Minato Hayato was pushing the swing behind him, and Nagasawa Masami was cheering happily on it, looking back at him with a smile from time to time.
After pushing for a while, Minato Hayato stopped pushing and ran directly in front of Nagasawa Masami while the swing was behind him.
"Ah! Danger, danger!" Masami Nagasawa looked frightened, fearing that the swing would hit him when it came down.
"Hey~" Mizutaka Hayato dodged the swing with a swish, and then came to the front again when the swing went back.
"Hahahaha, you're so annoying!" Hayato's expression made Nagasawa Masami laugh.
"Go away!"
"I don't! The scenery here is beautiful!"
"What a scenery!"
Then Nagasawa Masami noticed that she was wearing a skirt, and that was the scenery.
"Go away!"
Nagasawa Masami said angrily.
In fact, to be honest, Nagasawa Masami was well protected when she was sitting on the swing. Her skirt could not fly up at all, and Hayato Minazawa could only see her slender and white calves.
But he knew exactly how to tease her for the best effect.
Minazawa Hayato just pretended to be a thief, which was enough to make Nagasawa Masami panic.
Then in the process of her panic, some spring light showed up.
After she reacted, Mizuna Hayato couldn't see anything at all, and then the swing slowly stopped.
"Hey, this skirt is really in the way, why can't it float?" Hayato Mizuna sighed deliberately.
"Seriously Hayato, how could you tarnish something as innocent as a swing like this!"
Nagasawa Masami's words were full of dissatisfaction, but the smile on her face could not go away. After all, pornographic jokes are considered vulgar to outsiders, but to those who like them, they are interesting.
"It's the skirt that's to blame, or else I'd have torn it off." Minato Hayato said.
"Still tearing it up!" Masami Nagasawa blushed when she heard this: "You don't even know how long it took me to find this skirt!"
Of course, Minato Hayato knew that the predecessor of this skirt was destroyed by him.
There's nothing you can do about it, you'll always get splashes on yourself when eating hot pot, especially with sesame paste, a delicious and juicy dipping sauce.
And that skirt was a costume that was worn directly home after filming. In order to shoot today's scene, Nagasawa Masami spent a lot of effort to buy the exact same skirt.
...
The last scene shot in the evening was the scene where Iwase Ken returned to the reception with a gift from Yoshida.
Walking on the road at night, the dim light of the street lights dappled through the trees on the road. Ken Iwase looked at Rei Yoshida's back as he moved forward without looking back, and made up his mind for the last time.
No matter what, he will truly express his thoughts at the wedding of Rei Yoshida and Teacher Tada.
...
This inner drama was not difficult for Mizuna Hayato. After all, it was a TV series, and it was outdoors at night, and the lighting was very poor. The combination of the two debuffs means that even if you pursue a delicate performance, the audience may not be able to see it clearly.
It took half an hour to shoot and two hours to set up the equipment.
This is a true portrayal of this scene.
While waiting, Hayato Minakami and Masami Nagasawa used the excuse of "trying out a show" to walk back and forth on the road chatting.
After filming, they packed up and returned to the hotel.
Because it is the last episode, no one plans to go back and forth to Tokyo this week. Everyone is staying in the same hotel.
As the male and female protagonists, Hayabusa Minakami and Masami Nagasawa live in the same room.
After receiving the email contact that "the agent has left", Minakami Hayato sneaked into Nagasawa Masami's room.
"Long time no see." As soon as Minato Hayato entered, he turned around and hugged Masami Nagasawa.
"How long has it been?" Masami Nagasawa replied with a smile.
"One day missing is equivalent to missing three autumns." Mizuna Hayato specifically used Chinese for the key words.
"You mean 'a day without seeing each other is like three autumns'?" Masami Nagasawa stood on tiptoes and tapped Minakami Hayato's forehead: "Are you not studying hard?"
"No, I still know that 'one day is like three autumns'."
"It's just that I didn't mean it."
"So-called one day..."
Minato Hayato once again ate the sesame paste he longed for.
Fortunately, Masami Nagasawa strongly suggested changing the skirt of the costume before the hot pot started, otherwise they would not be able to explain it the next day.
...
Filming during the day and eating hot pot at night, the life of an actor is endless happiness.
In this happy life, Mizuna Hayato ushered in his most important scene in "The Proposal Battle".
This is the scene where Ken Iwase speaks on behalf of the bride’s good friend at the wedding.
At the end, Takeshi Iwase finally admitted flatly that he liked Rei Yoshida for a long, long time.
"I like to give thanks."
This hesitant man finally said what he had not said at the wedding of his favorite person.
Just saying these words, it's time to give up.
But at the same time, in this passage, Rei Yoshida also recalled every moment of getting along with Ken Iwase in his mind.
The small influences caused by Ken Iwase traveling through the past again and again finally converged into a huge miracle, and he finally changed the emotional line between him and Rei Yoshida.
Rei Yoshida cried. She realized that she had been saying that Ken Iwase didn't understand anything, but how could she not understand anything?
In her memories, Ken Iwase's repeated changes were his sincere expressions of emotion, but this time she was the only one who didn't notice.
...
During the filming process, Hayato Minakami has always had high demands on himself. In addition, he has had experience in inner scenes before, so the director also made this scene more difficult.
"Give me a close-up, a big close-up. I want to see the moment when tears fall from Shui Shui's eyes." The director directed the scene.
"Also! The light here is a little stronger. I want the bride to see that she is standing under the light."
"Look at my gestures here and push the camera to capture Li's tears."
The crew operates in an orderly manner, and no one will disturb the male and female protagonists who are brewing emotions at this time.
Last night in Nagasawa Masami's room, Minato Hayato said that today's scene is not only the most profound inner scene of the male protagonist. It will also be his 11th confession to her.
"This is the last time I confess as Ken Iwase. I will use my best performance to make this hesitant man express his most sincere confession."
"Then I'll wait and see~"
Nagasawa Masami also regards this scene as very important. These two characters are the characters they met. Every time his confession is always unexpected, this time, she will use the acting skills of "Princess Toho" to express her love. His confession follows.
