Isn't this the trick Ling Jiang used in my dormitory when she used red thread to trap the pair of shoes that could walk on their own? Why was it completely different when she arrived at Wu Tinghan's place?
I remember that when we were in the dormitory, Ling Jiang's drawing method was to pull out a piece of red thread from a red bracelet on her wrist, and then form a circle around the pair of shoes. She also said that she wanted to see if these shoes could get out of this circle.
I remember this scene vividly, and now that I hear these four words again, and it is a craftsmanship move, my body unconsciously produces a stress response.
Wu Sheng said that the gardeners in his lineage draw land to form a prison. To be precise, it should be "enclosed land to create a prison." There are four sounds of scratching, but outsiders naturally think that it is drawing the ground as a prison.
I carefully recalled that when Ling Jiang told me the name of this craftsmanship, she only said that it was to draw the ground as a prison, but did not say which flower it was. I didn't ask in detail, so I naturally thought that it was to draw the ground as a prison.
But there doesn't seem to be much difference between the two. Aren't they both creating a piece of land and using it as a cell to hold prisoners?
Wu Sheng said that the scope is different. The purpose of demarcating the ground as a prison is only a small area. The purpose is to trap the things inside and prevent them from coming out; You know better than I do. And the purpose is different, it is to prevent outsiders from entering.
I have just personally experienced it, and it is true that no outsiders are allowed in. After entering, they will dig their own graves. The effect is so strong that no one can notice it at all. But the key is, how is this done? Why do you dig your own grave whenever you walk into this area?
Wu Sheng suddenly asked me inexplicably, have you ever been in prison?
Isn’t this nonsense? If I escaped from prison, would I still be standing here? It has been broken into a sieve long ago, okay?
He asked again, have you ever thought about going to jail?
I suddenly had a bad premonition, thinking that this guy was going to put Zhang Hazi in prison, and then let me rob him?
So I hurriedly said, without even thinking about it, what kind of prison was that? It was guarded by police with armed guns. If you wanted to rob the prison, wouldn't you be digging your own grave? How could I possibly think of this...
Before I finished speaking, I was shocked by my own words. Because I remember I seemed to say an idiom called 'dig your own grave'.
Wu Sheng nodded proudly and said, now you know why those craftsmen and shady people dare not go in, right?
I nodded in shock, saying that Wu Tinghan's method was so powerful that he was invincible!
But soon, I looked bitter and said, if this method is so powerful, wouldn’t it mean that we wouldn’t be able to get in? If we can't get in, will Wu Tinghan wake up on his own?
Wu Sheng looked at me angrily and said, have you ever seen a prisoner who walked out of prison without permission?
If you walk out of prison without permission, isn't that a prison break? Although there are occasional reports in the news that someone has successfully escaped from jail, how many such news can there be in total? You can count them on ten fingers, right? So, how could I get out of prison without permission?
Wu Sheng said, isn’t that okay? If no one called her, how could her cousin wake up on her own?
Understand, if no one calls her, it means that she has not obtained the permission of this cell. Naturally, she will not be able to leave this place, that is, she will not wake up. When the time comes, she will really be trapped here and die, becoming a Real dead people.
Now we can't even get in, let alone find Wu Tinghan's grave. As for waking her up, it's even more impossible. I feel that this matter is completely unsolvable. After all, no one can successfully rob the prison.
No, since Wu Tinghan asked us to find Wu Sheng, it means that he must have a solution, so I asked him, what should we do now?
Wu Sheng said that of course he would give the key to his cousin.
I understand that giving the key is equivalent to us being the police now. To give her the key is equivalent to agreeing to let her leave this cell. Wu Tinghan will naturally wake up by then. But the premise is that if we can't get in, how can we give Wu Tinghan the key?
Also, Wu Tinghan is in a deep sleep state now. Even if we give her the key, how will she know that it is us who gave her the key and not what the craftsmen pretended to be? By then we didn’t have the key delivered, so it would be fun to dig the grave ourselves.
Wu Sheng said, our ancestors have already thought of the problems you can think of, so there is only one way to break this prison.
After speaking, he flicked his wrist, and a pen with a black tip appeared in his right hand. I saw him holding the paintbrush and drawing a line from top to bottom in the middle of the palm of his left hand. Then the tip of the black paintbrush was dyed red, and a trace of blood lingered on the tip of the pen.
Without hesitation, Wu Sheng leaned down and slapped the ground hard with the palm of his left hand. Then he held a paintbrush in his right hand and began to draw on the ground.
The brush only had a little blood as ink, but it did draw bright red lines on the ground. At first glance, they seemed messy, but as Wu Sheng continued to paint, these messy red lines seemed to form some kind of strange animal. It's something I've definitely never seen before.
This animal has the head of a tiger, the ears of a dog, the body of a dragon, the tail of a lion, the four legs of a unicorn, and it also has a single horn on its head. It looks completely different.
I originally thought that the Wu family was very good at drawing, but I didn’t expect that Wu was not very good at it. He could draw an animal in four different ways, and his skills were completely inferior.
Don’t talk about other people, just talk about me, no dog I can draw looks more like him.
But at this moment, Zhang Hazi, who was standing aside, said that the thing he painted was of great origin and that only people from his Wu family could paint it. If the others were Hua Lao, they would be turned back to see the King of Hell in a matter of minutes.
When I heard this, my eyes widened immediately. When I looked at this animal again, I felt that it was indescribably auspicious. So I asked, what is the name of this animal?
Zhang Hazi said, you should have heard it before, this is called listening carefully, which is specialized in identifying all things in the world, and is especially good at listening to whether people's hearts are good or bad.
Listen carefully? Is this what listening is? When there was a real and fake Monkey King in "Journey to the West", it was Di who heard the true identity of the fake Monkey King. It's just that he didn't dare to say it, and instead asked the real and fake Monkey King to go to Tathagata Buddha.
However, isn’t Tingting a legendary beast? How could it really exist? Moreover, Wu Sheng painted her in a realistic way.
Zhang Hazi snorted coldly and said, "You don't know what's going on, so learn it slowly."
After Wu Sheng put down the last stroke, the brush in his hand suddenly shattered, fell to the ground, and scattered all over the place...
