Robin's decision actually doesn't need to be overthought, but in fact, on the way from Alabasta to the Water Capital, Robin actually gradually accepted that he was a member of the Straw Hats, and found a sense of belonging in it. However, she has her own style of acting in a long-term gloomy environment. The appearance of Qing Pheasant breaks her fantasy. The chapter of Water City is her decision, and the Judiciary Island is her understanding. To be honest, my favorite among the One Piece stories is actually the Water City chapter. It was a legendary chapter in which all characters were sublimated.
I think these are the best points in this chapter.
Enemies, CP's enemies may feel a bit stretched in the water city from the perspective of the entire One Piece world, but in contrast to the story and Luffy at that time, CP's combat power is actually placed in a just right position. Luffy's combat power is at the right place. Qi was strong, but was defeated by Luffy's useless perseverance. (Don’t tell me about Mr. Kaido’s little sit-up class) [The characters of Lucci and Luffy are firmly established here, and they have grown in the process. Lucci may not be my favorite. A villain, but the villain I recognize most. He has not changed his character, it has been consistent throughout, and his growth has not changed his essence. 】
Robin, Robin's transformation in this chapter is the core emotional line of Water City and the main story. The other stories are all stories triggered by Robin's transformation.
In this part, Robin encounters a blue pheasant again, awakening his deepest fear. This is the beginning.
Under the coercion of CP, she decisively chose to protect the Straw Hats. This was her inner recognition and her sacrifice. However, at this stage, Robin has actually integrated into the family, but is struggling with his identity and feels that he is not worthy.
In the end, the feat of destroying the flag of the World Government directly allowed her to completely release her shackles. The image of Robin is vivid, including the pain caused by the tragedy in his hometown, the sharpness of the darkness of childhood, the low self-esteem of walking in the darkness, and the loneliness of not being able to rely on others. And...the fact that from beginning to end she was still the child in O'Hara, she longed for family, she longed to be relied upon, and she also wanted to be weak. This is a contradictory and complex role. (Don’t talk about Yamato with me, it’s the same as Kaido’s image creation. The more you look at it, the more embarrassing it becomes, the kind of three-bedroom and two-living room.)
Then there's Usopp.
At this stage, Usopp successfully triggered the Straw Hats' first civil war because of the Merry. This civil war is actually a bit like a concentrated outbreak of a couple's problems after the novelty wears off after they get married. The kind that almost got divorced...
This also enhances Usopp's sense of belonging at the bottom, and at the same time allows this character who has always been a marginal op to return to the core combat circle of the Straw Hats in a completely different way. (Nami won’t talk about it. Although she is OP in combat, it is not without problems when fighting as a navigator, not to mention the shaping of the Golden Lion theatrical version. Although Golden Lion seems to have been released after that, Nami’s In fact, Aaron’s image is vivid enough.)
Chopper, on the other hand, successfully developed the Rambo Maru after experiencing the OP trip to Alabasta and Sky Island, laying the foundation for "hanging the lowest bounty and fighting at the Yonko level". He has become the most cost-effective crew member in terms of bounty and combat power among One Piece. If there was a One Piece game where crew members were recruited with bounties, then Chopper would be my first recruit (100). The second one is Bebo (500). funny……
To be honest, typing this 'thing' is actually a problem I suppressed in my heart after reading the Wano Country chapter.
According to the plot content, the Wano Country chapter should actually be symmetrical to the Water Capital chapter. The same long foreshadowing, the same character growth.
but
Too much.
Actually, I don't want to complain about the collapse of combat power. After all, the comics have been going all the way to this point, and powerful enemies have emerged one after another. It is completely understandable that the combat power is stuck. But the characterization is very confusing.
When Yamato first appeared, he thought it had such a rich story, but it turned out that Ace fooled him a lot, and then Kozuki fooled him a lot, and he became lame. To be honest, if Oden is such a well-shaped character, then there would be no problem, but Oden is probably the most uncomfortable decent character currently besides Momonosuke. Various descriptions finally resulted in a clown-like 'hero'.
Of course, this is not actually the core issue of character creation in the Wano chapter. The core issue is that the focus of character creation should not be on Kozuki, the 2b father and son, and their family retainers, just like Princess Vivi in the Alabasta chapter. He was wandering in a foreign country and returned to his country. Why did he stand still slightly? (Princess Weiwei and Momonosuke are symmetrical in plot. So let’s compare them.)
Weiwei's growth is to realize her own innocence, but while retaining her innocence, she must have the courage to face everything. She knows the responsibility, has the courage to face the responsibility, and grows and progresses in the process.
But Momonosuke is too lazy. He talks about facing things in his narration, but as a result, he is soft-hearted in everything he encounters. We generally call this kind of person a coward. Adou who can't hold himself up the wall. A typical minister who wants to die must surrender first. If I can tolerate it once or twice, it is not impossible to give some privileges to a character with a shadow in my heart, but I still have to do it like this even in the final battle. This character creation is really useless. Moreover, compared to the shadow in his heart, Robin was not as tall as him. He was also a child. Robin had been wandering in the dark world since he was eight years old. To put it bluntly, Momonosuke was the second generation ancestor who was too well protected. He is the kind of person who is morally unmatched.
If there is anything that impressed me the most in the Wano Chapter, it might be the scene between Runti and Nami, "Luffy will definitely become the Pirate King."
The two most cowardly people did not give up their persistence even when faced with a life-and-death decision.
In the end, the core reason why there are so many problems in the Wano chapter is not that the story is not good, but that the several core characters at the center of the story have taken a lot of writing and ink, but all of them failed to be portrayed. Oden is just a clown. Momonosuke, an incompetent waste. Yamato, a fool who is pua by a clown. Red sheath...the embodiment of stupid samurai spirit (perhaps the Japanese will be moved by themselves, but they can't eat it here). The core foreign players (Straw Hat, Luo, Kidd) are basically fighting when they get the camera, which is useless for in-depth characterization of the character. It only gives readers the feeling of "Wow, the new move is so cool", and there is not much other than that. Shaping ability (except for everyone's fruit nika form.)
To be honest, as a content author, I can understand that when the image of the protagonist group is enough, the writing and ink naturally need to fall on other external characters, but the underlying logic cannot be given randomly, otherwise it will be very confusing.
If we want to talk about what image the villain established in the Wano Country chapter.
Auntie, a comedian, came here and said harsh words and got beaten.
Kaido, teacher, Teacher Kaido’s small classroom, what do you need a reading machine if you have the stick of enlightenment in your hand.
Orochi, who is he, what is he doing, how did he die, why is he alive again, what is he doing again, why is he dead again, oh, he is dead. In summary, I don’t know why.
Okay, now that I'm unhappy with you, let's talk about something good.
In the Wano Country chapter, a lot of the underlying background of One Piece has been revealed. Perhaps this is the reason why most fans of One Piece can persist. Everyone is looking forward to the reveal of the final secret.
I'm not arrogant, but those who are still chasing comics are all 'Ania' who is always with me.
Migrant Man, Sea of Death, the God of Death is really dead, and his death is ridiculous.
Naruto is not very decent, but he starts well and ends well. Except for Ningji (Ningji, you died so miserably!)
In the end, I still hope that the pirate can have a good death.
above!
