The first time Iwase Ken traveled through time and space was probably after his speech at the wedding. At that time, looking at Rei Yoshida in a wedding dress, the unwillingness in her heart surged into her heart, which moved the fairy, and finally triggered the miracle of traveling through time and space.
But in the last episode, when he returned from the past for the last time, it was before he gave a speech at the wedding.
"You have traveled several times, but only changed for a few hours. During these few hours, it is difficult for people to change their minds and the way they think about things, let alone change a relationship."
Faced with the goblin, Ken Iwase felt relieved. Thanks to the ability given to him by the goblin, he went back to the past to make up for many things he regretted. Although he didn't know whether it was correct or not, and although he had no chance, he was determined to take the last step and express his feelings.
After so many time travels, in fact, not only the past things have changed, but also the changes of Ken Iwase himself.
After re-evaluating himself and his relationship with Rei Yoshida, he was no longer as unwilling as when he first met the goblin.
So, facing Takeru Iwase after such a huge change, the fairy gave him one last miracle.
That's why he returned to speak before the wedding. This was the best time.
...
"The important thing is not lamenting the past and the present, but the will to change the present for the future."
Just like the various golden sentences in the previous episodes of this show, in the last episode, through the mouth of the goblin, the screenwriter once again expressed the core values of the show to the audience.
So Ken Iwase stood in front of the microphone to speak at the wedding again.
This is a long shot shot to the end...
"When I was in elementary school, my dream was to be a lovely bride, a bride who would immediately get into trouble if something didn't go her way, be good at washing uniforms, and be by my side all the time..."
Hayato Minakami speaks sincerely and emotionally about the past of his character and his childhood sweetheart, with sadness and reluctance that are beyond words.
But that was the end.
"Because I was always thinking of things I could say at any time, but in the end I never said them out."
Who has no regrets in life? Regardless of his past life or this life, Mizuno Hayato has thought about "what if" and "what if" countless times in the past.
It’s not just about feelings. Recalling those unwilling pasts at that time, Mizuna Hayato incorporated that feeling into his lines and performances.
From now on, seize the day, live in the present, and never let yourself regret. He integrated his own feelings and those of Ken Iwase into his lines:
"I like to give thanks."
...
During the performance of Hayato Minazawa, Masami Nagasawa had tears in her eyes as her emotions progressed.
She tied her hair up and put on a silver hairpin. A piece of slanted bangs fell from the left side, highlighting the incomparable beauty of Nagasawa Masami's face. She pursed her lips because she was holding back tears, and she looked like she was about to cry. It made her look even more pitiable.
"I like to give thanks."
Then after these lines, a teardrop suddenly fell from that beautiful face.
The ancients liked to use "pear blossoms with rain" to describe the appearance of a woman crying. Just like those two ancient poems: "The jade face is lonely and full of tears, and a pear blossom brings rain in spring."
Beautiful poems describe beautiful women.
Nagasawa Masami, who was already bright-eyed and white-toothed, became even more beautiful after this period of love.
This tearful scene made me feel pity for her. It may become her most beautiful scene in "The Proposal".
...
When acting, compared to pure explosive scenes, what is more difficult is the repressed scenes of holding back emotions and not wanting to express your feelings.
Or to be more detailed, the simple thing is to "explode and explode" regardless of the scene; the difficult thing is to let the audience enter the actor's emotions step by step according to the scene.
Everyone can pull out a vein and yell, but not everyone can do the scene of hiding feelings in the heart, hiding in the eyes, suppressing oneself, and then showing them out naturally. Often, such scenes are not often described as "exploding acting skills", but they are more able to impress the audience.
For example, it is like the classic scene of Liu milk tea and roast duck in his previous life.
No matter how many years have passed, when people see Rene Liu with a big belly, stuffing roast duck into the bottom of her mouth, with her mouth full of sauce, without any lines, and tears naturally falling with her emotions, There will always be a knot in my heart.
This is a top-notch crying scene with natural emotions.
As laymen, the audience often needs to find a breakthrough when they can most intuitively evaluate the performance of the people on the stage. And this breakthrough is what crying scenes are to actors, what high notes are to singers...etc.
Therefore, crying scenes may not be the only criterion for classifying actors' acting skills, but it must be an important criterion.
Previously, Hayato Minazin has already dedicated a crying scene to this drama. Although it is certainly not as good as those classic crying scenes in film history, for him, it was the best he could do at the time. What he has to do now is to surpass his past self. It is meaningful to make progress every time.
"I still like Li to this day. But she is getting married to Mr. Tada today. Although she is unwilling to do so, she is still getting married..."
After a long line of lines, Mizuna Hayato has already laid the groundwork for the previous emotions in a gradual rhythm.
He turned around and faced the groom with a complicated expression and the bride with tears streaming down her face.
He said in a choked tone: "Li, congratulations on your marriage. Please be happy."
Then tears finally fell from his face: "If you are not happy, if you are not happy, I will never forgive you."
Then he bowed deeply to everyone.
Then, under the complicated eyes of the bride and the applause of everyone present, she left the wedding venue.
...
"Okay, perfect!" the director shouted.
"Bah bang bang bang~!" The applause from the entire scene was even more enthusiastic than just now.
"Wuhu!!!" Mizuna Hayato ran into the arena with his hands raised.
Like a victorious boxer circling the ring, he high-fived the actors and staff one by one.
"Pfft." Seeing this scene, Masami Nagasawa, who had not fully recovered from her emotions, was instantly relieved and burst into laughter.
"Really, how could anyone change his face so quickly?" Masami Nagasawa wiped her tears angrily.
"But this is where Mizunami-kun is so good." Naoto Fujiki said with an envious tone next to him.
This ability to quickly enter and exit emotions is the envy of almost every actor.
"Is it that powerful~" Nagasawa Masami's eyebrows were curved, but she didn't seem to be questioning.
