After a while of shooting, Hayato Minakami specially took a few simple shots to get used to the actors in the drama. It was confirmed that after the adjustment of the wedding dress advertisement, Horikita Maki's condition was really restored to its previous state, and even better.
And perhaps only Hayato Minakami, as the director, was the only one who discovered this, and at most the assistant director.
Because of Horikita Maki's current state, there is less of the "amazing" feeling that people can see at first glance, and more of the harmony integrated into the character and plot.
Those who are good at fighting have no outstanding achievements. During the filming, this state is not obvious. If it is shown on the big screen, the audience will not be able to understand it at the time. But afterwards, they may be pleasantly surprised to find that this actor made them Completely integrated into the plot.
"Explosive power" is certainly an important factor in measuring an actor's acting skills, but if an actor is "exploding" all the time, it is considered a kind of poor skill. After all, "explosion" is not simple, but it is It's not difficult at all. Don't you see that there are so many actors and actresses whose fans can only describe it as "explosion"?
When you can easily integrate into the character like Horikita Maki does now, and not be superficial, perhaps it is truly worthy of praise for "good acting skills".
"If you felt a sense of compatibility brought about by playing your true character at the beginning, now I can only say that you have completely mastered this role." Hayato Minakami said to Horikita Maki.
"Really? Thank you." Horikita Maki smiled slightly.
If it were her before, with the expression in the camera just now, she would definitely still look like Yukitoba when facing his compliments, but now she is a little more "angry" and looks much more relaxed, at least on the water. Hayato no longer felt that feeling of worrying that she had experienced too much and would not be able to escape the role.
"Of course, I can't even catch him in this state." Mizuna Hayato smiled and shook his head.
His performance as Kenshin is pretty good, but unlike Horikita Maki, who is both well-matched and has several mental changes, no matter how superb his acting skills are, he can't compare to this cheater.
Fortunately, he has not only been thinking about dating actresses in the past few years. His acting skills are still enough to play opposite the current Horikita Maki, so that there will be no imbalance.
"Okay, no more words, the opportunity is fleeting, let's speed up the progress!" Mizuna Hayato clapped his hands: "I have to finish filming the last scene while you are in good condition. Maybe this movie can earn you a lot of money." The best actress is back."
"This is a bit exaggerated." Horikita Maki laughed again.
"No exaggeration at all."
Hayato Minakami is serious. The story structure of the memorial chapter is perfect. He also shot so many beautiful shots of real scenes. Taken together, it is the kind of poignant story that Sakurazu's major film awards like. The main chapter of "Rurouni Kenshin" It doesn’t matter if they didn’t like the special effects he did in it. If he didn’t like the special effects in the episode, it was a waste of his masterclass!
"My aquatic director is also on the road to winning awards!"
...
The scene returns to Kenshin, shocked and distraught, going up the mountain in the snowy jungle to look for Yukidaba.
Between the conflict between the promise he made to Ba "I will protect you" and Ba's "betrayal" mentioned in Er Wu Zai's diary, he walked into an ambush set by the enemy.
It was a trap set by a ninja who was proficient in assassination. Although he finally completed the counterattack with his own hard power, he was also covered in scars, his vision was also affected, and he could not see anything.
Using his sword as a crutch, he staggered up the mountain step by step, and finally came to the last enemy.
...
On this day, there was a university event in Kyoto as scheduled, and snowflakes were falling from the sky, which was the best explanation for the chilling scene in the scene at this time.
Mizuna Hayato was covered in blood and was killed by the enemy and fell into a desperate situation.
As I have said many times before, when it comes to fighting, Mizuna Hayato may not be the best at it. Being beaten is his most valued skill.
As a former stuntman, one of the skills he has mastered is how to be beaten to the point of being knocked off his feet while still being handsome and beautiful.
In the snow, the red of blood meets the white of snow. The camera changes from panoramic view to close-up. He is injured everywhere in the panoramic view, which arouses the protectiveness and distress of those who see this shot. However, the profile of his face in close-up is... He is charming and poignantly handsome.
Kenshin, who was completely blind after being ambushed, was basically cut one-sidedly. After being hit a few times, Kenshin already had the idea of dying together. He simply stopped avoiding the enemy's attack and took advantage of the enemy's knife to hit his shoulder. Grab it when you get up, and then counterattack with your sword!
This move may not necessarily be effective originally. After all, the enemy is a being with full health and intact eyesight, and his strength is not low, so he might be able to evade it easily.
The guarantee that Kenshin's cassock slash could hit the enemy was Tomoe who suddenly ran out and hugged the enemy.
The price was that the sword's powerful Kasaya Slash killed both of them.
The classic scene of "manslaughter of a lover" is the tragic ending of the memorial chapter, and this knife is also a scene that Hayato Minazinak has been studying for a long time.
Including the angle at which he drew his sword to strike, the angle at which the enemy blocked the scene, and where Ba ran out and hugged the enemy, etc., he rehearsed it countless times with the action team, and finally added the storyboards of the camera shooting to complete this scene. After it was over, he was extremely satisfied with the footage.
He only shot one version of this extremely difficult action scene, but he shot two versions of the next shot. One was that Kenshin's eyes were not good, and he only knew that he had hit her when he smelled the fragrance of white plums on Tomoe's body. One version is more literary and artistic; the other is more realistic. Kenshin's eyes gradually become clearer, and he sees Tomoe lying on the ground in the lost lake. This version can imply Kenshin's eagerness to save people, otherwise he can rest for a while and wait for his eyes to open. Well come again.
Both versions were good, and he wanted them all.
But for the last scene, he couldn't help but film so many versions.
Kenshin held Tomoe in his arms. This man who "always brings troubles and bloodshed" finally let his blood stain the white plum red.
Minato Hayato knelt down in the snow, letting Horikita Maki's head rest on his lap.
The camera showed Horikita Maki's face. The background on the ground was white snow, which contrasted with the white skin on her face and her blood-red lips. She raised her hand tremblingly and approached the water with the dagger she held in her hand. Hayato's face.
This is an unforgettable scene for countless Kenshin fans. Tomoe used her sword that represented love to seal the scar on Kenshin's face that represented hatred. Tomoe used her love and life to turn it into a scabbard and become the sword of the future. The seal of the "vow not to kill" in the heart.
Horikita Maki lay on her back, her eyes filled with tears, and her trembling lips said the classic line:
"I'm sorry...husband."
