Many comedians watch their own shows and use what they say in the show to be edited and released to improve their ability to talk the next time they go on TV. The same goes for some actors, who watch their own TV series. , observing his own performance in the play from the perspective of a bystander.
When Haruka Ayase was watching "The Doctor" tonight, she not only acted like a bystander, she was even more involved than the average viewer. The way she was wiping away tears did not look like someone who knew all the plot in advance.
And all this is because the pressure accumulated from recent filming is about to reach its peak.
If the third episode that just ended on the TV is just the beginning of the high-energy plot of "The Good Doctor 2", then the plot they are currently filming has reached a position close to the climax.
In the eighth episode, the pregnant Yefeng has reached the point where she has to make a choice. She must keep her child no matter what, but Nanfang Ren checked her body again before Yefeng got married. He knew that, Her body could no longer support her through delivery.
This child can be said to be of vital importance in the plot of the entire drama. Firstly, it represents Yefeng's new life after gaining freedom. Secondly, it also determines whether Nanfangren's fiancée can still exist in the future world.
Even looking at the historical background of this drama, it can be said that this child represents a kind of hope, so in the script, this production plot is always interspersed with Sakamoto Ryoma's shots.
In this way, the key point of the plot has emerged. From the starring to the director, no one wants to mess up this plot and must shoot it brilliantly.
For this reason, Hayato Minato and Kyoko Fukada finally played each other seriously tonight, and did not do anything else in the middle.
This is the second time Minato Hayato has seen such a serious Fukada Kyoko. The first time was when she was not sure about falling in love with Ishihara Satomi. But this time, not only was he forced to give up the idea of getting involved, he even complained about it. There is no time why caesarean section is called "imperial incision" in Japanese.
It seems that until Yefeng's episode is over, he will have no more sweetness to taste.
However, in comparison, Ayase Haruka, who was watching TV alone in the room and used this to embody the emotions of the character, was even more miserable than Minakami Hayato, who was alone.
In fact, it was not Fukada Kyoko's original intention to leave her good sisters aside. When the filming of this season's script first started, she had not thought about it yet.
...
Early the next morning, the crew was ready and ready. The director had already told us that this scene was too important and no one dared to miss it.
Kyoko Fukada did her makeup on the side. Today she wore light rouge and almost no makeup. In order to highlight the pain before giving birth, the makeup artist put on some sweat marks on her.
Because of this, the way her soft and moist hair clung to her face gave her a strangely alluring look.
"Three two one, start shooting!"
The plot begins. In the camera, Yefeng is lying on the bed with a pale face and cold sweat on his forehead, but he still maintains a moving smile.
"Doctor, is there any pain relief method that won't hurt the baby?" At this time, Yefeng was like an ordinary pregnant woman. No matter when, she was thinking about the baby in her belly, even if she was already in excruciating pain.
"It's just a very light amount, it doesn't matter." Nanfangren replied with a smile on his face.
However, the smile that disappeared instantly when he turned his head was caught by Ye Feng.
As a former courtesan, Yefeng had seen all kinds of people, and her ability to observe words and emotions was at its peak. At that moment, she realized something was wrong.
She turned her head, glanced at Tachibana Saki on the other side, and then looked at Nanfang Jin again.
The pain from her body made her gasp subconsciously, but Nanfang Ren's expression confirmed her judgment, which turned out to be true.
"You're really bad at lying." She suddenly smiled.
"Eh?" Nanfang Ren was stunned.
Suddenly, she got up and with difficulty but forcefully knocked the medicine prepared on the table to the ground.
...
Fukada Kyoko, who was still smiling a second ago, raised her head, but her eyes were so firm: "Please perform a caesarean section!"
"Open the belly directly and take out the child!"
"But if a caesarean section is required, anesthesia is necessary, but the child cannot bear it at all..."
"Then please cut it open like this!"
This scene is another highlight shot of Nokaze, and it is also the most difficult shot that Kyoko Fukada has ever encountered.
An courtesan who once fell into darkness and lost her freedom finally gained hope and freedom, happiness, and a child she never thought she could have.
For an ordinary person, a child is the continuation of one's bloodline, and this is especially true for Yefeng.
"I was a caged bird."
“I can’t go where I want to go, and I can’t see the people I want to see.”
"But."
"This kid is different. He can do anything, whether it's running across the mountains or walking side by side with the one he loves."
"You can live freely like... a bird in the sky."
This monologue is a symbol of Yefeng's state of mind. She regards her children as hope and pins all the regrets in her life on her children.
Just like in the last season, Yefeng, who fell in love with Nanfang Ren but could not be together because of their identity, cried and said, "I really want to turn into snowflakes so that they can fall on the doctor's shoulders." Then It’s because she can’t walk side by side with the one she loves.
But this kid can.
If this child is taken away, it is no different than taking her life.
In the last season, Kyoko Fukada played the role of Nokaze. Although it was somewhat difficult, in the final analysis, it was enough to perform the feeling of not getting what she asked for.
In this life, Yefeng has gone from a reclusive courtesan who went through many vicissitudes at the beginning, to an ordinary woman who finally found happiness, and now to a mother who places her hopes on her children. The change in her role has brought higher difficulties.
Especially for mothers, Kyoko Fukada, who has played a lot of silly and sweet roles so far, never thought that one day she would play a mother who is about to lose her child.
In fact, even the director had prepared for this scene many times.
But to his surprise, after only being NGed twice, Fukada Kyoko seemed to be getting better, perfectly expressing many psychological and facial changes, as well as the monologue just now.
"Here we come!" The director came closer to the screen.
"Please don't take away my dream!" Fukada Kyoko's eyes were red, and a tear fell from her cheek. Her expression seemed to be hysterical and pleading.
Just like Tachibana Saki's line here, "A woman can endure any pain for the sake of her children," Kyoko Fukada has demonstrated a persevering mother image very well.
