In 2150, Lu Cheng was 145 years old and had not appeared in public for decades.
If Jiang Qiuyun hadn't published several essays every year on the Internet, mentioning bits and pieces of her and Lu Cheng's life, the world would have thought he was dead.
However, the status of the Lu family and Wurou Villa is getting higher and higher.
This is due to the contributions of Lu's descendants.
For example, Lu Qingshan, Lu Qingyan, and Lu Lingchen are three medal winners of the Republic. They have made continuous progress in the fields of nuclear physics, mathematics, and botany respectively. They publish articles and launch new products from time to time.
Another example is that among Lu Lingqi's children, after systematic training, in addition to Lu Xinghuan entering the Dragon Subduing Academy, there are also Lu Xingmang, Lu Xingyue, and Lu Xingpiao who have advanced innate talents and have shown their prominence in the Kunlun Show and the Wulin Style Competition, representing Lu. There are successors to the family, and they will not fall into the name of a cultivating family.
Generally speaking, those who show martial arts skills are the side branches of the Lu family. They have to work hard to gain the attention of the family, improve their personal status, and strive to be included in the Lu family tree.
As for the direct descendants of the Lu family, they often do not show their cultivation. What they show is their contribution to society in all walks of life. For example, Lu Xingbai worked at the Aerospace Research Institute for ten years and then resigned to join a private company controlled by the Lu family. "Chang'e Feitian" serves as the chief scientist and is conducting research on aircraft, integrating nuclear fusion power systems to create a new generation of spacecraft.
The first spacecraft is called "Yinhe No. 1". It is expected to fly at a speed of 0.4c, which is 0.4 times the speed of light. It is undergoing final testing and strives to have a test flight within the year. The purpose is to shuttle back and forth in the inner solar system for exploration.
Change source app]
The solar system includes the sun, 8 planets, nearly 500 moons and at least 1.2 million asteroids, as well as some dwarf planets and comets. If the orbit of Neptune is used as the boundary of the solar system, the diameter of the solar system is 60 astronomical units. If the heliosphere is used as the boundary, the sun is up to 100 astronomical units from the boundary of the solar system. If the Oort cloud is used as the boundary, the diameter of the solar system may be 200,000 astronomical units.
One astronomical unit is the distance from the Earth to the Sun, equivalent to 8.3 minutes at the speed of light. Therefore, theoretically, if Galaxy-1 flies at a speed of 0.4c, it will take more than a year to completely fly out of the solar system. It is 54.6 million kilometers from the Earth to Mars and only takes 7 minutes to fly. The closest distance to Jupiter is 365 million kilometers and can be reached in 20 minutes.
In other words, with Galaxy-1, the development of galaxies within the solar system becomes very meaningful.
Spaceships previously manufactured by humans would take several years to fly from the Earth to Jupiter. Voyager 1 took 546 days, Pioneer 11 took 607 days, Voyager 2 took 688 days, Juno took 1,830 days, and Galileo took 2,302 days.
Since the Lu family took control of "Chang'e Feitian" and announced the manufacture of the "Yinhe", the company's stock has continued to skyrocket. From 2120 to 2150, the stock price has increased many times. The Lu family has gradually reduced its holdings of stocks and currently still holds 48% of the shares have a market value of 2.6 trillion. This investment alone has greatly increased the Lu family's wealth. Not only did it allow Tao Qianqian to secure her position as the mistress of the family, but it also made Yuan Qingyue, who holds 20% of the shares, a super rich woman.
No matter what, Yuan Qingyue is the perfect choice for the fourth-generation mistress of the Lu family.
Her son Lu Yunfan is ten years old. He has been with his grandfather Lu Lingchen since he was 6 years old. Lu Lingchen and Tao Qianqian are responsible for raising him; her daughter Lu Yunxi is raised by herself.
According to the tradition of the Lu family, the eldest son of each generation receives special care, and their names and origins are not disclosed to the public until they advance to the innate level or complete postgraduate education. If training fails, even the eldest son will give up. In that case, the best talents from the side branches must be selected to serve as the next generation head of the family.
Yuan Qingyue didn't want her son to become a waste, so even though her grandfather Lu Lingchen was responsible for raising Lu Yunfan, she still put a lot of effort into it.
Time flies, and six years have passed in the blink of an eye.
In 2156, Lu Yunfan, the fifth-generation eldest son of the Lu family, entered "Xijing University". The predecessor of Xijing University was Tsinghua University, a famous university at that time. Because of sea level rise, Tsinghua University moved to xn city, qh province! It is only 150 kilometers away from Qinghai Lake. Since Wurou Villa is located on the south bank of Qinghai Lake, the actual distance is slightly farther.
Lu Yunfan majored in painting at Xijing University. He watched his mother carve patterns on ceramics since he was a child, and developed a strong interest in this aspect. Later, his grandfather Lu Lingchen took him to his grandfather Jiang Fangcheng to learn calligraphy for three years. He also learned painting from a painting master invited from other places. educate.
The painting master hired by his mother, Yuan Qingyue, was named "Li Hongxin". He was a middle-aged painter from the Chinese Painting and Calligraphy Academy and had won several national awards. Li Hongxin's master is Jiang Mei who taught Lu Qingyan back then. Jiang Mei took longevity pills and lived to be 150 years old. She died two years ago.
Lu Yunfan's study of painting was not just a personal interest. He also received guidance from the elders of the Lu family. He hoped that he could use a pen to create the world from Taoism to spiritual realm to fairyland in painting.
According to the legend of the immortal family, a painting is a piece of heaven and earth.
In the painting, the universe is vast, and the sun and moon are long in the pot.
Lu Yunfan studies calligraphy and painting, and Yuan Qingyue studies ceramics. The mother and son are in the same line. In time, they may be able to develop a unique way of cultivating immortals.
In terms of calligraphy and painting, the Lu family has some basic inheritance. There are some summaries from Jiang Fangcheng to Lu Qingyan. However, Jiang Fangcheng's skill level is not enough. Although Lu Qingyan's skill is sufficient, the focus of her research is mathematics, and she has spent a lot of time on calligraphy and painting. I don't have much thought, so I can only reach the Dao realm, which is close to the spiritual realm, but I haven't touched the threshold of the fairyland yet.
The Tao realm can convey the spirit and give people spiritual enjoyment; the spiritual realm can create an illusory world; the fairyland can create something out of nothing, creating a world close to reality, where flowers and plants can grow, and humans can stay there for several months; and beyond that, there are The divine realm is a completely real world, where flowers, trees, and humans can survive for a long time.
Because the inheritance of the immortal family is almost cut off, people in this world can no longer draw immortal paintings. The study of this practice law cannot be accomplished overnight and requires several generations of continuous efforts to figure it out. This is the meaning of the existence of the Xiuxian family.
After sixteen-year-old Lu Yunfan entered Xijing University, he received a step-by-step education in calligraphy and painting, but his painting talent was not very outstanding. This is not surprising. What he wants to consider is the charm of calligraphy and painting, and the pursuit of the realm outside the painting, rather than the skills of painting. Some things in traditional calligraphy and painting can be discarded.
