The filming of the blocked Rainbow Bridge was very interesting. Only one or two handheld cameras were used to film the escape group. This was to restore the tense atmosphere of the crowd's escape after the explosion. Even the subsequent filming of Satomi Ishihara's performance was shot directly with a mobile phone.
It's not to save money, it just fits the plot.
And there weren’t many cameras filming the scenes, but there were a lot of cameras filming them.
Blocking the Rainbow Bridge was a rare experience, and Hayato Mizuna naturally had to make the best use of his resources. In the past, he had to shoot behind-the-scenes every time he filmed a scene. This time, he even added extra fun and used all the spare cameras to shoot behind-the-scenes.
Various angles, various directions, even the people watching the filming from a distance were taken in.
In addition, in order to give fans an Easter egg, Hayato Minakami also contacted the hospital where "CODE BLUE" was filmed and borrowed one of their spare medical helicopters. In the movie, it was used to treat the injured after the explosion. When it was used on fans, it was Pure surprise.
The scheduling ability of Mizuna Hayato, who was running at full speed, was astonishing. Perhaps it was because he was most familiar with this kind of scene. It didn't take much time to demonstrate the movement positions for the group of actors and the camera positions for the photographers.
Ishihara Satomi is also in good condition after adjustments. Anyway, with just those few lines and her panicked expression, she can hardly make any big mistakes at her level.
So this time there was no problem of extra money due to overtime of the blockade, and the Rainbow Bridge was busy again.
After the crew packed up and retreated, night slowly fell, and the Rainbow Bridge lit up its signature rainbow-colored lights.
"Ah, it's been a long time since I watched the Rainbow Bridge light up so leisurely~" Ishihara Satomi seemed to be in a good mood as she was blown by the sea breeze of Tokyo Bay.
"Well, it's indeed pretty."
Mizuna Hayato raised his head and glanced into the distance before replying casually.
"I also know that there is a parking space where you can enjoy the scenery from the car."
"Really?" Ishihara Satomi asked with great interest: "Hayato-kun and who have you seen the scenery with?"
"Masami Nagasawa." Hayato Mizuna stopped typing on his phone and replied.
Ishihara Satomi suddenly felt choked: "Then, are you in contact with her now?"
"No. She's so busy."
Ishihara Satomi breathed a sigh of relief.
"Contact a photo idol I know about coming to film tomorrow."
"?"
"But the main thing is to deal with another photo idol and explain to her why I didn't find her this time."
"??"
"Hey, I know they all want to transform as soon as possible, but they have to eat one bite at a time, right? I have a lot of actresses here who need roles, and their acting skills can't compare to others."
"Eh? Ishihara? Where are you going? Aren't we all eating and drinking together tonight?"
...
The word "photo idol" is basically synonymous with a good figure, and all of them are very young and beautiful. Thinking of those photo idols with thin waists, big hips and long legs, Satomi Ishihara, who knew that Hayato Minato was romantically ridiculous, felt a little unhappy for a moment. .
After all, those photo idols are all "vixen" talents, and they are quite infuriating just looking at them.
And when the photo idol named Yukihira Rizuo appeared in front of her, she became even more angry.
"Is this fucking eighteen years old?" Ishihara Satomi exclaimed in her heart.
Looking closer, her magnificent chest, slender yet voluptuous waist, and plump yet straight long legs reminded her of another person inexplicably.
She may be inherently incompatible with a woman of this stature.
"Wait a minute. You are reporting the news like an anchor. Do you remember the lines?"
"Remember, I also learned the anchor's accent!" Yukihira Rizuo was very happy to be chosen first by Minato Hayato. While holding his arms to warm him, she also did not forget to show off her efforts.
Mizuna Hayato nodded with satisfaction: "Yes, not bad."
I don't know if I am satisfied with her performance attitude or the position of her arms.
"And then quite simply, this microphone explodes..."
"explode?!"
"Don't be so loud. It's a small explosion. It's safe. It will never hurt your little face."
As Mizuno Hayato said, he also traced his fingers across her cheek. He could only say that she was worthy of the delicate skin of an eighteen-year-old girl. Her skin was as smooth as cream, but that's all.
If this scene had been directed by another middle-aged uncle, it would have been as if the director had unspoken rules for an actress. Unfortunately, he was Mizuna Hayato, and the crew members also followed the rules and kept their heads down and were busy.
Only Ishihara Satomi became more and more angry as she watched. Just when she was about to step forward to say something, Mizunami Hayato had already taken out his hand and clapped his palms several times.
"Yesterday's shooting of the Rainbow Bridge was just a warm-up. I hope everyone will officially get into shooting mode today."
"I made a guarantee with the eldest lady for this movie. It was shot quickly and well!"
"How fast?" Yuki Ping Lizuo is a qualified supporter.
Mizuna Hayato cast an appreciative look at her, then raised his hand and gestured: "I'll tell you a number..."
"Seven days!"
"Back then, Director Wang could shoot a Young and Dangerous movie in seven days, so today I, Mizuna Hayato, can shoot a purely indoor drama in seven days."
The seven days that Hayato Minakami mentioned only meant the shooting in the studio, and special effects such as explosions and building collapse in the later stages were not included.
But this is amazing enough. Movies are not assembly line products. Whatever is input can be assembled immediately. Every good movie is inseparable from the director's meticulous craftsmanship and the actors' careful interpretation. These are all required Time.
However, this "Horror Live" has a special genre. Ninety percent of the indoor scenes are mostly one-man shows starring Minakami Hayato, the male protagonist. The difficulty is basically hung on him.
With the finished movie in his mind as a reference, Minakami Hayato became more confident, thinking that he could do most of it once and a few parts twice.
Not only that, in order not to hold him back, he carefully selected the actors who played opposite him, except Yukihira Rizuo, who was a pure soy sauce character, and other roles that had direct dialogue with him.
For example, the deputy director who caused the male protagonist to be demoted to the radio station and later betrayed the male protagonist after working with him. Hayato Minato invited Ishimaru Kanji who played the role of the president of Osaka Nishi Branch from the crew of "Hansawa Naoki" to perform. .
Ishimaru Mikiji is also a musical actor with many years of experience. This kind of single-scene indoor drama can be said to be his strongest field. As long as the scale of acting is reduced from the scale of the stage, it will be suitable for this movie.
In addition, there are several actors who are also invited actors from "Naoki Hansawa", but because they are busy there, they will only come over on the day of filming.
This also caused the crew over there to complain about Minato Hayato. He hadn't even filmed his role in "Hansawa Naoki" yet, but he poached him so quickly.
－－－－－－Digression－－－－－
I caught a cold two days ago. I bought medicine yesterday and took it. The medicine is so powerful that I fell asleep directly. I ordered takeout and fell asleep. I was woken up by a call for takeout. I took takeout and ate takeout. Then I went back to sleep and slept until dawn.
I actually fell asleep today. I woke up at 10 o'clock to drink water and realized that I almost fell asleep again.
