I said in my acceptance speech that before opening this book, I wrote three more opening chapters, but none of them were adopted.
I asked a friend for advice. After reading it, he said I was too impatient. So I adjusted my state and wrote the beginning of the current book.
In this book, I have been trying to slow myself down and make the words soothing, so that book friends can read comfortably. Of course, my own level is limited and I cannot do all of these perfectly at once. I am very grateful to my book friends for their tolerance and support. I will try my best to recharge and grow and live up to you.
In this book, I have been absorbing the opinions of book friends, following up on chapter reviews, and adjusting the plot.
In my original idea, the protagonist was going to open a company and do it, write songs for some good and good singers, and cooperate with some companies to cultivate his own capital and confidence.
But there is no doubt that this does not meet the reading preferences of book lovers.
The matter of starting a company was determined by the tone at the beginning of this book. The protagonist is not suitable for taking this path. Being so busy is contrary to the protagonist, as well as me who wrote this book. Book friends should read this book. original intention.
When it comes to writing songs for others, it’s not just book friends. When I’m reading a book, I don’t like to see the protagonist give his excellent works to others. This is my own negligence, and I am very grateful to my book friends for correcting me.
Then comes the current stage of the plot.
The background at the beginning of the book determines that the current plot is a story that cannot be ignored. I must write it out, and I must write it emphatically.
It's just my original immature idea that caused the current dilemma of plot loopholes. In my original vision, the protagonist's company, cooperation with other companies, and other singers were all for this moment.
But when these pre-plots become inappropriate, the current plot becomes troubled - the protagonist himself cannot use his means and capital to perform a series of operations on the enemy.
So I moved Yao Dongxia out. Let Yao Dongxia do other things, and the protagonist takes tool man Song Xiaoqin to do things on stage.
As a result, some book friends may think that the protagonist is childish. It's the pot I didn't arrange.
But the specific revenge will not be the protagonist's performance on stage. The protagonist will also be slightly involved in other things, but in order to maintain the overall atmosphere of the book, the dirty work still has to fall on a newly introduced one-meter-tall character.
As a new author, I don't know if I can write this plot well. Even when I write every plot, I am trembling and very nervous. Since writing this book, many problems have arisen, such as the part about the colorful ringtone.
I have been learning lessons, facing the problems squarely, and trying my best to adjust and correct them in subsequent plots.
Book lovers spend money to read books, and every penny is hard-earned. If you really can't accept the immature plot arrangement of a newcomer, you can skip the plot you don't like and wait, but in short, I am very grateful for your support.
I will do my best to adjust the subsequent plot, absorb everyone's opinions, and grow bit by bit.
Book friends please witness.
Thanks.
