After a second thought, Hayato Minazin realized that the charm of Tatsukawa Tokio's character was not limited to his loyalty to his two friends.
The most memorable thing about Tatsukawa Tokio in "Hot Blood High School" is his struggle in the face of death. When his friends were fighting, he also chose to face his own life with fighting. His most classic scene must be the scene where he said he wanted to walk into the operating room and face it openly.
Although the "educational value" of this kind of film seems a bit excessive, if his acting skills can interpret the struggle and courage to face death, it may also encourage many lost teenagers to face their own lives bravely. Bar.
Minato Hayato felt taller for some reason.
Perhaps this is the deep meaning of PTA asking him to change roles.
perhaps...
...
The movie version of "High School" came out, and even though it was set in the time period of the comic version's predecessor, it still received mixed reviews among fans of the comic version.
What is involved here is probably the spirit of the "crow" that the original comic of "Hot Blood High School" wants to express.
"So what about crows! It's better than the poor birds in cages."
The "crows" with such a spirit struggled and struggled on their own in school, swaying their youthful blood. Then after graduation, they each went their own way and faced their own lives with dignity.
As a comic serialized since 1990, the author of the comic "Hot Blood High School" seems to have a "romantic" unique to the previous generation.
Miike Takashi naturally did not forget to express this kind of romance when filming.
Therefore, whether it is Takitani Genji's heart that wants to surpass his father, Serizawa Tama'o's heart that dreams of friends and hegemony, or even Tatsukawa Tokio's heart that faces death, it is an expression of this kind of romance.
But at the same time, even if the film art is supported by the original work, it will also undergo artistic adaptation to a certain extent.
In order to better fit his own style, and to make the tone of the entire movie more commercial, Miike Takashi exaggerated the settings of the movie version to a certain extent.
Just like the opening ceremony at the beginning, the bad boys ignored the teacher and started fighting in the auditorium. However, in comics, bad boys basically choose to fight in the toilet.
This kind of artistic exaggeration may be regarded as "transgression" by some fans of the original work.
"It's like describing crows as scum." Something like that.
Of course, although Hayato Minakami also edited the original manga in order to make this movie, he quite supports Miike Takashi's artistic exaggeration.
Even, he felt it was not enough.
...
Today's shooting was the scene where Tatsukawa Tokio and Serizawa Tamao appeared for the first time, in front of a hospital.
According to the timeline of the plot, here Tatsukawa Tokio learned about his condition and knew that he had to face the choice between surgery with only a 30% success rate and waiting for death; at the same time, Serizawa Tamao hid outside the door and heard all this .
Then after going out, Tatsukawa Tokio's expression changed from solemn to relaxed, not wanting to worry his good friend.
But Serizawa Tamao looked at him complicatedly, and then deceived him into taking his motorcycle away, as if a child was angry.
...
The filming of the previous scenes went very smoothly, especially when Hayato Minakami walked in the hospital corridor. His heavy steps, solemn expression, but handsome performance made his first appearance pass in just two shots.
Then the scenes between the two went very smoothly, and Takayuki Yamada's acting skills were very strong.
After that comes Minakami Hayato's favorite scene.
Tamao Serizawa stole the motorcycle, but he was not very good at driving. He stumbled along the way and even encountered a police officer who knew that he did not have a driving license, and started a "car chase scene."
To be honest, in the eyes of Mizuna Hayato, this "car chase scene" is basically child's play. Firstly, it is too short, secondly, it is too slow, and thirdly, it is not destructive enough.
So he went to give advice to Miike Takashi.
"Director, I think this car chase scene needs to be strengthened. Since we are all pursuing excitement, why not follow through to the end?"
Miike Takashi raised his eyes and looked at him: "Although the atmosphere of the school is a bit exaggerated in the plot, they are high school students after all. Your idea of letting Serizawa walk through the busy city and perform stunts is impossible to realize."
"No, you don't have to do stunts to show the tension and excitement!" Mizuna Hayato said anxiously: "Look, isn't this long road chase a little too open? Even if the camera is shaken, the most is Dazzling the audience’s eyes, it shouldn’t be exciting, but it’s not exciting.”
As he said that, Hayato Minazin picked up two pens and began to draw: "How about this? A truck is going to pass by at the end, but there is only a moment of footage, which is a complete waste. Why not let Serizawa rush straight towards The truck, and then the police yelled for him to stop, while still worrying about his safety. Serizawa didn't know how to use a motorcycle, so he swayed left and right to avoid the truck at the last moment, and rushed past the fruit stand next to it, scaring passers-by. "The police car did the same and even crashed the fruit stall's tent!"
Miike Takashi imagined that scene and was silent for a while: "Isn't this called a stunt?"
"What kind of stunt is this? This is just a good use!" Mizuna Hayato said with wide eyes.
Minato Hayato had seen this movie in his previous life, and in this life he also read Miike Takashi's storyboard script, and he immediately hated the iron.
Obviously this scene has everything including a chase, a truck, a fruit stand, passers-by, explosions, collapses and even overturns, but it doesn't feel thrilling no matter how you watch it, it's really not good.
In particular, this scene is the key to the plot when one of the protagonists appears. If it is not exciting and handsome enough, how can it attract the audience's attention.
He felt that as an assistant director, it was necessary to step up and make the film more exciting.
Miike Takashi thought for a while and decided: "Okay, you can draw a storyboard for me to see first. If the effect is good, I will adopt it."
As an experienced director, he has his own artistic persistence, but he also wants to make the movie better. Especially in this aspect, he is leaning towards the direction of action design. He is not an all-rounder and is not very good at it. If Hayato Minakami can do it, then it wouldn't be a bad idea to leave it to him to design it.
Besides, the eldest lady’s words are still ringing in my ears.
"No problem!" Minato Hayato patted his left arm to hand it over to him, and then ran to draw the storyboard happily.
It is said that there is a specialization in the art, and Hayato Minakami specializes in this kind of shot. He has about a hundred ways to create a car chase scene in his mind. He just needs to design one that is exciting and logical enough to fit the plot and characters. .
I was tired of acting out this kind of plot in my previous life, but when it comes to designing for people, I'm still quite excited to try it out.
