Judgments based on maximizing interests do not apply to some people who just think the trouble is not big enough.
However, Emiya Kiritsugu also had a keener hunter-like intuition, so he said a strange thing to his wife:
"It's true that he went to the Matou residence, but it's hard to say who he was targeting."
He didn't mean to explain too much, and waved to the ice beauty Kuu Maiya, who was as silent as a sculpture, and the two of them quickly disappeared into the living room.
"Saber, are you okay?"
There was a hint of worry in Irisviel's ruby-like pupils as she stared at King Da Mao, who had been a little absent-minded since last night.
Saber forced a smile and deliberately said in a relaxed tone: "Let's set off, Your Royal Highness."
"Okay, my guardian knight."
Irisviel smiled brightly and winked at her slightly mischievously, which made Saber feel better.
………
Hyatt Regency Fuyuki City.
This hotel is thirty-two stories tall. If you look out from the top floor, you will have a panoramic view of the unique and magnificent scenery in Fuyuki City.
The decoration and furniture in the hotel are also extremely luxurious, and the service attitude is also first-class.
Of course, from the perspective of the Lord of the Clock Tower, Kenneth Elmello Archibald, it was just like that, so-so.
Although the Empire on which the Sun Never Sets has fallen, Director Ken is from a British aristocracy and has the typical British aristocratic arrogance, and sincerely looks down on this small place in the Far East.
Superficial, ridiculous, despicable... everything in this island country is so vulgar.
Director Ken occupied the leather sofa by the window alone and was scolding Diarmuid, accusing him of not working hard and why he didn't kill King Du Mao with one shot.
Brother Brush just accepted the criticism silently without refuting, until the director's fiancée Sora appeared to save him.
This time Kenneth did not use the command spell, so the master and slave pair still managed to maintain a harmonious relationship.
However, when Director Ken discovered that his fiancée Sora had been staring at Diarmuid lovingly, the flames of jealousy and suspicion burned crazily in his heart.
When a man suddenly sees a beautiful woman, his eyes light up. This is a normal reaction. Similarly, a woman will also have this reaction when she sees a handsome man.
But Kenneth can be sure that Sora's affectionate gaze on Diarmuid goes beyond this scope, and Lancer's refusal to disclose his intention to participate in the Holy Grail War is also a thorn in Director Ken's heart.
Brother Brush: I just want to be loyal to the Lord.
Director Ken: Stop pretending. Who are you kidding? Do you think I am a three-year-old child?
The compatibility between this pair was so bad that Kenneth simply didn't believe that Lancer was just here to be loyal to his master once.
Just as the atmosphere between the three people became increasingly weird, a waiter brought over a beautiful gift box and gently placed it on the table.
Director Ken had a puzzled look on his face. Diarmuid loyally told his master to back off in order to prevent fraud. He stepped forward and carefully opened the gift box, which contained a Sony camera.
After confirming again and again that there was no trap, the three of them looked puzzled, and then watched a short video together.
First, a scene of a mansion appeared, and then it turned into a dark basement, with countless disgusting bugs squirming around. A little purple-haired girl with dull eyes, with a numb expression, endured the torture of the bugs.
There is a subtitle in the video, which shows the identity of the little girl, Matou Sakura, whose real name is Tohsaka Sakura. She was adopted into the Matou family a year ago, and there is a message saying "See you at the Matou house tonight."
"Have the Matou family fallen to this level?" Kenneth frowned, unable to hide the look of anger on his face.
Strictly speaking, he was not angry about what happened to Sakura, but he was angry about the fact that the Tong family could be considered a famous magic family, but they lacked the pride and dignity of magicians.
Sora covered his small mouth to hold back the feeling of nausea, and said with a very disgusted expression:
"The Matou family is really disgusting, they actually use such crude and crude insect magic."
Diarmuid subconsciously clenched his fists, his eyes filled with unspeakable anger, and he angrily shouted: "Damn it, evil magic, so inhumane!"
The magician's moral concepts are far different from ordinary people. Among the three, only Diarmuid actually sympathizes with the poor little girl and wants to help her.
Brother Brush immediately volunteered and said he was going to Matong's house.
Kenneth thought for a while and said slowly:
"This is obviously someone targeting the Matou family, but this matter also involves the Tohsaka family. It's interesting. It wouldn't hurt to go and take a look, but don't act rashly..."
Director Ken is very interested in this matter. Did the always graceful Tokiomi Tosaka know that her daughter would inherit this disgusting insect magic?
………
Tohsaka Residence, in the living room.
With a snap, a goblet broke into pieces, and red wine spilled all over the floor, even onto Tokiomi's shoes and trousers.
This kind of seriously ungraceful behavior should not have appeared on the head of the Tohsaka family, who had to maintain elegance at all times, but Tokiomi was no longer in the mood to care about such a thing.
He looked at the images in the Sony camera with dull eyes, his mind was a little confused, his fingers trembled a few times, and he turned off the camera.
Why is this happening? As the original three imperial families, the Matou family's cultivation and training of future heirs has actually fallen to such a degenerate level?
Tohsaka Tokiomi took a few deep breaths, tried to calm down, and forced his slightly dizzy brain to calm down.
The thing was delivered by someone else by an ordinary postman. The person behind the scenes had his own plan. It was most likely the work of a participant in this Holy Grail War.
But... there were only two choices before Tokiomi.
First, go and bring your daughter back now, so you may have to confront Berserker, and he may not be the only one who receives the camera.
How others will act is completely unpredictable, full of uncertainty and chaos.
Second, directly ignore Sakura's situation and life and death, concentrate on fighting the Holy Grail War according to the plan, and realize the long-cherished wish of the Tohsaka family to reach the root.
As for letting it go and bringing her daughter back later, there are too many uncertainties.
If he wins the Holy Grail War, he may reach the source directly. If he fails, he will most likely die...
Both of these choices were too difficult for Tokiomi. He had too many things to consider and many worries.
The Holy Grail War is going on. How can we ensure Sakura's safety after bringing her back? Will other Masters and Servants specifically target this point?
If he shows that he cares too much about Sakura, it may become his most fatal weakness, but if he doesn't care...
The King of Heroes returned to the living room at some point. He did not reveal his physical form, but quietly admired Tokiomi's entangled, contradictory and painful appearance from the side. The King of Heroes had a pair of eyes that could see into people's hearts.
interesting.
For the first time, Gilgamesh found Tokiomi interesting who had lost his elegance. Now Tokiomi was almost split in half.
As a father, he asked him to immediately rescue his daughter from that hell based on the responsibilities and feelings of ordinary people.
As a magician, he wants to maintain the cold rationality of a magician, ignore his daughter's situation, and do everything for the purpose of winning the Holy Grail War.
Ah, what an intoxicating pleasure.
The King of Heroes felt the joy that he had not seen for a long time, and was quite curious about what choice Tokiomi would make in the end.
Another thing is, which funny guy directed all this?
