"Ume Street Diary" is a very good movie, and Hayato Mizuna also believes that according to past practice, he only needs to propose a simple plan like this, and the eldest lady will handle the subsequent problems, so there is no need to worry about whether The original director, Hirokazu Kore-eda, can be found.
With the director of the original version and a perfect client like Missy, it shouldn't be a big problem to make a movie that is as good as the original version, or even better.
And throughout the whole process, Mizunami Hayato was just talking. He could only say that Qin Shihuang touched the switch and won.
"Is this the joy of reading girls' comics? I understand."
Apart from filming, Hayato Minato has one more thing he must do every day - that is to open the special APP that the eldest lady prepared for him, and look for suitable works for adaptation.
We, Mizunami-kun, have always been exposed to both rain and dew. It would be perfect if we could take advantage of the situation and give other confidante roles in several works and roles.
But soon, Minato Hayato didn't even have time to read comics.
The weather is getting colder, and the final stage of filming for the Legend Ending Chapter is coming to an end. It is also time to film the final battle between Kenshin and Shishio.
In the world of "Rurouni Kenshin", as the villain Shishio Makami, regardless of his character or strength, at least for the audience, the expectations are high.
Because in the movie version of this battle, Kenshin used the ultimate secret of Feiten Mitsurugi style - Tianshou Longshen.
The first time a shounen manga protagonist uses his ultimate move is definitely a highly anticipated scene, just like Goku facing Frieza's first Super Saiyan transformation, or Kuchiki Byakuya like Ichigo learning the swastika attack. ..These classic scenes all show that a good ultimate move display requires not only the handsome move itself, but also a good opponent and the display scene.
And this is not an ordinary ultimate move. It is a special adaptation of the movie version. It is a ultimate move that Soujiro has not been able to use. It is a new ultimate move that he learned after suffering from the failure of the previous Kyoto Fire episode and practicing again. It is like "Don't bully the young man into poverty". Just like the promised battle, you can't throw the ultimate skill you have learned to the little brother who is watching the gate.
Kenshin VS Shishio, in a fire, facing the devil-like villain, resorting to the ultimate killing scene, can be treated as the climax of a movie.
An action fanatic like Mizuna Hayato takes the filming of this scene even more seriously.
In fact, Tianxiang Longshan had already appeared when filming Masaharu Fukuyama's scene.
In the original work, the Sky Soaring Dragon Flash is the ultimate secret of the Flying Sword Style. It is a stunt that must be performed with the belief that one must die. Even when teaching this stunt to his disciples, the master usually becomes the first to perform this trick. A dead soul - this is also the reason why there is only one lineage of Feiten Yuken style.
The filming of this version of Hayato Minakami also gave an in-depth description of the plot of Kenshin's special training under Hiko Seijuro. Under the pressure of Hiko Seijuro's Nine-Headed Dragon Senpei A, Kenshin finally used the Tianxiang Dragon. Flash, in fact, the shot was quite passionate, and it can be called a perfect shot.
At that time, some people still had doubts. Now that the film is so handsome, what should I do if the finale is overtaken by the guest star?
Mizuna Hayato's answer can only be that this time, more attention to detail and action will be required to make the legendary Sky Soaring Dragon Flash truly come out of the comics.
But the problem is, the Tianxiang Dragon Flash in the original comic has two swords. The first sword throws out the vacuum, and the second sword sucks people in and cuts them. How to film this?
Mizuna Hayato thought for a long time and finally decided to add stunts.
He is not a fundamentalist action maniac. Appropriate special effects can make the picture look more exciting, then that is completely acceptable.
Of course, the special effects here are not the colorful light pollution of Xianxia idol dramas. If you want to compare it, it is about the special effects of kung fu, which concretize the imaginary inner power and are based on the action design that is already good enough.
The flashes of swords, shadows, and air currents can all show the "super speed" characteristics of the flying sword style, without being too unrealistic, and can completely add flavor to the movie.
And in fact, he has added a lot of special effects in the early stages, mainly focusing on Masaharu Fukuyama.
He wanted to highlight the characteristics of the original work, which were taller, more powerful and more oppressive than Ko Seijuro, but Minakami Hayato himself
The height itself doesn't match up, so the scenery and props can only be scaled down during shooting, and stunts and stunts can be added later.
Fortunately, the eldest lady was coaxed by him and gave him full support. He didn't have to worry about the special effects team, but it would take more effort in the later stage.
...
"Yes, let's set up a green screen here and we'll shoot a section, and then we'll shoot another section in real life." Hayato Minakami directed the final scene layout.
It’s cool to be your own investor, and you can do whatever you want with special effects and real-life scenes.
In the first "Rurouni Kenshin", he was more restrained and restored the fighting in reality. Now in these two movies, he has slowly let himself go and added special effects shots. On the one hand, he does not deviate from reality, and on the other hand, he also It can restore the original comic more.
Well, no one in Hollywood's superhero movies says, "Your background is too fake." Well, Kenshin can be a "superhero" too.
The crew is also Hayato Minakami's own team. With the experience of "Travel to Hakodate", everyone's control of the special effects scenes perfectly meets Hayato Minakami's needs, and they work together easily.
However, the staff are very familiar with it, but many actors are not very experienced and still need to adapt.
"Yes, Fujiwara-san, your place is on fire right now, ah, yes, yes, but you can't show it's hot. You are the villain, and fire is your special effect, okay..."
"Okay director, let me think about it." Fujiwara Ryu was also very cooperative. He took the storyboards and the original manga and animation given by Minakami Hayato and went to the side to think about his performance.
When the weather gets colder, his bandage is much more comfortable. It's not like he would be covered in sweat casually in the summer. But when the lights come down for the official shooting, he will definitely not be able to escape.
Being able to have such an excellent actor to cooperate with him, Minakami Hayato couldn't help but nod secretly, subconsciously wondering whether to give Ryuya Fujiwara the "Death Note" that was dropped by Butterfly in this life.
Recently, I have been obsessed with the idea of sharing my work with my confidante, and even men want to share it with me.
Even the veteran actor Ryu Fujiwara was not used to the lively scene, let alone Mai Shiraishi who came to guest star Yumi Komagata.
In the last scene, she didn't have too many shots, and as the woman of the big boss, she was quite important.
She looked here and there, everything was new.
As everyone knows, this kind of scene is actually rare in Yingzhou. After all, there are only a few directors who can make blockbusters, and even fewer can skillfully use the film industry and special effects.
Most of them are fresh and fresh photography done by small workshops, and what they pursue is meticulous polishing.
That's right, what Hayato Minakura is talking about is Hirokazu Kore-eda who said after sending the invitation that he would consider it for a month!
