Today I went to the repair place again and learned that my computer would not be picked up until tomorrow, so I had no choice but to return. Even if it still can't be repaired tomorrow, I will use my phone to code and update it. Please don't worry, readers.
Speaking of which, it was a blessing in disguise that I went to a movie for free. My friend was going to watch Love Letter with her girlfriend today. I had already bought the tickets, but his girlfriend suddenly changed her mind and didn’t want to watch this kind of movie at 520. It’s a sad movie. I just happened to be there, and I was able to enjoy the wonderful treatment of sitting in two seats. It’s quite pleasant to say that - but this doesn’t seem to be something to be proud of.
But when it comes to love letters, I don’t think this movie is sad. Although the whole movie is basically immersed in a sad atmosphere, after watching it, I felt that this is a very "youthful" movie. Rather than talking about sadness, it is better to say "beauty", that kind of "beauty of sorrow", and the seemingly sad atmosphere of the whole story is actually for the hazy feelings buried in the hearts of the two Fujimoto trees. The "beauty" of the moment of revelation is the foreshadowing.
The so-called most extreme secret love in youth is this. In the end, when the female Fujimoto discovered the secret on the back of her library card, her joy almost jumped out of her cheeks. This was really the most impressive scene in the film for me.
If one day my writing can make readers feel similar to Fujimoto's mood at that time, that would be great. It proves that my writing ability at that time was far better than today, because now I don't have any confidence that I can describe it perfectly. I can't provide readers with a good reading experience about the feelings of any female character in the book when she falls in love with the protagonist, and this is what I will work hard to improve in the future.
By the way, I saw a lot of people complaining in the posts that the protagonist is too emotionally slow. To be honest, I don’t want to portray Genya-san as such a slow man.
It's just that in my setting, no one has fallen in love with him "wholeheartedly" or "discovered" this kind of love in his heart, whether before or after time travel. Because he had no similar emotional experience, he had no way to confirm whether the other person liked him. In addition, the self-doubt brought about by time travel caused him to be a little hesitant in relationships, which seemed a bit It feels like a Japanese-style dull protagonist.
In fact, Genya-san is a person with strong subjective initiative. Once he confirms the other person's feelings, if he also confirms this feeling in his own heart, he will express it in the fastest and most enthusiastic way. Unfortunately, in my case, In the set tone of the story, the emotional line is not so much driven by his love for her, but it is more appropriate to say that Yuanye is driven by her love.
All I can do as an author is to put the characters I have set into the stage I have designed. The performance they perform is not up to me.
Specifically, I can only put the characters in the book into the scenes I designed, and then judge how far the relationship between them will progress based on the stories that happen in the scenes.
If it reaches the level of love, then I will express this love, but if the story in the scene is not enough to elevate the relationship to this level, I will only continue to design new scenes to throw them in, and It’s not a forced assumption that they’ve reached that point.
In other words, I will only design the initial conditions, and then deduce the changes in feelings. I will not set that their feelings must reach a certain level after the plot, and then use this as the first condition to reverse the story. Development, this is my "aesthetics".
Of course, my "aesthetics" are not important. I said something similar in my acceptance speech. If this kind of thing conflicts with the "love" of readers, I will abandon it without hesitation. In other words, if by the end of the main plot, there are still people who have not reached this level in my setting, I will break this aesthetic and assume that their feelings must reach a certain level after this plot. To reverse the development of the story.
To put it bluntly, I won't miss anyone - of course, this is limited to female characters who will appear in the love line, that is, those whose names contain one of the sixteen characters. This still needs to be discussed in advance. Yes, other female characters will not interact with the protagonist beyond a normal relationship, so there is no room for leakage.
Finally, let me talk about the so-called description of beautiful girls. During this period, many readers have responded to this issue in the book review area. Let me explain. This does not mean that I want to overthrow the current tone of the story and turn it into a simple story. This stylistic shift in campus love.
What I'm talking about is making the main line of the story closely related to the beautiful girl. It's not about writing the emotional drama separately from the main plot. This is the so-called "writing around the beautiful girl". In fact, it's not about treating the emotional drama as the main plot, but It's just a normal main plot centered around beautiful girls.
Only when I wrote this did I realize that I had already written 1,500 words on this crappy leave application note. I was writing slowly on my mobile phone and had been writing for more than two hours. You said it would be great if I could focus on writing the main text instead. All I can say is that I can’t stop writing this kind of chatty leave request form. It’s really like Du Gong’s irritation. I hope my update won’t be like Du Gong’s irritation.
I'm really, really sorry that the updates during this period were unstable because of me. I will definitely resume updates tomorrow. Regardless of whether I can repair the computer or not, even if I have to write a chapter on my phone for three hours, I will definitely do it. I will write it, so don’t worry.
