also remembered that Hayato Minakami was a weirdo who always brought pets into the group and was often reported by the media. Many people also discussed whether this was good or bad. In the end, it became a unique symbol of Hayato Minakami. Nao Nao has also become a "well-known pet in the entertainment industry."
In this case, one can only trust the judgment of experienced Mizuna Hayato.
Here, Hayato finished a piece of ice cream, and the filming of the movie officially started over there.
Seeing this, Hayato Minakami lowered his legs and stopped petting the dog. He carefully observed Kore-eda's shooting method.
The previous master classes with Kore-eda were limited to Kore-eda’s questions and answers. Kore-eda mostly gave guidance on his works, and there was no chance to see Kore-eda’s actual operation.
But a high level of oneself does not mean a high level of teaching others. In other words, some people are better at teaching others than they are at doing it themselves. Some people are better at doing it themselves, but when teaching others they are even inferior to those who are weaker than themselves.
It's not just the director's profession, it's the same in other professions. It's like the average university teacher has a high degree of education, but there are some who give top-notch lectures and some who read ppt every day.
One's own works are one's own children. Hayato Minakami believes that no matter how good Hirokazu Koeda's teaching skills are, he must be at his best when shooting.
Minato Hayato's eyes kept drifting away from the surveillance screen and the performance area in the house, and suddenly he found that the location he chose was the most suitable for watching.
Because he discovered that even in places that the camera couldn't capture, the actors were performing.
These "off-screen" performances are shown in the camera through detailed hints such as the reflection of the glass, blurred background, and changes in props.
Maybe not every audience can see so carefully and know these ingenious ideas, but if these details fill the entire movie, then the idea that "this movie is a real life" will be formed in the audience's mind subconsciously. .
