Perhaps because of her quarrels with Nozomi Sasaki on the set every day, Satomi Ishihara's skills have improved, and she hit the most painful point for Kyoko Fukada with just a few words.
Originally, Kyoko Fukada's advantage was that she had known Minakami Hayato early, and being the first to come was the advantage. Moreover, Minakura Hayato listened to her and kept rejecting Satomi Ishihara, but this advantage disappeared that night after she attracted the wrong person.
Even if she now displays the aura of "senpai" and "main palace", it is not very tenable after Satomi Ishihara mentioned Nao Fujiwara.
Kyoko Fukada was glaring at Satomi Ishihara, and Hayato Minakura also looked at her in surprise.
Not only because she is brave, but also because a few seconds ago she was saying that she didn’t know about making a movie, but then she changed her mind and even mentioned the eldest lady.
Before Kyoko Fukada exploded, Hayato Minato raised his hand to refute the rumor: "Don't be embarrassed, you are not my eldest lady, so you don't dare to say nonsense."
"Really?" Ishihara Satomi smiled, pulled Mizuna Hayato over, and hugged his arm: "Then...I am yours!"
"Let go!" Upon seeing this, Fukada Kyoko also grabbed Minakami Hayato from the other side.
The Shura Field that Mizunakami Hayato had been avoiding for so many years arrived at this moment, and he was caught off guard.
Originally, he thought that watching Ishihara Satomi and Sasaki Nozomi quarreling every day on the set would give him the feeling of being "two women fighting for their husbands". He even thought that the Shura Field was nothing more than that, but until this moment, he didn't know that the reason why the Shura Field was The name "Shura" is not only the rivalry between the two women, but more importantly, the dilemma he is caught in the middle.
"Oh, oh, oh." Hayato Mizuna applied a little force, put his arms around the two women, and plagiarized the familiar classic line: "Stop arguing, the eldest lady is not mine, but you are all my wings!"
Upon hearing this, both women looked at him at the same time.
In comparison, Kyoko Fukada's reaction was bigger: "Everyone is like her..."
As she said that, she was excited and wanted to throw away his hand, but she realized it again and saw Ishihara Satomi looking at her as if she was watching the show, and stopped moving her hand.
So why is it that in ancient times wealthy families were allowed to have three wives and four concubines, but modern people are still used to referring to this situation as "harem".
As "His Majesty the Emperor," one must not only know how to share rain and dew, but also understand the aesthetics of "containment."
The harem is like subordinates and ministers. Everyone gets along harmoniously, which may not be entirely a good thing for him, but if there are small conflicts to keep each other in check, he will naturally benefit in the end.
Except for the waist on one waist that was pinched by Fukada Kyoko's small hands, which made him feel not so good.
...
In fact, Minakami Hayato also understands that according to Fukada Kyoko's attitude, it's not that she is unwilling to be Minakura Hayato's "wings", but her request for the wings on the other side is that it cannot be Ishihara Satomi. As for the rest, even if Minakami Hayato is a "ten "Two-Winged Archangel", she didn't really care.
Of course, the eldest lady was a woman who would take off her wings, so she had to be on guard. Let alone her, Mizuna Hayato himself was hesitant to move forward.
Perhaps in order to solve the problem of "lure a wolf into the house", Kyoko Fukada tried every means to find time after her own work and went to their set every day.
What Minakura Hayato didn't expect during this period was that based on the idea of "the enemy of my enemy is my friend", I thought that Kyoko Fukada would get closer to Nozomi Sasaki.
After all, one is a person outside the crew and is busy with work, so there will always be gaps in defense when taking time out. Nozomi Sasaki is the second female lead after all. Even if the scene is basically over, she can legitimately stay here. Anyway, she is still on the road to becoming an actress. Didn't go out much, so it wasn't too busy.
But let alone the relationship between the two of them, they didn't exchange more than three sentences when they met.
Jigglypuff obviously has such a sweet and approachable face.
"Maybe I subconsciously feel that she is not easy to get along with."
In the restaurant, Fukada Kyoko explained while helping Minato Hayato pour the wine.
Opposite me, Satomi Ishihara supported her chin with one hand and shook the wine glass in her hand: "Maybe people miss you the same way."
"It's much better than you. You are the hardest to get along with!" Kyoko Fukada rolled her eyes at her.
"Oh, don't say that." Satomi Ishihara said with a smile: "At least we have a relationship of 'sleeping in the same bed'."
Kyoko Fukada tilted her head and was too lazy to look at this woman. She couldn't even say "get out".
Mizunami Hayato is very proud of himself these days. Except for the fact that Shura Chang's waist is attacked from time to time, these are all benefits.
During dinner in the evening, they were basically accompanied by two beauties. When Ishihara Satomi took the initiative to give benefits to Minato Hayato, Fukada Kyoko would not admit defeat when she saw him.
Unfortunately, when it was time for the adults, they all followed the order tacitly, and so far they have not allowed Hayato Minazin to complete the one-on-two achievement.
"Speaking of Kyoko."
"Call senior!"
"Kyoko-senpai~" Satomi Ishihara called sweetly.
Kyoko Fukada just glanced at her.
"After filming this drama, I will soon be filming a movie with Hayato-kun. Then you won't come here every day, right?"
"You really don't want me to come?"
"How could it be possible?" Satomi Ishihara said with a smile: "After all, Kyoko-senpai is the pillar of the company. If he comes to our side every day, our manager Sang will have some objections."
Ishihara Satomi and Fukada Kyoko are in the same class led by the same agent. If they really have any objections, they will tell Fukada Kyoko directly.
Kyoko Fukada looked at her, smiled slightly and said, "It doesn't matter, I won't come then."
"Really?!" After hearing this, Satomi Ishihara revealed that she was not as comfortable with Fukada Kyoko's presence as she had just shown.
"Of course." Fukada Kyoko smiled and nodded: "I will join the group in a few days, and I won't be in Tokyo."
"Hey, is it true?" Mizuna Hayato looked at her.
"Yes. No one thinks that I come here every day because I'm afraid of something, right?" Kyoko Fukada laughed: "I'm just relatively free recently."
Neither of them believed what Kyoko Fukada said. She didn't have any free time.
...
A few days later, the filming of "Towards the Light" was officially completed. Hayato Minakami said goodbye to the crew as usual, and rushed to the direction of the "Horror Live" crew with Satomi Ishihara.
Eighty percent of "Horror Live" is his one-man show, so he can skip the actor meeting.
The shooting scene was simpler, a complete studio scene, and it was the background of a TV station's news broadcast room.
When shooting a movie like this that doesn't require many transitions and is basically a one-person scene, as long as Hayato Minakami's acting skills don't break down, by the time the movie is finished, "Towards the Light" won't have its finale yet.
－－－－－－Digression－－－－－
Sore throat, cough, cough
