Kyoko Fukada left the crew with Hayato Minakami's expectations, but Hayato Minakami did not become a loner and could only accompany those rough guys to shoot action scenes.
Masami Nagasawa will be filming until the end as the heroine, and Mai Shiraishi, who was called by the eldest lady, has also joined the cast.
Mai Shiraishi plays the role of Yumi Komagata, the woman next to Shishio. As the former No. 1 oiran of Shin-Yoshiwara, her beauty is her greatest feature. In other words, when Hayato Minakami has no interest in adding a scene to her , this character is a complete vase.
As mentioned before, among the stargaze actresses, Riho Yoshioka has the right temperament, or Nanao and Ayaka Miyuki can compete with their figures, but letting them play the supporting role may be a bit low-level.
Minato Hayato wanted to take over the role, and gave him another canary, Hyugako Sauno, to play the role of a female anchor just like Yukihira Rizuo was given, but his long-trained desire to survive told him that he must not do this.
So when the casting rights were handed over to the eldest lady, this inconsequential but revealing role slipped away from the idols of Nogizaka.
Minakami Hayato felt that in terms of temperament, Mica Eto might be more suitable, but of course the eldest lady with a controlled appearance chose Mai Shiraishi, who she thought was the most beautiful.
There's nothing wrong with Mai Shiraishi. She has good looks and, most importantly, fair skin.
Minakami Hayato has always felt that the movie version of the previous life was dark in tone. Except for Yukiyoba, who was given a large shot, the female characters did not show much beauty.
As for an oiran, of course her skin must be good and white enough, her face beautiful enough, and her figure must be in good shape. As for her upper body, everyone is equal under the kimono. Showing off her figure of course depends on her manners and body proportions, and Shiraishi Mai has all of them.
Now that I have given one supporting role, it is not a big deal to give a few more. In the original work, there are several female ninjas in the Royal Garden Fans, Makimachi Soo’s partner, and Mizuchi Hayato is all given to the little idols of Nogizaka, that is, Show your face.
These few days were spent filming some of their scenes.
Do you think that this way, Minato Hayato will be able to have a happy time with several beautiful girls around him these days?
Mizuna Hayato thought so too.
Unfortunately, the few idols who came here had no time to play with Minato Hayato because they still had the task of preparing for a concert tour. Their supporting roles were like guest appearances and could only be filmed for one day.
A day is not short, nor is it not enough...but the important thing is!
Hayato Minato's assistant, Nana Hashimoto, also came over and said that Mai Shiraishi, as the c-position of Summer Singles, was an important figure in the concert tour. She wanted to ensure that Mai Shiraishi could coordinate the work of both parties during her time in the group.
So in the past few days, Minato Hayato could see that Hashimoto Nana was clearly his assistant, but she followed Mai Shiraishi every day, asking for help and arranging the schedule...
Even when he walked over to talk to Shiraishi Mai, she would stare at him with warning and vigilant eyes like a protective agent, never leaving him.
This gave Mizuna Hayato an inexplicable illusion that he had horns on his head.
I was obviously the one who came first...
So in the end, even though there were so many flowers coming and going in the crew, Hayato Minazawa could only stay with Masami Nagasawa.
Of course, Masami Nagasawa is the best in the world.
...
As the saying goes, "If you don't have a woman in your heart, you will draw your sword and be a god of nature." Without interference, Mizuna Hayato can pull the "rough guys" to "fencing".
The two plots "The Great Fire of Kyoto" and "The End of the Legend" are connected together. There is only one big boss, Shishio, which is equivalent to the upper and lower parts of a movie.
So obviously, the final battle to defeat the big boss cannot be completed in advance. Many people will also think that the previous part is just a foreshadowing and there will be no exciting scenes, but this is not the case.
Sometimes the excitement of fighting elite monsters and small bosses is not much worse than that of big bosses.
In "The Great Fire of Kyoto", there are two extremely exciting one-on-one fight scenes that Hayato Minato put a lot of effort into.
What will be filmed soon is the first showdown between Kenshin and Soujiro.
In the movie version of Hayato Minakami's previous life, this scene was shot quite wonderfully. Takeru Sato and Ryunosuke Kamiki obviously put a lot of effort into practicing. Their sword skills are sharp and fast, making the whole fight scene seem hearty.
Many action movie mix-editors often edit this section. This section is often mentioned when giving examples of excellent action scenes in "Rurouni Kenshin", which shows how excellent it is.
Of course, Hayato Minakami didn't want this version of his to be worse than that version. When designing the action, in addition to referring to the original version in his mind, he also watched a lot of action movies, studied samurai killing formations, and watched some swordsmanship genres. explain.
When someone with real swordsmanship skills makes a samurai movie, it will look more realistic and confusing. In Minakami Hayato's mind, there was a movie called "Tsubaki Flowers Scattered" in 2014, and Junichi Okada had it. "Innocent Shinden Kaori Shinto-ryu" is a true legend, and several fight scenes are amazing.
Then again, since the movie hasn't come out yet at this point in time, Hayato Minato, the seam monster, will naturally not let it go. While carrying forward his own action style, he also sewed a little bit of "Tsubaki Flowers Scattered" of fighting scenes.
Therefore, in Minakami Hayato's version of Kenshin vs Soujiro, they did not follow the gorgeous and exciting action style like the original version or the original manga. Instead, they went from a stalemate with the sword to a probing attack like a strict sword and halberd film. , switching trials between upper and lower sections, and quick transitions between offense and defense.
The design of the first half is not like a comic book adaptation, but like watching two real samurai fighting. Each sword attack is like testing each other, but each sword attack is aimed at the weak point, as if the murderous intention is hidden in that quiet confrontation. within, and then revealed instantly.
In the second half, it begins to show the characteristics of "comic adaptation".
Soujiro, the "Sky Sword" in the original work, is extremely talented. Like Kenshin, he is characterized by "super speed". During an attack, he can accelerate to the highest speed in a short period of time. Even the naked eye cannot detect the super speed. , called "shrinkage".
The attack between the two "super fast" people started with a sudden sprint after pulling away from each other.
In the original movie, because the action design is very "cartoon", people often complain about this section. The lower the samurai's body is, the scarier it becomes.
Mizuna Hayato draws on each other's strong points to offset their weaknesses, adding a large section of more realistic fighting, and at the same time finding ways to show the stunts and characteristics of the two people in the comics. The entire action design is complex and requires extremely high speed and movement proficiency.
Let brother Shenmu practice until he complains endlessly.
