Haven't you been feeling well these past few days, so I took advantage of this break to visit station B. Then I found the theatrical version of this game of life that once disappeared.
To be honest, the story rhythm of the first season of Game of Life was very strange. Many places were very fast, and many places were very slow. I was a little confused while watching it. However, the world view that was only partially revealed in Game Life was indeed quite shocking. And before that, the work that made me feel that the world view of another world was huge was probably Hakoba.
As a person who likes to think, write and draw, this kind of work is really fascinating.
It is really a wonderful feeling to think of someone who is completely outside the current world and then use words and pictures to express them.
Of course, having said that, animation always has limitations in production, and the welfare scale of these two works is a bit...well, fast...so fast. So if you want to introduce it in the future... To be honest, it is not easy. After all, parents nowadays may throw anything into things that affect the growth and development of their children.
Let’s get back to the point and talk about my thoughts on the theatrical version of Game of Life.
First of all, compared to the main work, the theatrical version complements the world view to a certain extent. It not only explains the origin of the current world of the game life world, but also shapes the connection and inheritance of Rick and Hubie, a pair of alien CPs and blanks.
After watching it, I found that if I watch the original work first and then watch the theatrical version, it would be a kind of sublimation. But on the other hand... although it's not bad, it always feels like something is missing.
The relationship between Hubie and Rick is the love that has transformed after the hatred subsided, the kind of fearlessness that can sacrifice everything for the ideal. Especially the depiction of the battle between Hubie and Jibril.
A threatening supplication from the very beginning. It is a kind of awareness that if you don't agree, you will risk your life.
Then he counterattacked with maximum strength and then ran away decisively. That is to know that she is not alone, and the meaning of her life is more important than her death.
In the end, when he was desperate, he grabbed the last hope, the armored species.
The 251 seconds of persistence that uploaded the concept of "heart" is the persistence of helping your lover even if you die, a kind of sacrifice regardless of the cost.
The complex and tangled heart of the final death really makes people's hearts tremble.
I slept well at night.
Why, death in battle is all reasonable, but why is it difficult to calm down? No, it is not that it is difficult to calm down, but it is tossing between calm and uneasy.
There is envy, regret, unwillingness, pity, and anger...
I haven't felt this kind of recognition but ambivalence for a long time.
Suddenly I remembered two sentences.
The most beautiful thing is beauty with imperfections.
But the real pain is to break the most beautiful things in front of you.
The story of Hubie and Rick is a combination of these two sentences.
It not only shows a beauty full of flaws, making you look perfect, but it also breaks it a little, making this perfection less perfect.
It seems to have come to an end, but it is also a new beginning and continuation, but this continuation is...
I offer my highest respect to all mecha types.
Is Hubie dead? She may be dead, but her heart has become the heart of every mecha species, so that every mecha species has the same deep love for Rick as hers, and at the same time, she also accepts her kind of love for Rick. Rick's awareness of giving everything.
You need to know from the settings. The core priority of the mecha race in battle is to perpetuate the race and to defend themselves and counterattack. In the ending, the action method that completely overturned the purpose of some previous actions can be said to be a 180-degree reversal.
Defense no longer exists.
Continuation is no longer needed.
After thinking about it I figured it out.
This is not a violation of the original procedure, but Hubi has become the entire mecha species. The individual named Hubi died, but the collective mecha species named Hubi was born.
Thinking of this, I suddenly understood what Hubby said to the center when he was about to die.
Do you think I am willing to give this heart to you?
It doesn't sound like there's anything strange about it.
However, after careful reading, I found that this line seemed a bit familiar.
Isn't this what many female protagonists say about reluctantly sharing their husbands with other women and allowing their husbands to have a harem?
Then I marked the blanks again. After all, although there are slight deviations between the two combinations, they are actually poured from the same mold.
Sora and Bai were bound, and then countless harems fell in love. Bai looked like a little daughter-in-law who seemed to let her go but actually held her tightly in his hands. In contrast, it is very vivid right away.
Then put aside the protagonist and look at the worldview structure that I care about most.
The thing that makes me feel lazy the most is actually the map.
I discovered a very interesting thing while watching the feature film and the theatrical version.
The map in the film is close to the real map turned upside down and modified to a certain extent. The straight dividing line in the United States is particularly eye-catching. The map in the theater version fits the real map, and the difference is not too big.
Of course, this is the only place where I feel lazy. It can be said that other settings are for reference. Of course, this kind of reference is what everyone thinks, and I can see that what I think does not mean what everyone else thinks.
Let me give you an example that I think.
The template for the Great War is actually somewhat similar to World War II. First, the goblins overthrew the elves, who were full of resentment and sought revenge. Then the elves defeated the goblins, and as a result, the Flügels fell from the sky. The elves, who were in a good situation, failed in disguise.
The last two started fighting again, and the Flügel almost wiped out both of them.
I personally think it tastes like that. The more I read it, the weirder it gets, but I have to admire the author's composition.
The author is originally a comic book author. When I look at his settings, I feel that there is a picture-like feel everywhere, which makes it feel very immersive. And it’s really hard to find works that can capture my heart in these years.
Some people say that today’s world has entered a strange entertainment circle, and it is difficult for entertainment creation to take off.
I admit it, but not entirely.
It is indeed a factor that entertainment has been hijacked by capital and lost its original purity. However, in today's era of information explosion, we, the audience, have also endured countless beatings from high-quality works. Before more high-quality works came out, we were beaten by those high-quality works. It is difficult to be changed again. People who have climbed Mount Everest will always feel that there are many less challenges when they look back at other mountains.
On the one hand, high-quality works are rampant in capital, and the pace is pushed very quickly, and society is coercing it. Now it is difficult to even calm down and watch a work, let alone concentrate on the words and sentences to create high-quality works.
My work is not good, and I know it from the results. In the background, the subscriptions for my works rarely exceed 100, which simply shows my strength. And not to mention much, I am actually a somewhat withdrawn person, a little foolish, even a little world-weary, and the interactions with many characters are inevitably a bit stiff.
Personally, it's not difficult to learn other people's writing skills, but I really can't handle social things.
It seems to me that the world is wrong.
The right people do the wrong things, and the wrong people thrive on the right path.
Rather than working, I prefer to live in my own little world. Although lonely, I can feel that I am still alive.
Tsk, I don’t even know what I’m talking about anymore.
Obviously I wanted to talk about my impressions after watching it, but it ended up getting further and further away, that's all.
I'm feeling much better after taking some medicine, and my headache is gone. I'll resume updating today. At the same time, I also have some ideas and want to write some fanfics about Game Life. ...I was already arranging my own original work...and I was running out of money, so I had to prepare to go out to work again.
By the way, Kaido’s Devil Fruit was revealed, and it turned out to be a fish-fruit phantom beast species. Coupled with some early hints from Oda, the fish fruit seems, probably, maybe, maybe, to be able to move in the water. This wave, this wave is the author's backstabbing of fellow fans. I even feel like I'm having a myocardial infarction. Together with the fish fruit, it is the rarest devil fruit.
Not only that, Kaido's Devil Fruit changes are also speculated by many to be that in addition to the existing fruit awakenings, the animal type also has new awakening changes.
Previously, the natural awakening could cause permanent breath changes.
The superpower department is scope and homogeneity.
The animal type is pure animalization like Jailormon.
And I added a back-to-basics twist to my book.
As it turns out, I haven’t written much yet, and the old thief Oda shows up and he’s actually able to evolve.
Good guy, I call him a good guy.
Based on this calculation, Brooke's ability to leave his body is probably a kind of awakening of his devil fruit ability. I'm a really good guy.
