Before Minakami Hayato could yell the slander, Fujiwara Nao corrected himself:
"Oh, it should be whoever you like wants to be a female anchor again."
After all, Minakami Hayato is talking about the "Female Anchor Talent Show", and he is dealing with people who have not yet become female anchors.
"Don't talk nonsense." Mizuna Hayato said angrily: "I don't believe you can't tell whether recruiting a few female anchors is a good thing or a bad thing."
Fujiwara Nao seemed to be deliberately mischievous and pretended not to hear what he said. She held her chin in her hand and said with a smile: "By the way, do you think it's possible? You recently liked the profession of female anchor, but you didn't like it. Just choose a few yourself..."
"Farewell." Mizuna Hayato was very angry. Wasn't this an insult to him? When he said this, it seemed as if he had to rely on this method to obtain women.
Anyway, everything that needs to be said has been said. As for the implementation level, let the eldest lady handle it herself. Oh no, she should instruct her subordinates to handle it.
The conference call with the eldest lady ended, and the development direction of various important matters under Stargaze was determined, which will be rolled out soon.
This may be the advantage of a "family business". Two people chat over video and decide on the matter. There is no need to hold dozens of meetings, large and small, and leave them all to the social beasts below. That's it.
On the other hand, he also had to properly arrange his follow-up work.
With the final chapter of the legend completed, his "Rurouni Kenshin" three-part continuous shooting plan only has the final stage of the memorial chapter to wrap up.
The final stage is the most critical shot, the climax of the whole movie, especially the last scene of killing people in the snow and parting between life and death, which brings a poignant ending to the whole movie.
Hayato wanted to shoot this section in real scenes, so he needed to wait for a heavy snowfall, and at the same time, he also had to hone his aesthetic ability and lens control.
It just so happens that during this gap period, I can go back to Tokyo to edit the scenes of the first two films and advance the post-production of special effects shots. It is also a good time for learning.
The director's aesthetic ability has a great influence on the temperament of the film. For example, Zhang Guoshi is famous for his picture control. The color matching and light and shadow coordination in his movies are enough for other directors to learn for decades. You can say that his plot It's not good, but it's hard to say that his picture isn't good-looking.
On the other hand, for other "directors", their non-mainstream temperament overflows the screen, coupled with their frivolous emotions, it is really difficult for people to hold back. Time makes rain, directors make shit, and they are blackened to the sky.
How to distinguish "poignant" from "unnecessary moaning" is also the focus of Minakami Hayato's research this time.
Let him shoot some fighting scenes and some explosion scenes. He can easily tell which movements here are better and which angles are better, and how many explosions there are to make them more shocking. However, the beautiful and delicate literary style is not what he is best at.
The first two stages of filming for the reminiscence included a lot of daily content. For other shots that express emotions in a restrained way, he basically stitched together the expressions of the OVA and the original work, plus some beautifully shot real-life shots.
Originally, this was enough. After all, what touches people ultimately comes back to the story itself, and the story of Yukidaiba and Kenshin is a classic among classics.
But who is Minato Hayato? He likes to "make the best use of everything".
Since I came back this time and wanted to discuss the filming and casting of "Umi Street Diary" with Hirokazu Kore-eda, why not take a "master class" and let him talk about his shooting skills?
Minakami Hayato didn't hesitate. After he and the eldest lady finalized the contract with Kore-eda Hirokazu, the topic wandered around to the movie he was currently filming.
With "Rurouni Kenshin", "Horror Live" and "Travel to Hakodate" in front of him, Kore-eda Hirokazu did not put on any airs of seniority in front of him. Instead, he got along with him as an equal, and even humbly believed that Hayato Minakami was there. There is a lot worth learning from him about the commercial rhythm of movies.
There is no such thing as a situation where people who shoot literary and artistic films look down on commercial ones.
So Minato Hayato expertly followed the stick, starting from the two completed films to the memorial chapter, and warmly invited Kore-eda Hirokazu to visit the post-production place of their Stargaze film department.
When he came to the room where the film was being edited, Hayato Minakami directly took out the footage of the memorial episode that he had shot earlier, and he looked like he was discussing but actually asked for advice:
"Director Kore-eda, look at how well I shot this shot..."
"Oh, isn't this a beautiful photo?"
"Yes, we squatted there for more than ten days and finally pulled out this section. You see, this section is in the plot. It represents the sword's heart... I want to use this flower to express..."
"Hmm, that's a good idea, but if it were me, maybe I would..."
...
Hayato Minato's skills in coaxing girls are also very useful when coaxing directors. Although his words of compliment are not very gorgeous, he is round and round, has a sincere expression, and has a correct attitude. Even veterans like Hirokazu Kore-eda are praised by him. Lost in the lake.
Then some children may ask, is the handsome aura of our Minami-kun also useful for old men? Can you deceive people so easily?
This is not the case.
In the final analysis, the so-called handsome aura is a buff. Most women are affected by the buff when they look at Minato Hayato's face. On the contrary, his aura of "the youngest international director in history" and "genius actor", is it just that? Isn't it a kind of buff?
Especially for the director, all his films have been recognized by the market, especially the zombie movie "Train to Hakodate", which has become popular in many countries overseas. Recently, I visited the "holy place" where "Train to Hakodate" was actually used. "There are many more foreign tourists.
Who can withstand the compliment of such a young and promising genius?
The two soon became "friends who have been together forever" and exchanged a lot of information about the filming of the movie.
Since Hayato Minakami came here with the idea of "taking a master class", it was mainly Hirokazu Kore-eda who explained the shooting ideas for the shots he shot.
Mizuna Hayato also learned a lot indeed.
Every director has his own shooting style, and one director's ideas are not suitable for all films. In fact, Hirokazu Kore-eda's temperament may not match that of Reminiscence, but his ability to control the details of the shots is indeed beyond the reach of Hayato Minakura today.
For example, in a scene where Xuedeba was working in a tavern, he made many suggestions to use corner shots, details of the actors, and even fleeting scenes to set off the current story background.
Ordinary viewers may not notice some shots, but the accumulation of these "little details that no one cares about" is the key to making the background of the entire movie come alive.
