The shooting of the fighting scenes of the third episode "Devil's Prophecy" was completed, just in time to finish work early.
Bunta Takakura first went to Night Tokyo Club to negotiate a new contract.
After all, I won’t be able to work part-time in Shinjuku every day when filming.
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In addition, relying on the tripartite agreement signed by TBS TV and Tsuburaya Co., Ltd. for his guest appearance in Kirialode, Takakura Bunta has the negotiating capital with Night Tokyo Club.
The manager of Shinjuku Night Tokyo Club officially recognized Bunta Takakura as an artist.
The value of the new contract has skyrocketed, the nomination fee has increased tenfold, and the commission on drinks has increased by 5%.
Shift scheduling is also more flexible, from "working every day" to "appointment by name" mode, focusing on private high-end routes, which is more flexible and concealed.
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After the new contract was signed, Takakura Bunta was in a good mood. He made an appointment with Tony Futaki and went to Kamakura Kaigan Dori Shopping Street. The two had a good drink.
Kamakura Kaigan-dori Shopping Street is a commercial street located near Yuigahama Coast. There are many seafood restaurants and food stalls. The cuisine is mainly seafood, such as seafood donburi, seafood skewers, takoyaki, etc.
The crew usually likes to have dinner at Kamakura Komachi Street. It is close to the crew and the price is more affordable.
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Bunta Takakura and Tony Futaki took a 20-minute taxi ride to Kamakura Kaigan-dori Shopping Street. While walking and chatting, they chose a cafeteria run by a local fisherman.
Bunta Takakura ordered a large portion of grilled eel, salmon sashimi, salmon sushi, sea bream sushi, Kamakura grilled onions and grilled bird combination, and Kamakura seafood donburi.
The food was served very quickly in the restaurant. Bunta Takakura took out a bottle of junmai daiginjo monjaku given as a gift by the manager of Shinjuku Night Tokyo Club. The price of this bottle of sake is as high as 96,800 yen.
While the two were drinking and changing glasses, they talked about Tony Ermu's subsequent work plan.
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Bunta Takakura took a sip of sake and said, "Are you sure you want to go to Poseidon Pictures to make a movie?"
Tony Ermu ate a lantern-roasted bird skewer: "Last year I went to audition for Poseidon Pictures. I just didn't go to the filming because my girlfriend objected."
Takakura Bunta put down his wine glass, said nothing, and filled Tony Futaki's wine glass.
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Tony Ermu is lovelorn.
Tony Ermu has been chasing the goddess for four years, and it was not until last year that he successfully held hands and confirmed his lover's identity.
According to Tony Ermu's description, this is a kindergarten teacher who is very caring and very simple. Before confirming the relationship with him, he had never held hands with a boy.
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When Takakura Bunta heard Tony Futaki's description, especially since he was one of the "three major fantasy beasts" in the dating industry, he knew it was a bit tricky.
Sure enough, when he started visiting his home, Tony Ermu was told by his friends from the same hometown about the true face of this kindergarten teacher goddess.
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When you were in elementary school, your goddess already knew how to kiss;
When you were in junior high school, your goddess kissing skills were already perfect;
When you were in high school, your goddess could already rock the bed;
When you graduate from college and work hard to find a job, your goddess has already changed countless bed partners;
When you take out a loan to buy a house, prepare to buy a car, or want to start a family. Your goddess appears in front of you and asks in a resentful tone:
"How do you choose?"
Angry Tony Ermu chose to break up.
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Today's gathering is not only a celebration for Bunta Takakura, but also a celebration for Tony Futaki's escape from prison and his rebirth.
Bunta Takakura sandwiched salmon sushi with wasabi and asked, "Last time I heard you tell me, what is the name of this Poseidon movie?"
Tony Ermu had already drank his fourth cup and had a nasal voice.
The name sounded familiar to Bunta Takakura. He ate the salmon sushi, took a sip of hot wheat tea, tried to recall it, and asked uncertainly:
"Could the protagonist of this video be...that diva-level artist?"
Tony Futaki just poured the wine, drank another glass, and said, "Yes, that's Miss Ai Iijima."
Bunta Takakura patted Tony Futaki on the shoulder and said enviously: "You kid, your starting point is much higher than mine!"
"Cheer up! Come on! Have a drink!"
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Home video tapes in this world originated in the 1970s and 1980s, and gradually emerged with the maturity of video camera (VTR) technology.
The camera does not need to calculate the exposure like a video camera does, nor does it need to develop the film, nor does it need a projector.
Any non-professional can easily record video using a video recording system. It uses a filming technique that is completely different from traditional studio techniques.
It fundamentally negates the academic style of the image and the various techniques that the film industry has accumulated over the years.
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When it was first born, it was all shot with a camera, then transferred to videotape, and played in love hotels.
Nikkatsu Pictures, Diamond Pictures and Poseidon Pictures are known as the three giants of video.
These films were also investigated by the Metropolitan Police Department, which led to the birth of the RBVIDEO Ethics Association to provide a basis for the legality of videotapes.
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Since the 1980s, the trend of R-rated movies has become a huge trend in the cultural field around the world.
233 countries and regions around the world have passed it, opening the market to R-rated movies. (Including the great eastern countries).
The works of R-rated movies are unprecedentedly prosperous, accounting for 94.2% of the global film and television market.
This enabled people to no longer have shackles on their minds. RB video tapes became popular all over the world and produced huge economic effects. The related industrial chain accounted for 6% of the country's GDP and became a pillar industry of the country.
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In this relaxed atmosphere, in 1992, a queen-level figure in the field of video tapes was born.
She is Ai Iijima.
In April 1992, her debut novel sold more than 40,000 boxes.
Then, she starred in more than 30 works by Crystal Image, Alice Japan, Nikkatsu, etc., each of which sold more than 100,000 boxes.
Since then, the sales volume of video tape works has been around 10,000 boxes, with occasional hits reaching 30,000 boxes...
Ai Iijima single-handedly broke the ceiling of the video tape market.
This is the strength of a queen-level artist! ! !
At the same time, she also successfully broke into the mainstream entertainment industry and became the idol of a generation.
Ai Iijima, Mai Asakura, and Minorine Asakura are known as the Three Heisei Princesses, and together with Hitomi Shiraishi, they are known as the Four Queens.
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Tony Futaki was frustrated in love and proud in his career, and he collaborated with a diva-level female artist when he debuted. It was a catapult start! ! !
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The two chatted while eating and drank until midnight.
Tony Ermu, drunk and depressed, scolded his ex-girlfriend.
He drank an entire bottle of Junmai Daiginjo, Mengque, and then opened a few more bottles of beer.
Finally, Takakura Bunta supported the dizzy Tony Futaki. Just as he went out, he heard a group of people arguing around a car at the entrance of the pachinko shop not far away.
