Misha moved closer to Gu Weijing.
The girl quietly nibbled his ear on the side of his face and said very charmingly: "I'm not as cold as Mona. There is a small party at my house in the evening, there is a big bathtub in my bedroom, and my parents are not at home."
There are some boys in the world who like to brag to their friends like a collector, and get the girls they want.
There are also some girls who like to let their irresistible charm conquer all the handsome guys and celebrities around them.
Especially in places where the concept of men and women is more open.
In the European Industrial Age, there was a large group of beautiful girls who were willing to maintain "intimate relationships in bed" with the children of aristocrats and heirs of big factory owners for free, teaching them how to become real men.
They were the sexual inspirations for many rich men like Baudelaire or Manet.
Even according to tradition, the elders of some large families will specially look for such clean and beautiful women to become their children's personal maids when their children reach adolescence.
Most of these girls are not even so-called "professional courtesans" at all.
They don't pursue any material rewards, they just like the feeling of interacting with celebrities. There is also a proper noun "sweet girl" in German to summarize this social trend.
Misha is this "sweet girl" type of girl.
Not to mention debauchery.
It's just that she is the kind of "celebrity obsessed" character who likes to collect all the campus celebrities in her long list of ex-boyfriends and sleep with every handsome guy.
Kind of like a female version of Jerry.
Of course, Misha and Jerry had gotten together a long time ago.
During that short relationship of a few weeks, it's hard to tell who took advantage of whom, to be honest.
Misha spoke this seductive speech with the temperament of an experienced driver. Like a proud little swan, Misha glanced sideways at the corner of the stage.
Mona Sandenou was akimbo, instructing her staff to set up the stage, and was busy checking the program for the social evening party, as capable and calm as ever.
From the outside it looks like.
The rumors and rumors among the girls on campus have not affected the daily study life of this little queen at all.
However.
A boy like Gu Weijing might not understand, with the keen mind of a little girl on the cheerleading team.
Misha still noticed that Mona's mood was not as normal as she showed.
This guy gives people the impression of being a bit fierce but pretending to be calm.
Take today as an example - Misha saw Mona looking here secretly in a daze several times.
"There is a story."
Misha doesn't care if there are so many or not.
Whether it's poaching from under Miss Sandnu's nose, or trying to change his taste, from an athlete to a boy of this elegant nature.
She found it quite interesting.
"Sorry, maybe you can find another dance partner, but not me."
When Brother Chu faced this kind of statement, it would be a lie if his heartbeat did not speed up, but Gu Wei knew the difference between desire and love.
The rejection this time was very straightforward.
"It would be great if Sakai Katsuko could sit beside her openly." Gu Weijing couldn't help but think to himself.
He actually didn't really want to attend the rehearsal for the social gathering.
Katsuko Sakai did not participate in such activities.
Miss Katsuko has entered the workaholic mode since she found her passion for painting.
Girls don't even come to Dulwich very much anymore.
She spent all day painting and painting in the small studio of the orphanage, looking for a painting theme that she wanted to participate in the Singapore Art Biennale.
In addition, Mrs. Sakai was not happy with her daughter performing a pas de deux with a boy in public.
Katsuko also has a contract with a Tokyo gallery.
As for Gu Weijing, after he drew that outstanding pen sketch and sent the recognition notice from the Yangon Painting and Calligraphy Association to the principal's office.
Professor Watter talked to him privately.
Anyway, there is no pressure on Gu Weijing when it comes to further studies, so he can come to his courses if he likes or not.
Better not to come.
Seeing a scholar with a much higher level than myself sitting under the podium makes the teacher feel stressed when giving lectures.
Gu Weijing also has free time in school now.
Theoretically, if he doesn't want to come to school, no one will care.
However, his grandfather Gu Tongxiang still specifically asked Gu Weijing to maintain enough social interactions on campus and participate in all group activities.
Painting can last a lifetime.
The campus time in middle school only lasts for two or three months. If you don't experience it well, you will feel regretful when you grow up and look back on it.
"It seems that the little fairy Misha didn't succeed either. She even swore that she could capture it as soon as she got on the horse."
"He didn't even eat it when it was delivered to his door. Is he not a boy? Is he gay? Could it be that Ms. Sandenou regards others as her boyfriend and others as her sister. She couldn't accept it, so she kicked this guy in anger. La."
"It doesn't look like that. My cousin is curvy. Believe me, this guy is just a little thinner. He doesn't have that charming temperament."
"It's just that Misha's charm is not enough. Some men only care about their looks. Misha's shirt is raised half a notch higher than Mona's, but her face is more than one notch weaker than that of the student council president. Only those who have eaten fine chaff are good. I don’t want to change my mouth to eat wheat bran.”
"..."
Seeing that the sexy and hot Misha has not been able to take it down, she was disappointed.
A large group of bastards under Kou Kou who were watching the battle in the distance immediately began to chatter and gossip.
Although Misha couldn't quite hear what the sisters were saying.
But waves of low-pitched laughter came, making her a little bit unable to get off the stage.
If you don't eat meat when you see it, you are a man.
"Tch, why are you so pretentious? Just be Mona's dog licker for the rest of your life and hang yourself from a tree with her crooked neck."
The French girl curled her lips in embarrassment.
"I'm too lazy to care about you."
She shook her arms and left.
Misha didn't believe Gu Weijing had a mysterious girlfriend. This is just as unbelievable as those two-dimensional wives of A-Zhai in those schools.
She saw more men and women in the school.
When I was a student, I really talked about love, and I wished I could spend 36 hours a day together.
It's so mysterious that he doesn't even say his name. Could it be that he is in love with some female star?
Faced with Misha's shame.
Gu Weijing didn't care and could do nothing.
He just raised the Chinese painting textbook again, opened it from the bookmark and read it quietly, using the book to isolate himself from the noisy auditorium.
Katsuko Sakai’s Tokyo gallery’s global young artist endorsement agreement has been signed since elementary school until she reached the age of 18.
A beautiful female painter can get the best publicity resources when she is single.
Opera, orchestra, ballet, painting, sculpture and contemporary artist groups.
In any field related to art, single women can always attract young and wealthy collectors.
When there are more wealthy people spending huge sums of money to support them, the market will be successfully stirred up.
The prima donna on the Russian ballet stage of the old society, the tsar, had no count, marquis, or duke on her lover list, and she couldn't hold the spotlight at all.
The hormones of old people are the primary productive forces in the art field.
Mrs. Sakai was originally willing to let her daughter remain single for a while.
Children in the artist circle can make a difference.
In order to win over those boyfriend fans, girlfriend fans, and love fans, there are countless artists who still maintain their single image in front of the media cameras.
There is absolutely no need to give up such a huge advantage!
Miss Shengzi was very insistent on one point. She didn't like having an underground love affair in the shadows - Gu Weijing was her boyfriend, not a wild boy who would be embarrassed if he took it out in the light.
She hopes to attract collectors for her art, not some nagging "femininity."
For the sake of my daughter working so hard on painting.
Mrs. Sakai took a step back in a reasonable manner. If Gu Weijing and Sakai Katsuko could really participate in the master group of this year's Singapore Art Exhibition together.
It's going to rain, and my mother is going to get married.
How to expose love affairs and how to show affection in front of media cameras is just left to the children.
The artistic resources that Sakai Katsuko enjoys are good enough, and she doesn’t have to market the selling point of singles as a popular entertainment.
All the key points of the schedule have returned to the Biennale.
As for Gu Weijing, he was only a layer of window paper away from painting a final work that he was satisfied with.
[Chinese Painting Techniques Level 4: Professional Painter·First Level (4131/5000)]
He opened the system virtual panel and looked at the numbers on it.
Gu Weijing has recently devoted almost all his creative energy to practicing the techniques of Chinese painting.
No painting technique exists in isolation in the world.
There are three thousand avenues, different paths lead to the same destination.
Eastern painting art and Western painting art have completely different art philosophies and cultural accumulations.
However, among the three major disciplines of painting, there is much that can be learned from each other in terms of how to deal with structure, color, and line space.
Such as the proficiency of using a pen, the perception of edges and contours, the depiction of positive and negative shapes, and the understanding and application of proportion and perspective.
These are all techniques that come from the same origin and are very different.
On the basis that two techniques have been upgraded to the second level of the profession, let's re-examine the traditional Chinese painting techniques of the first level of the profession.
It's like asking a physically strong handball player to learn football.
Getting started will be much faster than when you have zero foundation, and you can achieve the effect of getting through everything.
Gu Weijing concentrated on sprinting. In a short time, his Chinese painting skills were improved by thousands of points.
Even Professor Lin Tao, who gave him WeChat video lessons at a fixed time every week, was a little surprised by the huge progress visible to the naked eye in Gu Weijing's writing.
However.
Before 3500 experience points.
The experience points were like ripe apples on the top of a tree. After a slight shake, they rolled down on their own with a crackle.
Almost every time he picks up his brush to draw, and even copies two strokes of Ms. Tang Ning's "Hundred Flowers", he can feel the improvement in his mastery of the brush.
After the experience tank is filled to two-thirds, the speed of improvement begins to slow down significantly.
After reaching 4,000 points, this slowing trend becomes more obvious.
It wasn't that there was something wrong with his practice or that he didn't copy carefully enough, but that the increase in experience value brought about by the same amount of practice was only a fraction of what it used to be.
bottleneck!
Gu Weijing slowly felt the emergence of a bottleneck between the first-level professional skills and the second-level professional skills.
Whether it is Mr. Watter, his grandfather Gu Tongxiang, or most of the artists in the surrounding calligraphy and painting associations, they have been stuck in the second level of their careers their entire lives.
Being a professional painter is different from being a novice. Every breakthrough is a transformation, an enlightenment and sublimation.
The great painters in the world usually only master two or three techniques.
Based on drawing, add either oil painting or watercolor.
Cross-border art techniques are easy to say.
Because you can know everything, your aesthetic ability and aesthetic quality are there, so you can improve quickly after getting started.
It’s hard to say.
Because the process of breaking the bottleneck should be there.
Just because he is a master in oil painting, he will be able to paint "Seventy-Two Immortals" as well as Wu Daozi after practicing for more than two years.
No matter if you have Leonardo da Vinci alive or Picasso alive, you still have to learn step by step and realize step by step. Or you may be like other painters who are blocked by an invisible bottleneck somewhere and cannot achieve it for several years. inch forward.
For this reason.
Fusion painting is so difficult, so it is so popular among collectors.
Each of these painters is a living museum of painting and a walking textbook. From all over the world, the painting techniques of Eurasia are melted into one in their hearts.
You can draw well with any technique alone, and there are no obvious shortcomings.
In fact, looking at the history of art, great painters who have promoted both oil painting and watercolor painting methods to a higher level have already gained a reputation for flexible styles and complex and magnificent techniques.
The reason why Mr. Menzel is called the most important artist in Prussian history is not even one of them. In addition to his deep personal friendship with the Hohenzollern royal family, he painted many precious paintings on palace historical themes for Frederick the Great.
It is because Menzel is an all-around great painter who is proficient in many art categories such as drawing, oil painting, watercolor, and printmaking.
Gu Weijing could take his time and wait for the drawings of "The Little Prince" to arrive, and then use the system to add points to them all in one go.
But he is more willing to rely on his own ability to truly break through this bottleneck.
The system can directly increase his pen proficiency.
But there are many deeper insights, whether it is the diligence of long-term pursuit, or the sudden enlightenment.
Only when you think clearly and draw clearly can it truly be your own.
In the process of approaching the bottleneck of professional second-level painting, Gu Weijing had a vague feeling - the experience value he gained from listening to Mr. Cao's insights when explaining the murals, and the experience of the brush proficiency imposed on him by the system. value.
It seems that they all have the same experience value, but there are more differences in whether they have accumulated their own thinking.
This is a bit like in martial arts, do you rely on your own potential and talent to break through the realm, or do you rely on taking some big tonic medicine, natural materials and earthly treasures to force your breakthrough?
It's not obvious when the levels are low, such as career level two and career level three.
The higher one climbs to the peak of art, it is the techniques that control people, and it is people who control the techniques. Maybe the difference in the painting will be more obvious after it reaches the tip of the pen.
I don’t know if the system will provide a way to make up for it.
Gu Weijing asked Professor Lin Tao yesterday about the bottlenecks and confusions he faced.
This famous professor from China and the United States did not seem surprised at all. He seemed to have anticipated the difficulties Gu Weijing would face, and directly gave him two suggestions on how to seek a breakthrough.
(End of chapter)
