Horikita Maki is also an experienced actor, and she knows that the first scene of an important role always has to be polished, and after studying the script and the long shooting schedule, she knows to some extent what Minakura Hayato expects from this movie, so even if she takes it seriously I had been preparing for it for a long time, but I didn’t think I could pass it in one go or even just a few shots.
Minato Hayato was obviously not as worried as she was.
"No problem, my goddess loves to be photographed as many times as she likes!" Hearing her unconfident words, Mizuna Hayato directly picked up the loudspeaker: "Did you hear that? Hurry up and get ready. Don't delay our Maki's state. ! Whoever holds you back, I will use the back of my reverse blade to chop him!"
"Hahahahaha~" The scene suddenly turned into a changed ocean. Horikita Maki's mouth twitched, and Tomoe's state almost broke.
Minato Hayato put down the speaker and captured the moment when Horikita Maki lost her composure. He smiled and patted her shoulder and said, "It's good to smile."
"Maybe you read OVA's remembrance chapter before filming started, and you veered a little in that direction. However, in the plot, Tomoe is only 18 years old. There is still a bit of girlishness in the original comic. I don't want to abandon this in the movie. a little."
"OVA has achieved the ultimate in literature and art. Kenshin and Tomoe don't look like 16 and 18 years old at all. Although it can be explained by the influence of the times, it is a bit too heavy. After all, we are still a commercial movie, with a little light element. Better."
Hayato Minakami has been following his elder brother for so many years, and is deeply influenced by the style of action comedy. At the same time, Sakurazu film and television dramas often add some light-hearted comedy elements to the serious plots. This has been the case in his past and present lives, and of course he does not It will be easy and completely like OVA to embark on a heavy and profound path.
Although such a work is easy to win awards, it is not his style. If he insists on making something that is not his style, he may end up painting a tiger instead of a dog, and make a film that is neither fish nor fowl.
"Hmm...Okay, I understand." Horikita Maki nodded, understanding Minakura Hayato's explanation.
"Then let me prepare a little more."
"It's okay, get ready while filming." Mizuna Hayato grabbed her and said, "We have several months to shoot this movie. There are only a few summer scenes. Let's see... we can shoot until September. .”
Horikita Maki gave him a strange look: "Isn't the second part about to start filming next week?"
"Hey! You know this too. You care about me so much, I'm so touched!" Mizuna Hayato launched an "earthy attack".
Horikita Maki had no reaction and asked: "Everyone on the crew knows, why don't I know?"
The actors filming the reminiscence episode were different from the second one, but the crew and staff were the same. She only had to casually communicate with the makeup artist, costume designer and other staff members to know that they were going to enter the third stage with Mizuna Hayato. Super overtime mode for continuous shooting.
"That's it." Hayato Minato nodded and continued his "earth attack": "As expected of you, you actually did not hesitate to change your private behavior style and asked the staff to understand my future itinerary. I was even more moved. !”
"..." This time, even a "cold" person like Horikita Maki was speechless.
She turned around and planned to ignore him and leave, but the next moment she turned around, she turned back and emphasized: "My acting style is not that inhumane."
Hayato Minazin looked at her back as she turned away and was stunned for a second. He chased after her and said with a smile, "Really? Will the kind Miss Horikita be willing to have dinner with me tonight?"
"..." Horikita Maki didn't look back, but paused slightly.
...
Minato Hayato obviously used a loudspeaker to say that filming was about to start, and even threatened the staff, "I'll kill anyone who holds you back." But after saying that, he turned around and dragged the heroine to chat for a long time. He didn't know who was holding him back. who.
But Mizuna Hayato is both the director of the crew and their second boss. No one dares to ask or tell anyone. He just prepares quietly, chatting quietly or looking at the scenery in the distance.
"Okay, everyone, concentrate. I just finished explaining the scene to our heroine, and now I'm ready to start filming!" Hayato Minazin picked up his favorite loudspeaker again.
"Okay!" Everyone in the team stood up and took their positions.
Minakami Hayato and Horikita Maki also came to the performance area and took their positions. Then Minakura Hayato observed the situation and shouted: "Attention all units, the first time in the twelfth scene of "Rurouni Kenshin Memories", a!"
In midsummer, the forest was lush and green, and the sunlight penetrated through the gaps in the leaves in the forest, forming spots on the ground. A sandy and gravel path opened in the middle of the forest. Kenshin Himura and Yukidaba walked on it, and the sand and gravel were trampled. The rustling sound of the forest mixes with the chirping of cicadas in the forest. It is said that "birdsong mountains are more secluded". The tranquility of the mountain forest does not need to be completely silent. This special sound can instead bring out its mystery.
The camera did not give a close-up of the two people walking forward one behind the other. It just followed their background and then moved down inexplicably, settling on a few purple flowers swaying in the wind on the side of the road.
Lavender, a beautiful purple plant, blooms in June and July. Its flower language is waiting for love.
The camera switched, and soon, a woman dressed as an ordinary mountain village woman came forward, carrying a basket of freshly picked flowers on her head. Seeing this woman, Tomoe stopped, but Kenshin continued to move forward.
"You are Tomoe from Xiaoqiuwu, right? Are you going on a long trip?" the woman asked.
"Flower shop proprietress? Auntie, there is chaos in Kyoto, so we should suspend business." Tomoe said worriedly.
"This..." The flower shop proprietress glanced at Tomoe, and then at Kenshin who ignored her.
"Hurry up and get on your way." Kenshin left a sentence without looking back.
"that person..."
"It's my husband," Tomoe replied.
After saying that, Tomoe followed Kenshin and left.
In the next section, the camera changed to a fixed shot. Kenshin walked past the camera first, leaving behind her back without hesitation. Then she caught up with Tomoe's back. The rhythm was a little slow. When she completely entered the camera, she stretched out her hand. He reached behind him, pulled out half of the dagger from the knot of his belt, and inserted it back in two seconds later.
After putting the sword back, she sped up in small steps wearing a kimono, quickly making up for the slight distance she had fallen behind when she hesitated.
...
"Okay, come on, this scene is over, transition! - The hut where Kenshin and Tomoe live in seclusion!" Hayato Mizunakami ordered with a loudspeaker.
The shooting of several shots in this section went very smoothly, basically in one shot, and it was a simple issue of positioning. After Hayato Minato and Maki Horikita emphasized the role of these shots, there was no problem.
