The san value will exit when it returns to zero, and the san value will affect the refresh after exiting. After realizing the existence of these two rules, Feng Xue's haze also dissipated a lot.
Noticing that the patrolling prison guard was paying attention, he stopped acting like a monster. He lay back on the bed as if he was having a normal nightmare. However, his consciousness gradually sank into the sea of consciousness, and he began to sort out the extra memories this time.
Unlike last time when it ended hastily, this time he had a few more memories.
For example, two orphans were brought out in a fire in the orphanage. For example, he picked up a wallet and was regarded as a thief. However, it is worth noting that in his memory, he did not use the structure technique, but ran to the bathroom and poured water on himself, and then Carrying a small bucket to save his companions.
This means that this "recovering" memory may not require the same process. As long as the results are consistent, it is possible to recover the relevant memory.
But thinking about it this way, there are no street fights or juvenile detention. Is it because the predecessor did not go to a labor camp, or because he never won the fight at all?
If the node does not win, how will the node calculate victory? Or is it that the battle was won, but no one was killed? So it's not serious enough to go to a juvenile detention center?
The incomplete memories returned did not solve Feng Xue's doubts, but only made more and more mysteries in his heart. Fortunately, these memories were like film and television files, and he needed to process them by himself before unfolding the contents. Don't worry that you won't be able to figure out who you are when your memory is restored in the future.
After sorting through his childhood memories, Feng Xue didn't get much information. Apart from the known information, it was roughly that he lived quite happily in the orphanage, and that his life was not good after leaving the orphanage. .
"Isn't this all obvious?" Feng Xue turned slightly sideways, pulled her consciousness away from the memory of her previous body, and began to explore the collection this time.
Compared with the nine collections the first time, this time Feng Xue seemed to have passed the protection of a novice, and fell into a big dive. But if you think about it carefully, it is actually more because there is not enough fantasy in his hand. As for not being able to buy more items in the store.
The ordinary wooden knife is nothing to study. The smart bird is a good object, but if it cannot be "summoned", nothing special can be found. Only this "History of the Development of Modern Popular Art" makes it possible to study it. Feng Xue was quite concerned.
It's not that he expected this thing to be actually a martial arts secret book, but he simply thought that since his predecessor could go to jail for painting, it would be good to study more about art-related things.
However, this book is just an overview. Although it contains quite professional knowledge, unfortunately Feng Xue cannot understand it very well.
However, for the works cited as examples in this book, Feng Xue ranked them through mathematical thinking logic.
First of all, the earliest work listed in this book is an ink painting called "Girl". The year is marked in 281 of the New Calendar. The style is what Feng Xue calls "splash-ink freehand brushwork", which at first glance looks like A girl. If you look closely, it's just a ball of ink. If you look again, it's a girl again.
The book praises this painting very much, claiming that it liberates people's imagination. This evaluation would actually mean nothing in other worlds, but in this world, the word "liberating imagination" cannot be taken lightly.
Most of the works listed later are hazy, abstract, and freehand, while there are no works that emphasize realism such as sketches and gongbi.
This is not just true for paintings, but also for sculptures. In terms of weird abstraction, there is even a toilet seat hanging on the wall for display, but there is no realistic masterpiece like the "David" and "Broken Arm Venus" in the previous life. .
Of course, this may also be because the book is called "History of the Development of Modern Popular Art", but since it dares to use the term "history", there is no reason to deliberately avoid talking about a certain genre.
In fact, when he turned the book to the end, he could even see illustrations and figures with a two-dimensional style. He even saw one from Hongying, which was said to be a "hero who started a new era." An illustration of an autistic girl with pink hair, big eyes and a small nose in sportswear!
Even the illustrations of effeminate heroes were included, but there were no realistic works. This reminded Feng Xue of the description of the teacher’s expression that he mentioned when he was painting portraits. Now it seems that maybe this painting Portraits, what’s really wrong?
But if it was taboo, shouldn't the teacher just have a subtle expression at that time, worried about triggering the child's rebellion? Or does the problem actually lie elsewhere?
Feng Xue muttered various conjectures in her heart, but continued to flip through the book.
There are works that are earlier in time, and naturally there are also works that are later in time. In this book, the painting that was completed at the latest is called "White Rainbow". The picture is very abstract, and it feels like it was painted with a large A ball of white paint casually drew a stroke on the dark blue canvas.
But even without reading the comments below, Feng Xue knew that this was definitely not some bad habit in the art circle in his previous life. It was not that his aesthetics was so superb, but because he could feel it just by looking at the photos in the book. When the author swung his brush, he was filled with excitement, excitement and disbelief at that moment. The time marked below the painting is 463 years of the New Calendar.
It's a pity that this book does not provide an in-depth analysis of the background of this painting. It only mentions that this is the pinnacle of freehand brushwork and so on...
Feng Xue flipped through the "History of Art" back and forth, her eyes wandering back and forth over the paintings, but her brows furrowed.
The works in this book are from various countries and have different styles. But when you look at the nationality, you will find that 50% of the paintings are from Qingyun.
This could originally be explained by saying "This book was published by Qingyun", but if you look closely, you will find that during the 182 years from 281 to 463 of the New Calendar covered by this book, most of the Qingyun's works all appeared in the first eighty years. The further back, the fewer Qingyun's works, while the works of Xinghuan and Hongying became more and more. By the 441st year of the New Calendar, the works of Qingyun Kingdom began to appear again. , but compared with the previous style, this time the painting is not so beautiful, and things that seem to imply some dark things have begun to increase. The only exception is the wisp of white rainbow.
"In modern times, is this era division for Qingyun or the world? Is it for culture or art?"
Feng Xue had a vague premonition in her heart. As we all know, this kind of dating is usually based on some major event as a benchmark. Judging from the increase in Qingyun's works in modern times and the richness of their content, that year in 281 of the New Calendar At this point, something good must have happened to Qingyun.
On the other hand, is something bad happening in the contemporary era after 463 years of the New Calendar?
In other words, is it still "modern" now?
