This concludes the Silver Wind chapter.
The style has not changed, and it still does not conform to the routines of the Internet literary circle. The ending does not write anything about Xu Qiansu, but focuses on the Galar region that was poisoned by Wujitai... Many things have no ending, and it seems to be meaningless. There is no beginning or end...but this is a transitional chapter.
It mainly writes about Aqiu's views on the 'amazing trainer' that Xu Qiansu often talks about, that is, he loves his Pokémon more than himself.
In addition, there is the commonplace issue of knives, which has dissuaded many people.
I feel... this is really not a knife. At best, the plot is more realistic, and it focuses on the reality of human hearts. It writes about the beauty of Pokémon highlighted behind these dark human hearts.
Xu Qiansu's journey along the way has always been accompanied by the dark side of people's hearts, accompanied by conspiracy and death, and also accompanied by many tragedies, but in the final analysis, that is not the point.
The place he walked through was full of bones, and the place he walked through was also full of flowers (I think this sentence in the domestic independent game "Kuromori Town Story" is very applicable to Xu Qiansu, and it is also very applicable to the main tone of this book.)
The little Mianmian who has been waiting for a whole year for the missing trainer, the little Kirby who protects human babies when the Dynamax energy escapes, and the Kodak who silently guards the tombstone of his trainer...these... In my opinion, it's all about 'the beauty and purity of Pokémon'.
If after reading this, there are still book friends who think this is some dark plot, and think that I am suffering from a literary illness, and that I have no time to spare and use knives to torture readers... then it can only be said that these book friends are not in tune with this book. This book is not suitable for reading (in fact, the results prove that this book is indeed liked by only a very small number of readers.)
However, Aqiu also felt that the writing of this volume was not very good. First, due to academic problems, he could only spare about four hours a day to type in front of the notebook. On the premise of maintaining quality, he had already tried his best to maintain perfect attendance.
The second is that the poor results still have some impact on the mentality.
Many books with better grades than mine were directly cut off, which made Aqiu feel a bit sad and confused.
Although he said he didn't care about the results and just wanted to finish, it was still impossible to not care at all.
However, the writing is not good, and the reason is that my level is not good.
There are many problems with this volume, mainly focused on the plot.
Many readers were dissuaded because of the plot of winter camping. They thought that the plot of winter camping deviated from the writing style of the first volume, and there were fewer Pokémon stories. They thought that the plot of this book became more and more crooked, neglecting the basics and neglecting the last.
I thought about it, and it does make some sense.
The theme of this book is a travelogue of encounters and partings. The focus is never on competitions or cool plots such as pretending to be slapped in the face. Even if it is a competition, the focus should still be on the Pokémon, Xu Qiansu and Miss Ma Li.
At that time, I wrote this plot because I thought that there were too few combat elements in this book. It was 100% plot, 80% daily life, 10% explanation, and 10% combat. The pace was too slow, and it was a bit hydrological... It was not like what is popular in the market. Pokémon writing is what it should be.
But I didn’t want to follow the crowd and write those challenge competitions that book friends are tired of, so I created an original winter camping, and then I crammed a lot of battle plots into it... In the original idea, it was supposed to be about fighting in daily life. Nao finished writing this competition, but the result was obviously unsatisfactory.
The game is not well written, there are no ups and downs, and there is no desire to watch. It can only be regarded as unsatisfactory in daily life.
The terrible follow-up made me realize the poorness of the plot, so I hastily ended the winter camping.
The reason why routines are routines is that they are easy to use and easy to write.
I didn’t want to be clichéd, but I also wanted to write brilliantly, but the result was obvious. With my writing skills, I couldn’t write well.
It is a wise move to write about the league competition and follow the gym. It has a clear main line and room for original plots.
But when it comes to battles, it also made me realize that instead of rushing into all the battle plots, a good plot is to lay the groundwork at once and have a battle with atmosphere, location and flavor.
I wonder if you have seen "The Prince Is Very Fierce", Mr. Guan Guan's work, Jicha Dada has recommended it.
I think the writing style of "The Prince Is Very Fierce" is worth learning. The rhythm of daily life and battle is quite good.
The first order for Guan Guan's new book is RMB 20,000, which is really impressive. He has also come up step by step. As a fan of his books, I am happy for him from the bottom of my heart.
Going too far again.
Even writing about competitions and gym battles, which are common in Pokémon articles, is better than me creating an original competition.
This volume itself has some branch plots and main plots, but I just cut them off, finished them, and moved on to the next volume, which can be regarded as a fresh start... focusing on Pokémon.
Don’t be afraid if you have questions, as long as you can summarize them.
In addition, there is the endless debate about the female protagonist.
This volume I focused on Lillie.
Writing Lillie was purely to solve her Pokémon phobia and use it to write about the relationship between Pokémon and trainers, and it ended up like this naturally.
But now that it’s been written like this, I don’t hesitate.
This book has multiple heroines, with a maximum of four heroines (with my writing skills, I can only write about four).
Friends who can't accept it can just leave. I don't want to stand on both ends, eat both ends, and defraud you of your money.
In Aqiu's view, the number of female protagonists is not a poisonous point in itself, but whether the writing is good or not is the key.
I have written 400,000 words. I consider love plots to be one of the few things I am good at.
I will try my best to write well. (As a fan of Jichadada, multiple female protagonists seem to be natural?)
However, given the current environment, I kindly ask book friends who despise multiple female protagonists to be merciful and not to report it.
With the results of this book, once reported, the official will not protect it... this book will be lost immediately.
above.
Oh, by the way, both the first and second volumes have very few words. I want to write more in the third volume.
However, Ah Qiu discovered that I am good at writing short stories, and I am very good at writing long stories and the beginning and end of the plot.
I hope the third volume will be well written.
The third chapter of Romance, Flowers, Snow and Moon, Cang Hua.
Finally, I would like to thank all the book friends who have not given up on this book and have continued to subscribe. I am extremely grateful.
(End of chapter)
