This time I’ll keep a long story short and keep it brief.
The problem this time is the current character of the male protagonist.
The label of this book is genius flow, not invincible flow, which means that it is a growth flow.
The current character of the male protagonist is caused by many reasons.
Some of these are clearly stated in the front, and some will be revealed later.
However, the current situation is actually a manifestation of emotional release after rationality over-suppresses sensibility.
The protagonist is born precocious, so he is very rational cognitively.
The specific manifestation is that when the protagonist's mother disappeared in the first chapter, he acted a little too calm.
This was actually the case later on. The indirect neurosis he displayed was actually a conflict between rationality and sensibility, and that conflict created his complex character.
There is a reason for this rationality, and to briefly reveal it, it is genetics.
Then, this nature was affected by a series of subsequent events, leading to the protagonist's current character.
But this kind of character is not permanent. The protagonist needs to grow. The current sick character will not last until the end. Of course, it will not disappear completely, but will reach a balance point.
There is also the part about the protagonist having no reason. Many friends said, "Aren't Aunt Jing and Ling Xi a reason?"
This is a reason, but not an essential reason.
It's like you live, you don't live just to eat and sleep.
That should make sense.
He must bring out Aunt Jing and find Lingxi, but what happens after he finds it? What about other than that?
Necessity and goal are two completely different concepts.
That's why he is confused.
Much like Muchen in the original work, I remember a very impressive sentence he said to Luo Li in the spiritual path, which roughly said, "One day, my name will be resounding in every corner of this world. , even if I am not by your side, I can still protect you as I do now."
I think this should be Muchen’s reason.
Not just to bring back his mother, not just to help Luo Li solve the crisis of the Luo Shen clan, but to be able to protect everyone around him as an unparalleled strong man.
Of course, if you want to say that I misunderstood, I have nothing to say.
Maybe at this time, a friend said, you can also write like this, what a positive energy, isn't this the standard configuration of the protagonist of the general passionate novel?
However, think about it, who have Ying Baiye been in contact with since he was a child?
Qing Yanjing, the grand master of the spiritual formation at the holy level, Bing Yu at the top divine beast level, and the earth's supreme Dzogchen Yinglong City can have the idea of protecting them, but as goals, they are not overestimating their capabilities.
No strong person likes to be protected. Such an idea is just an extremely selfish way of projecting others as weak.
Unlike Muchen, Ying Baiye himself is precocious, and his vision has been first-class since childhood. I think it is normal for him to be confused.
Even though I am an extremely immature writer, I feel that I am a very mature reader.
My reading experience is not very old. It has only been nine or less than ten years since I read my first novel, which is considered a medium level.
But I have read many books, and I know how important the issue of logic is.
So, do you think I can’t find such a simple loophole?
Yes, my writing skills are not very good, and there are indeed some problems in some settings, but it is impossible for me to ignore the problems that can affect the entire book.
If you like a novel that fills all the pitfalls from the beginning without any suspense, I can write it. I will explain all the reasons clearly at the beginning.
But even if I am a fan writer, I don’t really want to write a book like this.
Not interesting.
Oh, okay, I don’t want to code such a single chapter anymore. This will account for the number of sections in the total chapters. In this way, you will seem to have more chapters in the main text. If it weren’t for QQ reading friends who can’t see the “author’s words” at the starting point ", I coded the location of the next chapter.
I want to say that my writing may not be very good, but from the perspective of a reader, I can carry out the main logic of the story well. Don’t worry about this. As for the problems you mentioned, wait until I finish writing. , you will naturally know.
After seeing so many comments, I’m already starting to want to spoil it all and tell you all.
What is the truth about that year, the psychological change of the protagonist, when and how the protagonist changes, what will he change into, what is the ice field, what is the protagonist's other identity, Zhao Mingya is not just a sidekick, the important thing is Who else is there in the role? There are many, many more.
I kept it in my mouth and didn't say it out loud, just because I wanted to write it well.
Give me some credit, this book is not as bad as you think.
Um, yes, I just remembered that there is also the part about giving the mark. Well, this is indeed my fault. What I wanted to write at the time was that the protagonist always does things according to his mood, does whatever he wants, and is moody. But it seems that the description is a bit poor, which leads you to understand that the protagonist will give things to girls when he sees them, and beat up men when he sees them. I will try my best to go as far as possible in the future, sorry.
Well, it seems that there are more words than the last single chapter explanation. I kind of want to go back to writing about swords, but I haven't been able to think about it for a while.
Okay, that's it, hide.
(PS: If you have any comments, feel free to comment. I will not delete any comments except for advertisements and personal attacks. Of course, the premise is that they are reasonable.)
