Yes, it was the original one that was supposed to be produced and directed by Wu Baige.
Why do you say it should have been?
Maybe it’s because Konoe Tamako went to film movies and compete with the eldest lady in this life. Konoe Tamako’s investment has made this life more rewarding than the previous one. Although the reputation is still not good, at least, Wu Baige met his "big enemy".
After the filming was completed, Konoe Tamako, who was very satisfied, told him directly that if he still wanted to make a blockbuster in the future, she could still consider investing in it.
This is excellent news for Wu Baige, who has failed in Hollywood.
Although he came back with a wave of qualifications, there are still many people who want to invest in his movies, but most of them have a lot of requirements, and it is difficult for him to completely release and let himself go.
Konoe Tamako can do just that.
What's more, she later brought her best friend, and the two "big enemies" gathered together. He suddenly had the dream of sailing a "Titanic of the East", and he set his sights on Cameron. Start by building a big ship.
So this kind of traditional martial arts movie was not taken seriously by him. The butterfly flapped its wings and tossed and turned, but this movie has not been made yet.
Mizuna Hayato said, since you didn't take the picture, I'm sorry. I didn't copy your action design, I used it as a reference!
Regardless of its quality, the action design of the soft sword "Waterproof Sword" uses some very new techniques, opening the door to a new world for the action design of soft swords.
This door in this life must be opened by Mizunami Hayato using the movement design of the thin blade Nodachi.
First of all, everyone who has seen it knows that when the heroine uses the water-repelling sword technique, the most impressive thing is not even the soft sword fighting effect of combining speed and slowness, close-up and special effects, but the sound effect, when the collision sounds like The dripping water is pleasant to the ear.
The original work did not describe the special sound effect of the thin blade Nodachi. It only concentrated on the "odd" character of the soft sword itself, and also gave it a name such as Arai Akakora's "late-type murder sword". The head, in the comics, even looks a bit like a whip.
But since Hayato Minato has copied everything, he might as well copy all the highlights!
After the sound effects, there are the techniques used in traditional soft sword fighting scenes, rapid changes, the strangeness of "He Yibai makes steel and turns it into soft fingers." and so on.
In this aspect, Mizuna Hayato's main focus is on special effects, such as the angle of the sword's bend, and the combination of fast and slow lens effects, etc.
Of course, Mizunakami Hayato is not an all-inclusive ism. After all, the action design of the water-proof swordsmanship is still a martial arts film. Putting it in such a Sakurasu-style samurai film is a bit out of place, so Mizunakami Hayato is very concerned about the actors' movements. On the other hand, I recombine some of the kendo skills I learned in this life to design, making the design more open and close to fit the character.
Of course, the reason why Hayato Mizuchi is so diligent is not just to "take Wu Baige's path and leave him with nowhere to go". He still has a high respect for what is regarded as "the last traditional martial arts movie" by countless people. .
Also for the exclamations that sounded at the same time as the sound effects that he spent days adjusting came on.
Just like what was said in the first film, Hayato Minazin hopes that the first thing the audience will enjoy when watching his action scenes is to feel "enjoyed". When the clear and sharp sound like raindrops rang in the theater's speakers, the audience also It was an "orgasm" as he thought, and he was satisfied.
...
Not only Tanaka Kozo, but also all the media people who took notes at this time have become "Mizuki Buki", and the imaginary reports and film review titles have tended to be unified.
But do you want to say that their way of writing is an exaggeration? That's not necessarily the case.
As Mizunami Hayato sat there and watched, he felt that he was the only director in Sakura Island who could film this.
The action design of the original movie came from the "Universe Dan" team, so he might be able to do this kind of action design with a martial arts style, but on the other hand, in the duel between Soujiro and Kenshin, Mizuna Hayato again No, I copied it. The movements in that scene have distinct characteristics of traditional kendo.
Finally, coupled with his understanding of special effects, the combination of the three gave birth to a fighting scene that not only restores the comics but also has two action characteristics.
Let the audience feel ecstatic and satisfied.
Well, after all, you can enjoy three styles at once, how can you not be satisfied?
Back to the plot of the movie itself, after this exciting fighting scene, it is time for the classic protagonist to become deflated again and seek to practice and upgrade.
In the changes to Hayato Minazawa, several high-gloss action scenes were added to Nagasawa Masami's Kamiya Kaoru, and the "vase" scene in which she was captured as a hostage was reduced. Instead, Kenshin was asked to take the initiative to find Master Higu just like the manga. Seijuro practices the secrets.
It's not like the studio next door. His movie doesn't need the existence of "Millennium Hostage".
As mentioned at the beginning, the Kyoto Fire Chapter is a link between the past and the next. The big boss Shishio who appeared in this chapter was not solved in this chapter. At the same time, it also laid a big foreshadowing of the secrets of the Flying Sword Style, and then the movie It ended abruptly after Kenshin found Higu Seijuro.
When the audience saw Masaharu Fukuyama, who appeared last, they cheered in surprise before the movie ended, causing a wave of excitement. They felt as if they had seen a very exciting fragment, and were very uncomfortable.
Therefore, during the Q&A session when the main creator took the stage, Hayato Minakami also bluntly stated that he allowed the two movies to be released seamlessly just to prevent the audience from being uncomfortable for too long.
"But if the results of this one are not good..." Mizuna Hayato suddenly held his chin and pretended: "After all, you don't want to wait for several months to see the follow-up plot..."
"Buy, buy, buy!" "I want to watch it ten times!" "I'll take my whole family to watch it!" "Take my money away quickly!"
The audience was very enthusiastic, and their response was even more enthusiastic than before the screening. They were like players who saw the actual trial play, hoping to be knocked unconscious by someone's punch and wake up to see the work they wanted.
And from the enthusiasm of the audience and the satisfied smiles of the film critics, it is not difficult to see that Hayato Minato's movie is going to be successful again, and the next question is just how successful it will be.
In this regard, Mizuna Hayato has absolute confidence.
