Opening the door, TBS producer Koichi Takano took Bunta Takakura and said with a smile:
"Muraishi-kun, let me recommend you a leather actor."
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After learning from Tony Futaki that there was a vacancy for a holster actor on the crew, Bunta Takakura planned to give it a try.
If it were another crew member, Takakura Bunta, a labor dispatch worker, who tried to play the role of a Kirialoid, there would be no chance at all, and he would only bring humiliation to himself.
The dispatch worker wants to join the crew.
The promotion trajectory is usually handyman, field service, temporary guest actor, permanent actor, marginal supporting role, supporting role... and finally the important single-episode supporting role BOSS like Kirialoid.
This time, Bunta Takakura saw the serious loss of leather actors in the crew and the shortage of manpower.
He wants to seize the opportunity, take the lead among all the troops, jump six levels in a row, and turn into a positive person in one wave.
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If Bunta Takakura wants to play the role of a Kiri Eloid, he must obtain the approval of TBS producer Koichi Takano and general supervisor (chief director) Hiromi Muraishi.
Takakura Bunta is not even considered a regular member of the crew, and has no chance to talk to these two big guys.
So Takakura Bunta found the Night Tokyo Club, the first VIP customer to name him, Mrs. Rikako Takemoto.
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Rikako Takemoto was Bunta Takakura’s first named customer and the first major customer to open Dom Pérignon P3 Champagne.
Rikako Takemoto’s husband is the executive director of the Film Ethics Management Committee.
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The Film Ethics Management Committee is an organization that reviews all publicly screened TV dramas, movies, and media.
All film and television dramas must be reviewed and graded by this agency before being released. It is the authoritative organization for film and television censorship in Tokyo.
Its positioning is the same as that of a certain game in later generations.
The biggest difference between the two is that this agency is not a government legal person, but a public welfare legal person organization.
This special organizational positioning is because the Film Ethics Management Committee was born during the period of management of the Commander-in-Chief of the Allied Forces in Japan.
The first chairman of the committee was the cultural advisor with the rank of minister of the U.S. Embassy in Japan.
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According to the chat with Takemoto Rikako, I learned that her husband is a harsh and twisted workaholic.
He works until two or three in the morning every day, and the passing rate of the works assigned to him is only 1%.
She had complained to Takakura Bunta when she drank too much.
This may be related to the husband's physical incompetence, which can only be vented to the censorship of his works.
Occasionally, the world between two people only lasts for tens of seconds.
The two have been married for six years and have no children.
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The hosting of the Sapporo Winter Olympics in 1972 can be said to be one of the symbols of RB's rapid economic development, and the gap between rich and poor in society has widened.
Thus, the first "women-only club" for upper-class women and wealthy housewives was born.
The emergence of such clubs has been welcomed by celebrity women.
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Since then, as the RB economy has achieved rapid development, ordinary housewives have more money in their hands.
Against this background, there are more and more men's public relations clubs in Shinjuku...
Some RB women who are unwilling to get married will find clubs out of human nature to satisfy their own emotional and physical needs without having to bear the responsibility and pressure of love and marriage.
Other married women, especially those who have money and leisure, have needs for emotional value, but their husbands are busy making money and have no time, so they can only choose to spend money to please themselves.
Rikako Takemoto falls into the latter category.
Both the RB family and society have considerable tolerance for this kind of pleasure-seeking.
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Competition in the entire club industry is also very fierce.
Shinjuku Kabukicho in Tokyo alone has more than 2,000 clubs of various categories.
The main source of the club's performance is that male public relations provide emotional value services such as dancing, drinking, and singing.
Female customers consume our cocktails, soju, fruit wine, champagne, champagne towers, etc.
As for the "grey area" of the second half of activities outside the store.
The attitude of the clubs in Shinjuku is that they neither support nor oppose it, just don't cause trouble.
The actual words of the manager of Night Tokyo Club were: "No matter what, as long as we can keep customers and open the champagne tower..."
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After naming the champagne tower three times and twice, Bunta Takakura was very aware of current affairs and reciprocated the favor.
I got off work early at 11pm and took the initiative to accompany this lonely lady out of the store for the second half of the activity.
Seven consecutive hits! ! He hit a huge home run all the time! ! !
For a poor young woman who has no knowledge of the rain and dew, a little shock of the most powerful creature in the land and air.
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After Mrs. Rikako Takemoto received a call from Bunta Takakura, she was very willing to give her little lover some career help.
She mentioned this matter to a certain TBS high-level best friend at a tea party for ladies in the port area.
As a result, Takakura Bunta was recommended by TBS producer Koichi Takano of "Ultraman Tega".
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This is the producer of phenomenal Japanese dramas such as "Escape" (Escape is shameful but useful) and "Servant Wife" (My Horrible Wife).
Now he has just been promoted from TBS assistant producer to a regular member, and his voice within the crew is limited.
Moreover, when TBS TV station forcibly designated artists from Johnny & Associates to play the main role in "Ultraman Tega", the relationship between the two parties was a bit awkward.
As a producer, Koichi Takano needs to avoid further deterioration in the relationship between the two companies in order to promote the project smoothly.
Therefore, Takakura Bunta's matter cannot be forced upon, and requires the consent of Tsuburaya Co., Ltd.'s general supervisor Hiromi Muraishi.
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Takano Koichi and Muraishi Hiromi chatted for a few words, then stood aside and flipped through "Weekly Bunshun" while Muraishi Hiromi and Takakura Bunta were interviewed one-on-one.
"You want to play a Kiri Elod?"
Muraishi Hiromi frowned, his sharp eyes constantly looking at Takakura Bunta who was standing in the middle of the office, and asked in a deep voice.
Hiromi Muraishi is a senior director of Tsuburaya Co., Ltd. and the general supervisor of "Ultraman Tiga".
…………
When Ultraman Showa planned and filmed "Ultraman Taro", he was still a new director.
After twenty-three years of hard work on the tokusatsu drama set, this former Tsuburaya newcomer has become the general supervisor (chief director) leading a team of nine on-site directors.
His majesty and momentum stem from his many years of experience as a director and his deep understanding and persistent love for Tsuburaya's fantasy tokusatsu dramas.
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"Yes, please give me this chance!"
Takakura Bunta was not affected at all and bowed and said loudly.
With a burly and fierce figure, he has the aura of the strongest creature in the sea, land and air, and he releases powerful pressure to the surroundings with himself as the center.
"Very good! Very energetic!"
General Supervisor Hiromi Muraishi felt that he was being mobilized by Takakura Bunta's own aura, his heartbeat was inexplicably accelerated, his whole body was boiling, and he couldn't help but praise.
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Hiromi Muraishi's first impression of this labor service company dispatch worker was very good. After looking at it carefully, he felt even more satisfied.
He has a very strong body, and his muscles all over his body feel like they contain explosive power. He has a tall and powerful appearance as a hot-blooded man, and he belongs to the same type of tough guy as Ken Takakura.
It's just that compared to Takakura Ken's cold, resolute, silent, taciturn, and lonely feeling of living aloof like Mount Fuji.
This Takakura Bunta has a violent and violent temperament, as hot as the active volcano Kilauea in Hawaii, and will erupt at any time to destroy the world.
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Such a figure and temperament made Muraishi Hiromi know that Takakura Bunta was indeed confident in recommending himself.
"You first go to the dressing room to try on the makeup, and then go to the prop manager to get the spaceman leather case." Hiromi Muraishi said.
Bunta Takakura closed the door and left. The senior director of Tsuburaya Co., Ltd. asked the producer Koichi Takano next to him in confusion:
"With Bunta Takakura's physical condition, why didn't he sign with an artist agency and instead worked as a dispatch worker in a labor service company?"
Takano Hiroshi handed the "Weekly Bunshun" magazine to Muraishi Hiromi and said:
"Takakura Bunta's physical condition belongs to the remnants of the old era. There is no ship that can carry him in the new era..."
Hiromi Muraishi looked at the contents of the new issue of "Weekly Bunshun" and understood immediately.
