Chi Feichi turned around and looked around, observing the reaction of the audience in the back row. He finally felt relieved when he saw that many people had soothing eyebrows and smiles on their lips.
The heartache, pride and regret that the audience felt before all led the audience to misunderstand that A Li no longer pursues freedom. In this way, when the young Onmyoji sees through A Li's mind at a glance, the relationship between the two people is particularly precious.
In this story, there is not much dramatic conflict between the two people falling in love. If you are not careful, this love movie may become boring. Only by letting the audience feel the beauty of the spiritual connection between the two can the audience feel for the two. Happy.
Only if you are happy now can the knife you stab later hurt you.
In the script creation of this movie, Chika Suzu made the largest contribution. Only someone like Chika Suzu, who has had a career as a dancer, can show the conflict between self and mask in a profound way, and know how to create a peaceful atmosphere in a calm atmosphere. Quietly arouse the audience's emotions.
In the performance just now, Chika Suzu didn't show much joy, but she also performed the feeling of a dancing girl meeting her soulmate by chance, and the joy arose in her heart, and she could make people feel that joy too.
The movie was still playing, and the two were boating on the sea. A Li asked the young onmyoji why he came to Liren Pavilion, and the young onmyoji truthfully said that he wanted to find the great demon Shiranui, but also lamented that it might just be a legend.
A Li told the young Onmyoji that he had found it, and he was called Shiranui. When the Onmyoji thought it was a joke, A Li jumped onto the side of the ship lightly and asked the young Onmyoji to write in the letter again. Read the waka to yourself.
On the sea reflecting the full moon, one person stood on the side of the ship and danced gracefully, and another person solemnly but also softly recited a Japanese song that expressed his feelings. This seemed to be the unique romance between dancing girls and children of down-and-out families in that era, but it was also the case for many people. Everyone can feel the romance.
As A Li dances, background music full of explosive emotions that is completely different from the previous calm atmosphere sounds. On the screen, clusters of flames are also floating on the sea around the two people.
The young onmyoji realized that he had really found Shiranui, and stopped in surprise. There was neither the fear of the great demon nor the desire to control Shiranui in his eyes.
This solo dance for only one person was continued by A Li, which also made the young Onmyoji's heart completely sink.
Later, the city lord who was rejected by A Li was almost the opposite of the young Onmyoji. He gave A Li many gifts, but did not care what A Li really wanted. He only hoped that A Li could become his only one. Dancer, be a personal ornament that can give people a sense of accomplishment.
After being rejected, the city lord became angry and started to target A Li.
The proprietress of Li Ren Pavilion would not offend the city lord for A Li, so she locked A Li in a dark room.
The rumor that A Li was a monster was also spread by the city lord.
The rumors continued to spread, and the people finally planned to gather everyone's strength to kill A Li, and shot flaming arrows at Li Ren Pavilion. At this time, the young Onmyoji also rushed to Li Ren Pavilion, intending to save A Li and leave.
The ending of the story is certainly not going to be easy for these two people.
A Li was hit by an arrow in the chest. Although he did not really die, he officially transformed into the great demon Shiranui. As the attic collapsed, he completely merged with the fire.
The young onmyoji Kamo injured one eye. At the last moment when the attic was burned and about to collapse, he was pushed into the sea by Ali and saved his life.
At the end of the movie, Chi Feichi also insisted on following the content of the CG in the previous life, allowing Abe Seimei played by Shirakawa Jiro and Tamamo Mae played by Okino Yoko to show their faces.
The two of them were standing on the ferry boat. When they talked about the legend that Shiranui would only appear once every few decades, Tamamo Mae turned to ask the old ferry boatman if he had ever seen Shiranui at his age.
The boatman raised his head to reveal his blind left eye under his bamboo hat, and said in a slow but firm voice, "That's not Shiranui, she's A Li."
At the end of the film, the music "Song of the Outlying Islands" played when Ali was dancing on the sea was played again at the end of the credits. This time there was also lyrics by Chika Suzu.
As soon as she heard the singing, Ayumi burst into tears, startling the sad moviegoers nearby.
"Uuuu..." Ayumi cried and wiped her tears with both hands, "Ali and Kamo are so pitiful..."
"A-Ayumi, don't cry," Mitsuhiko panicked, and his face quickly fell, "Seeing you cry makes me want to cry too!"
Dr. A Li stood up hurriedly, "Don't cry, everyone, this is just a movie!"
"No!" Yuantai looked sad, "They are really pitiful!"
"Okay, okay..." Mao Lilan's eyes were still red. When she saw that the children were about to cry, she quickly held back her tears. Just as she was about to speak out to comfort the children, she was hugged tightly by Suzuki Sonoko next to her.
"Ahhh..." Suzuki Sonoko hugged Mao Lilan and cried even more sadly than Ayumi, "How can this be done? I want them to change the script! I have to pay them to change it!"
Chi Feichi, whose mind was full of 'THK Company's successful projects +1' and 'Chika Suzu's popularity +1+1+1', heard this and immediately said, "It is impossible to change the script, only tragedy can make people's impressions profound."
The surroundings suddenly became quiet. Ayumi, Mitsuhiko, Genta, and Suzuki Sonoko all suppressed their cries, and looked at Chi Feichi speechlessly.
At this time, can't you just follow them?
Hui Yuan Ai felt helpless and sighed softly.
It's okay for her brother to be like this, no problem at all.
It's just that while everyone is focusing on how pitiful the movie characters are, her brother is focusing on the quality of the movie itself.
She could probably understand Brother Fei Chi's state, because just now she felt sorry and sad for the two people in the movie story, and she was also thinking about what Brother Fei Chi said - this is a special effects movie.
In the whole movie, the special effects should only be seen when flames float on the sea, when the villagers burn Liren Pavilion, when Ali is completely demonized, and in the last scene when the onmyoji and the banshee appear on the boat.
The last female monster that appears is clearly played by Okino Yoko, but the special effects added to her body are very realistic. She has a demonic spirit, which is completely different from Okino Yoko's previous impressions in film and television works.
Generally speaking, the special effects were so detailed and realistic that she was not sure whether the building in Liren Pavilion was burned down or not.
To say that this is a special effects movie is true, but it is different from the movie she imagined with special effects fighting scenes. The special effects in this movie are mainly used to create the impression of monsters and demonstrate their abilities.
In short, because Brother Fei Chi said at the beginning, "This is a very exciting special effects movie," she was distracted by the existence of special effects. Like Brother Fei Chi, she was not that invested in the fictional story.
Does this mean there is something wrong with her brother? cannot!
Suzuki Sonoko slowed down for a moment and asked resentfully, "It's not Brother Chi. It doesn't matter if you can't change the script. This is not a love tragedy movie. I'm used to it. It doesn't matter..."
other people:"……"
This resentful look doesn't look like 'it doesn't matter'.
"But I have a question I want to confirm," Suzuki Sonoko looked at Chi Feichi faintly, "Shiranui will appear at sea once every few decades. Kamo should have seen Ali appear in the process from when he was young to the age of an old man. Bar?"
"According to the original design, he didn't..." Chi Fei became resentful when he saw other people's eyes. He looked at Yueshui Nanatsuki's red eyes and stopped telling the truth, "Maybe he didn't wait in vain. This is left to the audience. It’s left to the imagination of the filmmakers, whatever you think is what it is.”
Suzuki Sonoko put away her resentful eyes, breathed a sigh of relief, and comforted herself, "If Shiranui appears at sea once every twenty years, then Ali and Kamo have also seen each other two or three times. Although the number of times is still very few, but in the end There are moments of reunion.”
"In fact, they have to wait twenty years each time. After a brief reunion, they have to endure many years of separation. They only rely on a little faith to hold on. That is also very cruel to them," Mao Lilan sighed, "And Kamo We may not be able to wait another twenty years. After he dies, A-Li appears on the sea but cannot see him. How sad it will be then."
Suzuki Sonoko's eyes became resentful again, but this time her resentful eyes were focused on Mao Lilan.
She finally comforted herself, but when Xiaolan said this, she felt sad again.
Friends around me either lack sentimental nerves in their brains or have overly developed sentimental nerves, which can easily cause headaches.
Mao Lilan was really sad and murmured softly, "After Shinichi and I... we shouldn't be able to see each other for so long..."
Conan's back was hairy for a moment, but he soon recovered and laughed inwardly.
How... how is it possible that we only meet once in twenty years? That's too exaggerated!
It won't take long for him to change back. He and Xiaolan won't do that. It's too scary!
…
That night, the cast members of "Li Ren Shiranui" finished their interviews and attended a small celebration dinner.
Odagiri Toshi was also the initiator of the dinner. In addition to the cast members, Ike Feichi, Morizono Kiku and Suzuki Sonoko, there were also the project leaders of the Umbrella and Suzuki consortium's investment in outlying islands and their assistants. The special guest was the famous detective Mori Kogoro, the world-famous theorist Yusaku Kudo, and the retired actress Yukiko Kudo.
The division of investment, responsibilities, and interests in the Onmyoji series is something that the Suzuki Consortium, Umbrella, and THK have long discussed. There is nothing serious to talk about at the dinner. It is simply a gathering to celebrate the first film and television project and supporting tourist attractions. The construction is completed and will be launched soon. In order to make the dinner atmosphere more relaxed, Odagiri Toshi also specially invited Dr. Agasa and his five children to attend the dinner together.
The banquet hall was small in size and very warmly decorated. Although the banquet was still in the form of a buffet, no one was walking around. They were scattered on the sofas in the rest area, like a leisurely gathering of members of an interest club.
"Ms. Yoko plays Tamamo-mae. I was thinking before that she should be the legendary powerful and cute monster..."
Here, Kogoro Mouri chatted and laughed with female artists such as Okino Yoko and Chika Suzu.
Over there, accompanied by Chi Feichi as half of the middleman, Odagiri Toshiya, Morizono Kiku and Kudo Yusaku brushed up on each other's familiarity.
"Min Ye and I have met before. I remember that Min Ye was still in middle school at that time..."
(End of chapter)
