"Okay, are you childish?" Kyoko Fukada patted Minakami Hayato angrily.
Mizuna Hayato flashed exaggeratedly, and then gave her a handsome face.
Ayase Haruka hid behind Kyoko Fukada, with his hands around her waist, raising his eyebrows, and showing off his power to Hayato Minakami.
Kyoko Fukada looked at him funny.
Mizuna Hayato raised his hand: "Okay, stop talking. I feel like your next sentence will say, 'She's still a child.'"
Fukada Kyoko’s eyebrows were curved: “I think you look like a child.”
After hearing this, Hayato Minato glanced at Ayase Haruka who was sticking out her tongue at him. Her hand around Fukada Kyoko's waist seemed to be unruly, and it immediately reminded him of a certain kid named Oden.
She doesn't look like a child, she is a child.
However, while having a handsome guy and a beautiful girl, Kyoko Fukada also seemed to have learned the secret skill of getting the male lead in the harem equally. After supporting Ayase Haruka, she asked her to sit aside and figure out the next scene, and then came over. To appease Mizuna Hayato.
What is this called? This is called the mind of the one who embraces the left and the right.
Leaning on Fukada Kyoko's soft comforting means and enjoying the massage from her slender fingers, Minakami Hayato suddenly thought of a question.
It seems that since his debut, he has filmed so many scenes, and every time he would have childish quarrels with the female leads, Masami Nagasawa, Yui Aragaki, and Satomi Ishihara. Even at the beginning of "Symphonic Lover's Dream", because of Ueno Juri's out-of-the-box character was also played well by the crew.
Of course, some of them were pure friends like Ueno Juri, some were there just to tease her, like Masami Nagasawa, and some were like Yui Aragaki who couldn't get along with him.
So who is Haruka Ayase?
Mizuna Hayato thought quietly, and Fukada Kyoko behind him suddenly smiled, and he turned around to ask.
Kyoko Fukada took out a small piece of paper from behind him with the word "idiot" written on it and handed it to him.
"Isn't Aya cute?" she asked with a smile.
"..." Hayato Minakami glanced at Ayase Haruka not far away with disgust, and shook his head: "It's cute, but it's a pity that he is a fool."
Kyoko Fukada smiled and knocked him.
...
No matter what Hayato Minato thinks of Ayase Haruka outside the play, Ayase Haruka in the play is really talented in acting. This is a talent that even Fukada Kyoko feels inferior to, and she believes that Ayase Haruka is very popular. She will soon surpass herself, because she has a good relationship with Ayase Haruka, and she was even a little happy when she said this.
Mizuna Hayato was wondering if, as long as it was not Satomi Ishihara, it didn't matter who she was surpassed as the "first sister".
Closer to home, after being disturbed by Hayato Minakami for a long time, Ayase Haruka still performed very well when the filming officially started.
Ayase Haruka, wearing a pink kimono, looks like a gentle and lovely ancient girl, but her current appearance of pear blossoms with rain makes people feel even more distressed.
"No matter how much I wait... I will never be able to get into his heart."
She was smiling, as if she was trying to show that she was relieved, but every time she finished a sentence, she would frown for a moment, which was the pain that she couldn't hide no matter how hard she tried.
Compared with many actors he has worked with in his previous life, Mizuna Hayato seems to understand more and more why the dramas at that time were getting more and more awkward, because the young actors at that time seemed to be no longer able to make such vivid expressions, and their eyes would look angry and angry. A closed mouth means sad, a pursed lip means angry...
The famous philosopher Zihuashen once used his own experience as an example.
At that time, someone asked him to film a movie, and the script was quite eye-catching. He was puzzled until the person said this: "Wai Tsai and Wai Tsai will be responsible for filming those scenes, and you will be responsible for filming these scenes."
Later, those young actors were probably at a level where they were clearly responsible for filming "those scenes", but they were forcefully dragged into filming "those scenes".
Huang Zihua's acting skills even easily surpassed these young actors.
But the biggest problem may not be with the actors, but with the drama itself. There are fewer and fewer "those dramas" and more and more "these dramas".
Let's compare "The Doctor". Every character has its own personality, every plot has its own role, and every line is clear and easy to get addicted to.
In the tenth episode, after something went wrong with his fiancée's photo, Nanfang Ren began to doubt more and more whether he should do nothing in this era.
For this reason, he did not hesitate to choose a condition without vision and did not dare to check and treat her. When Ryoma Sakamoto wanted to save more people with penicillin, he even said this:
"Those who lost their lives in the war probably should have lost their lives in the war."
This is the protagonist's emotional and ideological changes after experiencing many changes, and it is also a kind of confusion on the road of growth. The audience can clearly see the growth path of this character and remember him deeply in their minds.
Similarly, Sakamoto Ryoma, as a supporting actor, is not described carelessly. From his dissolute performance at the beginning to the hero who is bent on saving the country and looking for a way to save the country, every aspect is him, and every aspect is clearly displayed in front of the audience.
Assuming that Hayato Minakami was just an actor, he might not think so much.
But at this moment, he suddenly remembered his adapted script of "Love in the Sky".
The reason why the ultimate pure love movie "Koisora" became a box office hit is definitely because the audience has not seen so many new pure love routines, plus the beautiful scene of Hayato Minato and Yui Aragaki marrying a handsome man and a beautiful woman.
If you think about it carefully, there are still problems with this new script.
In the original "Koisora", at least it also created some outstanding characters such as Hiroki's ex-girlfriend and the supporting actor who painstakingly pursues Mika.
In Minakami Hayato's new "Koisora", the role of other characters has been greatly downplayed. What is highlighted is the sweetness and cruelty of the male and female protagonists. Even if there is a role of the heroine's best friend, it is just a tool. Many viewers see it as Wan doesn't even remember this character exists at all.
Although such a single-line story is unlikely to create a variety of outstanding characters like "The Good Doctor" or "CODEBLUE", it is still strange that there are only two characters left.
The more Hayato Minato thinks about it, the clearer his idea of how to make a good movie becomes. If he were to stitch together a pure love movie now, he would definitely pay more attention to the look and feel of the entire movie and better create different characters. The role comes.
Because the so-called youth, there is the youth of handsome men and beautiful women like the hero and heroine falling in love, and naturally there is also the youth of ordinary supporting characters who are different.
but...
"Forget it, forget it." Hayato Minato suddenly remembered "Angel Love" mentioned by Fujiwara Nao and shuddered: "I will never make a pure love movie again."
