"Well...can I go too?"
Yoshioka Riho, who was very sensible in eliminating her own sense of existence just now, asked this question cautiously. She wanted to see how Higa Aimi's crying scene was filmed.
After all, Riho Yoshioka is not a professional assistant. When it comes to what she desires, she will occasionally forget her identity. For example, when she was on the set, she would always disappear and go to learn things by mingling with the staff.
Although Nanao is not a professional assistant, she has always deliberately kept a distance from Mizuna Hayato, so that she has always done a good job in "business matters".
However, Hayato Minakami is not a devilish boss. Besides, it is normal for Yoshioka Riho to be a little jerky when he is an assistant for the first time. Everyone's first time is jerky, so it is better to say that it actually has a different flavor.
But before Minakami Hayato could finish thinking about agreeing, Erika Toda ran back and pulled her away:
"Little fox, come with me. I will teach you today."
Hayato Minato's nicknames are always recognized by everyone, and everyone in the crew started calling her little fox. This made Riho Yoshioka even start to consider buying a pair of fox ears.
Erika Toda's hands were very strong and she couldn't tolerate Riho Yoshioka's objection, so she pulled her away.
She stretched out her hand in the direction of Mizuna Hayato, not knowing whether to struggle or not.
Well, Toda-san's acting skills seem to be better than Higa-san's.
she left.
Mizunami Hayato took Nao Nao to the park where the outdoor filming was done.
It was fun to have fun, and the crew had a large open space outside the hospital, but the dogs definitely preferred the park when walking.
After a few observations, Minato Hayato untied the rope and let her roll on the lawn, while he went to the area where she was filming and observed secretly.
The entire park has been fenced off by the crew, so there is no need to worry about what will happen if Noisy doesn't wear a rope. Moreover, she has relatively strong self-management ability. Many times, when outsiders other than Mizuno Hayato take her, she is very It’s hard to tell whether a person is walking a dog or a dog is walking a person.
After gesturing silently to the staff responsible for the order of the venue, Mizunami Hayato secretly watched the filming footage being played in real time on the surveillance screen here.
Higa Ai's filming is in full swing, and is about to enter the stage of crying scenes, which is the most exciting time.
In the last season, after going through a lot, Saejima finally chose to return to her boyfriend, take back those heartless words, and spend the last time with her boyfriend after work.
Today they made an appointment to meet in the park. The laughter of parents and children playing around could be heard, but they talked about the sad topic of life, separation and death.
It turned out that Saejima's boyfriend Tazawa Satoru sent her a message last night, saying that he had decided that in his final moments, he would no longer barely maintain life and would not wear a respirator.
This sentence is equivalent to saying that he has to face his own death.
So he asked Saejima to meet him in the park and have a heart-to-heart conversation.
It is very painful to be paralyzed in a wheelchair, unable to live independently, and can only wait quietly for death.
Because he couldn't do anything, what rolled through his mind every day were the days when he was high-spirited, the days when he was intimate with his lover and imagined the future. Happy memories would make him more painful.
It will also make him cherish the people around him more.
The dialogue design of this scene is very beautiful, and Mizuna Hayato quietly watched the wonderful performance of the two actors.
The camera shot onto Higa Ai's unrefined face. The tip of her nose was red, her eyes were filled with tears, and she looked at the other person with a sad expression.
"I decided not to take life support, not to put on a respirator."
"But that's why I can come to you like this."
"I will spend the rest of my life seeing you."
The lines are obviously from the actor, but a lot of the camera time is given to Higa Ai's face. Obviously the intention here is to impress the audience with the affectionate lines and the changes in Higa Ai's expression.
The sadness from shallow to deep is simple to say, but it is not simple either.
If this scene is to be filmed to impress the audience, a large part of it depends on Higa Aiwei, not only in terms of acting, but also in making the audience feel sorry for her from the bottom of their hearts through these scenes. The more distressed the better.
It's no wonder that Ai Higa has been under so much pressure recently, and her emotions even extend outside the scene.
"There will be no miracles with this disease. But I hope you can understand. My life has always been a miracle."
"I'm still alive today."
"It's morning."
"Today...is the day to meet Xiaoyao."
Mizuna Hayato stood up straight, looked at the actor in the camera seriously as he spoke, and watched a tear slide down Higa Aimi's cheek.
The climax of this scene is coming.
"I hope my hair isn't messed up from sleep."
"I looked in the mirror. No."
"If I sleep in a mess, I won't be able to sort it out myself."
"Okay. Go see her."
Mizuna Hayato couldn't help but clenched his fists.
"I'm out the door."
“It took me 45 minutes to get to the park that is only a 10-minute walk from home.”
"You're right there."
"I lived to see you."
In the world of Japanese dramas, there are various styles, various themes, many fantasy worlds, and many human fireworks.
What Mizuna Hayato likes most are the most life-like scenes in Japanese dramas.
The background of a family room must have a variety of daily objects and a background with the atmosphere of life, rather than being spotless like some dramas and not looking like a place where people have lived.
Only in this way can a scene seem real.
In the same way, a line can certainly be a dreamy statement about eachother, but the most touching words are always sentences that are close to life and come from the heart.
In this extremely touching scene, Lin Hongsi used the most daily life scenes of a patient with ALS to illustrate the difficulty of seeing his lover, and by extension, being able to see his lover alive is a miracle in life. .
Minato Hayato likes this technique very much, just like he likes the two plain but touching letters in the Japanese drama "The Perfect Divorce".
As the lines got better, Higa Ai's crying scene finally broke out. Her tears kept falling from her eyes. They were uncontrollable tears. She couldn't even control her expression and allowed her emotions to surge.
There is no technique in this crying scene, it is all emotion.
Mizuna Hayato looked at Higa Aiwei who was crying, but in his heart he felt that she was beautiful like this.
When the director called out, Higa Aiwei remembered that the filming was over, but it was hard to take back the emotions she had released. She sat back on the park bench and lowered her head in pain.
Minato Hayato stopped the staff who was about to come forward to deliver tissues.
Because his time has come.
