Everyone often says that debts are too much to bear down, and people’s bottom lines are broken step by step.
It's like an Internet author who suffers from procrastination. He has hundreds of thousands of saved manuscripts before publishing the book. He wants to update the saved manuscripts every day for emergencies, but who knows that the procrastinator will take a day off today and play for a while tomorrow, and the saved manuscripts will be wasted. After that, my update time became later and later, until I started to ask for leave without saving my manuscript, but I didn’t know how to restrain myself.
In the end, it became a waste of three days of fishing and two days of drying nets.
Writing songs is not like writing a book, and it’s not that the problems that Mizuno Hayato encounters can’t be written about.
On the contrary, he relied on his memory to get better and better, and wrote down several major soundtracks for "La La Land", and the one he had performed before had been renamed "Gakki Hayato's Theme" Together with the music, with the help of Igarashi Michie, it was changed into a piece suitable for a whole symphony orchestra to perform.
So the so-called bottom line that he was lowered was just from the ultimate stitch monster in "Love in the Sky" to the level of copying music.
Now if I ask him to copy a few popular songs that will become popular in the future, he will probably write them without hesitation. But the problem is that in his previous life, he didn't listen to J-POP at all, and at most he could hum a few lines of "Lemon" Just level.
Back to the topic, the style of "La La Land" is obvious. It seems difficult for musicals to survive in Sakura Island. However, when Nagasawa Masami invited him to see Takarazuka that day, it gave him some inspiration. The musical seemed It is the most suitable stage for this story.
However, Hayato Minakami has not gone to perform in musicals for the time being. It just so happens that this "fan meeting" is getting bigger and bigger, so it is suitable to put this story on the stage for his fans.
Therefore, the repertoire performed by the temporary symphony orchestra formed by him and his classmates was no longer a few classic classical repertoires, but a set of repertoire with a main line connected by an entire story.
The story is there and the background music is there, so naturally the male and female protagonists are indispensable.
By chance that day, "Mia" and "Sebastian" were changed to "Gakki" and "Hayato" by Erika Toda. So, if this heroine doesn't look for Yui Aragaki, who can she look for?
When he mentioned this matter to Yui Aragaki, he was still on the set of "CODEBLUE 2". At that time, Hayato Minakami couldn't figure out whether Yui Aragaki's attitude towards him was close or distant recently, so he decided to try to ask first, and then confirm whether to use " A "provocative invitation" or a "sincere invitation".
Unexpectedly, Yui Aragaki's expression did not change at that time, and he agreed without much hesitation.
This actually made Minazina Hayato even more confused.
After greeting all the classmates in the rehearsal hall, Hayato Minato naturally came to Yui Aragaki: "Gakki, I'm going to trouble you today."
Yui Aragaki held the "shot" prepared by Hayato Minato for her, with a strange look on her face: "Are your shoes expensive today?"
"Ah?" Mizuna Hayato looked down subconsciously, shook his head and said, "They are just ordinary sneakers. I can't say whether they are expensive or not."
"Then I'm relieved." Yui Aragaki breathed a sigh of relief: "If I step on your shoes later, I won't have to pay for it, right?"
"Trampled...oh!" Mizuna Hayato suddenly realized.
This whole performance is an instrumental performance with a plot, the main body should be the musical instrument, and after all, it is a personal fan meeting of Hayato Minato. Even in this temporary band, the songs are basically changed to use his cello as the main theme. It’s about the theme, but what stands out is his personality.
Therefore, this section cannot be regarded as a real musical, and the male and female protagonists do not have lines. They just follow the changes in the track and show the story through the coordination of body movements and costume changes.
Yui Aragaki has no problem with body movements in ordinary stories. As an actress, it is not that she has never participated in stage performances. However, the attribute of "La La Land" is a "musical" after all. In addition to "songs", there are still "songs". dance".
The heroine in the original movie skipped a lot of scenes, and the "battle dance" between the hero and heroine on the hillside under the sunset, the dance between the Milky Way during the date, and the final dance together through a long memory are all An unforgettable image.
It can be said that according to the progress of the music, as long as the stage background changes are made, it is a good choice to copy the original dance patterns of these sections.
But the problem lies with Yui Aragaki. She was born as a model and is not very good at dancing.
Thinking about it carefully, when it comes to Yui Aragaki and dance, except for the "shame escape dance" in the movie "Escape from Shameful But Useful" that made her very popular in the future, it seems that the only one she regards as a black history is the pocky dance.
But these two dances are completely beyond the scope of "dance skills".
"It's okay, dancing is all about stepping on people in the beginning." Mizuna Hayato said with a smile.
"Ah...yes, yes." Yui Aragaki was a little embarrassed.
The Lespros agency she works for is not a large agency, unlike Stargaze, which arranges dance and music classes for every actress to improve their temperament.
Therefore, Yui Aragaki, who only has a basic level of dancing, has been going to Stargaze company to borrow Stargaze's dance teacher for unexpected lessons these days.
I don't know if she really has no talent, or if she has a grudge against the small but powerful dance teacher, who has already stepped on both of her shoes in the past few days.
Minato Hayato heard about this from Saito Asuka, saying he saw her rubbing her feet after class.
Thinking of this, Hayato's expression changed: "Actually, you should be more worried about my feet than my shoes, right?"
"ah?"
"Forget it." Looking at her confused eyes, Mizuna Hayato waved his hand: "It's not easy for you to help. I should thank you."
Although the song was renamed and Yui Aragaki was chosen as the heroine, it was also a natural move, but the reorganization of the "Koisora Group" that countless fans miss on this stage can be regarded as a highlight.
He also invited several of his other "CPs" to play some jokes from plays related to them on stage.
"By the way, you didn't go through your office when you agreed, right? Is there any problem there?" Mizuna Hayato asked.
Although Lespros is an agency, its work style is well-known in the industry, and it is known for its "military practices" and is relatively strict with artists.
As their pillar, Yui Aragaki doesn't seem to be very strict, but when it comes to cooperating with other artists, they will definitely ask about it first.
"No, they heard that they were cooperating with you... Stargaze, so they had no objection." Yui Aragaki looked at him strangely: "After you directly replaced Haruma-kun in "Koisora", They just..."
Seeing this expression, Minato Hayato also understood, and touched his nose awkwardly: "Ah, actually it can't be said that we want to change it..."
