As the saying goes, insiders watch the door and outsiders watch the excitement. Fujiwara Nao can only watch the excitement and keep looking for the original scenes she has seen in her mind to compare with the content shot now.
However, as the first shot to find his status, Hayato Minato just asked Horikita Maki to take a shot of packing things up.
But even so, Fujiwara Nao still enjoys it and thinks her casting is perfect.
Thinking of this, she glanced at Arimura Kasumi again and couldn't help but sigh.
It's not that I don't want to help my own people, it's just that the enemy is too powerful.
If the first simple shot can let them see a little bit of the secret, then the next important shot can better reflect Horikita Maki's current "human and horn-in-one" state.
That's right, when Hayato Minakami saw Horikita Maki in such a state, he was happy and surprised, but also a little worried. After all, everyone knew that today's situation was special, and everyone didn't dare to say anything because he was the director, but he was definitely in good acting condition. It will be affected by the group of actresses who are watching.
But now it seems that the impact on Horikita Maki is positive.
Based on past experience, Minazawa Hayato thought that her outstanding acting skills today were a confrontation and demonstration against the actresses outside, just like what Nagasawa Masami had just done.
Masami Nagasawa is the heroine, and the crew is her own territory to her. When a cat intrudes into another cat's territory, it will demonstrate by blowing up its fur and showing off. It's no wonder that she would suddenly come over to join in this. Making fun that she usually doesn't like to join in.
At this moment, just like that moment, the heroine of the crew has been switched to Horikita Maki.
Minato Hayato could see it, and he just didn't say it most of the time.
Just like now, he could see that Horikita Maki was still cold on the outside, but inside she had a sense of antagonism and ownership for him. Would he use his director's loudspeaker to talk about it everywhere?
He will not.
He would only show a pleased smile to Horikita Maki, encourage her a few words, and then on the first day of shooting, no, not even the first day, just a demonstration, he would change the shooting plan and let her do a comparison. Important plot.
[Don’t worry, I’ll create a stage for you! 】
Mizunami Hayato looked at Horikita Maki, his eyes full of encouragement.
The so-called Shura field is a real Shura field only when the flames of war burn on them, and if they ignite their own little fighting spirit, it usually makes a profit for Hayato Minakami, a "fisherman", so he is somewhat It is no longer a big deal to watch the excitement.
After arranging the camera and other arrangements, Mizuna Hayato returned to the performance area. This time, the scene was of two people sitting and drinking in a tavern.
"Watch carefully and study hard!" As if he suddenly thought of something, Mizuna Hayato said in the direction of Riho Yoshioka and Kasumi Arimura.
Perhaps his mentality changed so quickly that he got carried away and forgot for a moment that in addition to the two young actors who had agreed to come to the scene to learn, there were also three "big actresses" Erika Toda.
"???"
The three women who heard this sentence were all filled with questions and felt that they were being ridiculed.
Aragaki Yui's reaction was the biggest. She said "Huh?" and a cross seemed to appear on her forehead. Her anger meter was full at once.
Seeing this, Arimura Kasumi subconsciously wanted to explain that maybe Minakami Hayato was telling her, but the moment he opened his mouth, she felt that this sentence seemed a bit shameless, as if Minakami Hayato only looked at her.
"this..."
"Okay, let's take a closer look."
Yoshioka Riho patted Arimura Kasumi on the shoulder and said: "You are so dedicated to this role, don't miss this opportunity."
"Yeah." Arimura Kasumi nodded.
No matter what happens over there, it's ready to go.
This scene was actually a night scene, and it wasn’t difficult to shoot it during the day, as long as the windows and scene lighting were taken care of.
The background of the plot is that on a night of celebration, Yukiyoba and Kenshin were sitting across from each other in a tavern, drinking. They were in the tavern when they first met. At that time, they were not sitting across from each other, and their mentality had changed a lot.
After turning on the phone, Minato Hayato sat opposite Horikita Maki, holding a sake cup. Horikita Maki held a sake flask and filled it up for him in a polite manner, and then filled up her own cup.
Minato Hayato picked up the wine glass and drank it all in one gulp. Then he looked at the wine glass and sighed: "It's been a long time since I tasted the aroma of serious wine."
】
"Really? That must be because of the celebration." Horikita Maki spoke calmly, and raised her hand to cover Minakura Hayato, and said: "I'm the opposite of you. I rarely have time to drink recently."
"Does it taste bad?"
"No, it's different from before. I don't feel like I need to rely on alcohol anymore."
This plot is based on OVA. It is not difficult to say it is difficult, but it is very important.
Because he killed too many people, especially after killing his ex-husband, the scars on his face kept bleeding, which caused Kenshin to have psychological problems. He always felt that the blood on his hands could not be washed away, and he could only drink the smell of blood when he drank. But when he met Yukiyoba Later, when he drank, he could finally taste alcohol again.
This is a hint, suggesting that Kenshin is here and has once again transformed from "Executioner Battosai" to "human", and this reason is precisely the appearance of Tomoe.
On the other hand, Tomoe's lines are actually a hint that she used to drink because her fiancé was killed, but now she doesn't drink much.
What better reflects her change in mentality and better reflects Horikita Maki's acting skills are the following sentences.
"Every time I see the wounds on your face, I wonder, what is the situation in front of the people you killed?"
"You always say you kill people for people's happiness."
"But I don't think there is happiness in this world that can be obtained by killing people."
Her tone rose slightly, which meant that Ba's mood also rose. For such a woman, such a tone and words were almost questioning.
When acting, the progression of emotions is a difficult skill. If the role requires the final emotional outburst to be hysterical, it is okay, as long as the emotions are vented at the right time, it is enough.
It's easy to act like this, and it might even be edited by fans, with the title "Explosive Acting".
But Tomoe is different. Her character is destined not to give her too many opportunities for emotional outbursts. This conversation with Kenshin is full of hints and foreshadowings. It must not only show her original character, but also Let the audience see her emotional changes.
Only when there is a change can the audience go back and investigate the underlying reasons, and then the dramatic conflict can be established.
And Horikita Maki does this very well.
Like she was used to doing it.
When the scene was finally filmed, Minakami Hayato returned to the gathering place for the actresses. Horikita Maki received a warm welcome from the eldest lady, and he looked at the other actresses.
"How's it going? Have you learned anything?" He asked again, seemingly in the direction of Arimura Kasumi, but actually in the direction of everyone.
