Once you understand this, you should also understand why Ye Feng's cultivation speed is incredibly faster than that of ordinary monks. Because Ye Feng's thinking has not only the understanding mode of a normal monk, but also the understanding mode of modern science. The system of cultivating immortals and the scientific system are both directions for understanding the truth of the world and analyzing the avenues of the world.
The system of cultivating immortals and the system of science, they are "twin brothers" with the same father and mother. If I have to make an analogy, others are either the immortal cultivation system or the technology system, both of which have one leg. And Ye Feng has two legs. If I run on two legs, wouldn't it be as fast as yours on one leg?
If under these conditions, Ye Feng cannot far surpass others, then Ye Feng is truly mentally retarded.
At the same time, you should also understand why the static defensive power of Ye Feng's "Humanistic Technique - Jing", the repulsion of "Humanistic Technique - Blue" and the gravitational force of "Humanistic Technique - Brown" can reach levels that ordinary people cannot understand. field of. Above this field, Ye Feng combined the repulsive force of "blue" with the gravitational force of "brown" and set foot on a higher field, which is "Humanity Technique-Jin".
After all, Ye Feng can understand the sum of all positive natural numbers as negative numbers, so it is not so difficult to understand the combination of the "blue" of repulsion and the "brown" of gravity.
And with the blessing of Jhin, the humane magic method, Ye Feng, even if he did not collect 100% of the chaos Yuan Qi of all power types, reached the power level of the ninth dimension that created the world.
And Mo Ziqing put such a question in front of the door, which shows that the other party has already grasped this aspect and is moving towards the threshold and direction of a higher dimension. Given time, the future will be limitless.
So it's no wonder Qingxuan said he wasn't worthy. After all, Ye Feng's identity at the moment is just a Yuanying realm monk who can play with some talismans. Even if you find information about Ye Feng's performance in Zhongdu City from the intelligence network, the most you know is that he is just physically strong and has a strong master named "Ye Yi".
In the eyes of an outsider who has not had any specific contact with Ye Feng, Ye Feng is just a loser who relies on the reputation of his master to pretend to be powerful. This is not what others think, but the information in the Chinese text, which will be revealed from time to time, an unconcealed spring and autumn brushwork that shaped Ye Feng into what he is. Of course, I said that Ye Feng did this too, do you believe it?
Therefore, words are a means of expressing human emotions. Those who claim that they can objectively describe things in words without any emotion are just talking nonsense.
For example, when Chen Shou described Cao Cao, Liu Bei and Sun Quan in "Three Kingdoms", his Spring and Autumn style of writing was very obvious, and the so-called Spring and Autumn style of writing is, to put it bluntly, the writing style of Yin and Yang.
The opening chapter of "Three Kingdoms: Chronicle of Emperor Wu" describes Cao Cao: "Emperor Taizu Wu was a native of Pei State. His surname was Cao, his name was Cao, his courtesy name was Mengde, and he was after the Prime Minister of the Han Dynasty, Guoshen."
The opening chapter of "Three Kingdoms: Biography of the First Lord" describes Liu Bei like this: "The first Lord's surname is Liu, Taobao Bei, and his courtesy name is Xuande. He is also the son of King Zhongshan after the victory of King Jing of Han Dynasty."
This introduction has given him the same treatment as Cao Cao.
It can be seen that Chen Shou's attitude toward Liu Bei was approving and complimentary. If Liu Bei hadn't lost in the end, I guess Chen Shou would have definitely wanted to write "The Chronicles of the Three Kingdoms: Chronicles of Emperor Zhaolie"
If you don't think so, then please invite the next protagonist, Sun Quan.
In "Three Kingdoms: The Biography of Lord Wu", the opening chapter only describes Sun Quan with these words: "Sun Quan, whose courtesy name is Zhongmou."
Then, nothing more.
You may not understand the difference, but the key lies in the "name taboo".
Name taboo used to refer to the name of an elder or a respected person. In the old days, it was called a name before death, and it was called a taboo after death. The different meanings are different; the combined meaning is the same as the name, but with respect.
Name taboo is a linguistic phenomenon that appeared in ancient times. When meeting a monarch or an elder, not only cannot he call him by his name, but he also cannot use these characters when writing. Therefore, he can only avoid them by changing characters, changing pronunciation, or reducing the strokes of characters, which is also called name avoidance. "Gongyang Zhuan·Min Yuan" book says: "The Spring and Autumn Period are taboo for respected people, taboo for relatives, and taboo for sages."
You know, during the Three Kingdoms period, even those people wanted to call Cao Cao a "national thief" in private. They all use Cao Mengde, and they will never use Cao Cao. But Chen Shou still used "Sun Quan" and called him by his first name.
It is not difficult to see that Chen Shou had too deep prejudice against Sun Quan. But think about it, after all, they are "Jiangdong rats".
. . .
When Ye Feng walked into the study. To be honest, it's not accurate to call this a study, it's actually more like a workshop. Various tools are laid out on the ground. Some of these tools have even been modified by private individuals, probably for convenience and ease of use. Although they were piled on the ground, they were arranged in an orderly manner. Moreover, a road was specially left in the middle that could only accommodate one person. If two people were side by side, they would definitely not be able to pass.
Among this pile of tools, half way along the path, was a stack of draft paper that was as tall as half a person. Although these scratch papers are not as neatly arranged as those tools, they are still far from messy. There are designs and text descriptions on the draft paper, but most of them are still big red crosses. It seems that they are all rejected drafts.
At the end of this path, a woman in green with a monocle in her right eye was leaning on the desk, seeming to be assembling something. She carefully compared the design drawings in front of her and assembled it bit by bit. It seems that he has devoted himself wholeheartedly to it.
The auxiliary robotic arm loaded on the table was filled with tools, and her face was also hidden behind it. The only thing that could be seen was the white feather hairpin she used to simply tie up her hair.
And the woman in green is the person Ye Feng wants to meet this time - Mo Ziqing.
Ye Feng did not bother Mo Ziqing, but came to the scrap manuscripts and picked up one to read.
Generally speaking, it is very unethical to take someone else's scrapped design without their permission. But Ye Feng and Mo Ziqing were exceptions.
Because Mo Ziqing said that you can read scrapped manuscripts if they are left in the middle. Likewise, if Ye Feng gets any inspiration from these scrapped manuscripts, you must tell her. This is an agreement.
Mo Ziqing’s reason is:
"Since it's a scrap manuscript, it's something you don't need. Then Ye Feng, take it and take a look. Of course there's no problem."
So Ye Feng stopped at the pile of scrap manuscripts, looked at them carefully, and his eyes gradually became brighter. Although there are still many shortcomings in the design draft, it has to be said that the other party has such a thing as talent, and there is quite a lot of it.
Mo Ziqing was very "considerate" and put a red pen next to him. He obviously wanted Ye Feng to revise and add some ideas, so Ye Feng also picked up the red pen without hesitation and wrote down his own comments on the shortcomings. idea.
