Chapter 1071 Crime and Punishment

Style: Gaming Author: Ode to Fireworks and WineWords: 3286Update Time: 24/01/18 08:35:57
The symbol composed of white light was carved into the ground after moving to the opposite area. Fei Chi and the snakes were still running on both sides.

Chi Feichi continued to do the questions...drawing symbols.

Feimo is greedy.

The sin of greed refers to possessing more than needed and excessive pursuit of superiority in money or power. In legends, crows are also creatures that symbolize 'greed'.

Feimo, a crow like the wind, led a group of men to rob people everywhere before he settled down. After he settled down, he continued to expand his team. Robbery and other things were also very common for crows.

On the other side of Dango and Jubei, there was anger.

Sins of anger are punishments stemming from hatred.

Danzi hates those who sabotage his planned plans, and Jubei hates his enemies and tries to punish them.

In fact, everyone has many original sins to a greater or lesser extent, and even avenging one's son is considered excusable. But since it is said to be a 'sin' down to this day, then it is a 'sin'.

Although he prefers this to be a manifestation of another personality, it still represents strength.

The Seven Deadly Sins have relatively representative demons and strange creatures. For him and the creatures corresponding to the Seven Sins, gaining even a small amount of power is a good thing.

Feili is jealous.

The sin of envy is the feeling of resentment because the other person has more assets than you do.

Regardless of whether it is due to discrimination or unfairness, it is a fact that other killer whales get more attention, recognition, food, and appreciation than themselves and are separated from the group.

Anonymity is arrogance.

The sin of arrogance is expecting others to look at or like you too much, while still harboring contempt.

Cats are somewhat arrogant creatures, not only toward their owners but also towards other people. They long for the affection of others and at the same time despise them. It all depends on their mood whether they want to be petted or not.

Wuming had already committed this crime over and over again when he cheated people out of food while despising others.

Joshua is 'Lust'.

In fact, in the early days, 'lust' referred to the sin of 'unchastity'.

At first, it meant loving the world too much and belittling God's love for the world. I probably felt that this statement was too much, and then it became "betrayal and unfaithfulness."

Before meeting him, Joshua committed the sin of "excessive love for the world." After meeting him, he abandoned his original faith and was unfaithful to his faith and his past for more than 60 years.

Even though faith abandoned Joshua first, Joshua did not regard it as a test, but instead questioned and turned his back on another faith, which was 'unchastity'.

Seven symbols were carved into the ground one after another, and the surroundings changed again. A movie-like picture was projected above the seven symbols.

In the picture on Joshua's side, a baby is born in tears, and then grows up little by little, turning into a man dressed as a priest, walking in and out of the church.

Like a silhouette of time, the priest changed from a young man with brown hair and blue eyes and a handsome face, to a middle-aged man with a beard and soft eyes, to an old man with graying hair and wrinkles on his face. The church he entered and exited gradually changed. We were so glorious that we finally arrived at the Holy Land of the Church.

In the silent and fast flashing scene, Joshua's hair turned whiter, and the wrinkles on his face became deeper. He put on a red robe in the glorious hall, but the faces of the people around him changed from joy to shock and anger.

There was a broken scepter at Joshua's feet, and he said something angrily. He left the glorious hall alone, and arrived at a simple residence alone. The same silhouette of time coming in and out represented the solitary life. The twilight years.

One day, there was a group of people outside the door.

The door was locked, and the room was filled with flames and smoke. Joshua, who was much older than he was now, raised his hand to knock on the door. The black smoke made his eyes red, and the black smoke left deep black marks in his wrinkles.

Afterwards, Joshua, who was holding the door, fell to the ground and was engulfed by the flames.

On the side of Dango and Jubei, the picture shows two little black bears running in the forest, hugging their mother and acting coquettishly, growing up little by little, and then a little black bear fell to the ground with blood holes on its body, and was killed by a man carrying a shotgun. After being dragged away, another little black bear hid aside and shivered. After finding the shotgun aimed at him, he fled into the forest in panic.

The picture flashed rapidly. The little bear ran back to the cave and neighed at his mother. The big bear left. The little bear stayed in the cave, eating, drinking, sleeping, and waiting at the entrance of the cave. Spring, summer, autumn, and winter were changing outside, but obviously, his mother never came back.

The little bear hunted by himself and ate ferociously, getting bigger and bigger. One winter, when he woke up from hunger and went out to hunt, he found a black mass lying on the snow.

The black bear thought it was the same kind, so it ran up to it, but found that it was a human. It grinned angrily next to it, sniffed the dying person, but still only stuck out its tongue to lick the person awake, and then lay down on the snow beside it.

Seeing this, Chi Feichi already knew that the surviving lone bear was Jubei.

Sure enough, a splash of blood splashed on the snow, melting the white snow, and the black bear fled deep into the forest with bleeding from one eye.

The snowfield once again turned into a grassland with budding weeds. The weeds grew vigorously and wantonly, and then gradually turned yellow and became covered with snow again. A hunter began to appear frequently in the forest. He saw a black bear with one eye blind on the outskirts of the forest. Warning shots were fired.

The black bear turns around and runs away every time, but there seems to be a tacit understanding between one person and one bear. The hunter will not hurt the bear, and the bear will not hurt the hunter. When people lead other hunters to other directions outside the forest, the bear will also Intercept the dangerous animal in advance when it approaches the hunter, kill it and leave it where it is, run over to hook up with the hunter and shoot to scare it, then turn around and run away.

In the passage of time, the bear had its own child. The hunter turned around and saw the big black bear going out with two cubs, grinning happily.

Later, the body of a little bear was hung on a tree, and the black bear chased after it, sniffing the scent of his other child and the human scent of the dead bear.

Chi Feichi also saw Conan and others, even if it was just a fleeting moment. This time, the black bear faced the shotgun and rushed forward. Then the police arrived, and the black bear took the cub deep into the forest.

But the picture flow is not over yet:

The black bear raised the little bear little by little, and the little bear who grew into a young man ran around in the forest like a young man, and passed through spring, summer, autumn and winter, and then died from a shotgun.

After that, the black bear, which was blind in one eye, also fell to the muzzle of the gun. When it was dying, its abdomen was cut open...

Chi Feichi looked around. The other pictures were the same, showing the life of these creatures without his participation.

Over in Feimo, a little crow with red eyes emerged from its shell and grew up with other crows. It looked no different from other crows. However, as spring, summer, autumn and winter passed rapidly, other crows changed batch after batch, and it remained the same. alive.

It is the oldest among crows. When the little crows it takes care of grow up, they will bring it food and help it build nests.

The confusion in the red eyes of the crow gradually turned into depth. It no longer flew among the crows like before, and often stood alone on a high place staring into the distance in a daze.

Finally, it flew away and left the group.

The scene flashed through the changing seasons, as well as places and groups of crows of different sizes or shapes.

The red-eyed crow kept flying away, staying, and flying away, and the world he experienced was also changing. High-rise buildings were rising one after another, and then turned into high-rise buildings made of unknown materials and small vehicles flying in the air.

Soon, the metal objects in the air gradually became fewer and disappeared, and the creatures the crow saw gradually changed.

Strange and tall fruit trees, farmed animals of unknown origin, humans who walk normally but when they lift their heads there is a screen...

Koizumi Hongzi happened to see Fei Mo here and was a little stunned, "How long can Fei Mo live?"

The next second, Feimo was caught in the light net and then entered the oil pan...

Chi Feichi: "..."

What a talent he is, he doesn’t even let go of crows!

But looking at the fried ink, he actually felt...

It looks quite delicious.

Fei Mo's side ends, and the scene turns back to the time when the little crow with red eyes was born, repeating Fei Mo's life that was finally fried.

Koizumi Hongzi suppressed the speechlessness in her heart and looked at the picture on the other side.

There was no sound in the picture, and she couldn't understand the sound if it was there, but she could tell that it was the life of a little killer whale.

I grew up in a pod of killer whales, left the group, stayed in the bay, and left again. I played all the way and saw all the ocean scenes. Then I lost my way, stranded in the ice and snow, and was frozen bit by bit...

On the other side, a white cat was born, was taken home, cuddled up with a young woman to bask in the sun, lay at home secretly peeking at the door, waiting for the woman to come back, then was abandoned, strayed, and was accidentally run away during a fight. The passing car ran over him.

Koizumi Hongzi stopped looking at the bloody scene. After thinking about it, she found that there seemed to be a pattern in it, "Son of nature, you seem to..."

Chi Feichi nodded, "I got it right."

"I remember..." Koizumi Anko recalled taking stock, "The punishment for the crime of infidelity is to be suffocated in brimstone and fire, just like Joshua; the punishment for the crime of anger is to be dismembered alive, just like Jubei The same; the punishment for the sin of greed is to be boiled in oil, and Fei Mo was indeed blown up; the punishment for the sin of jealousy is to be thrown into ice water, and Fei Li is to be stranded on a glacier..."

Chi Feichi: "..."

Feili's strange road-crazy attribute is worrying.

Even if you have met him now, you may still end up stranded in a strange place.

"The punishment for the nameless crime of arrogance is chakra splitting; the punishment for the crime of laziness is..." Koizumi Hongzi paused and looked in the direction with the 'lazy' rune engraved on it, "thrown into a snake pit."

In the midst of the misery and misery, the non-chi scenes occupy two of the scenes, and they are incompatible with the other scenes.

The penalty for the sin of sloth is to be thrown into a pit of snakes.

The penalty for the sin of gluttony was the forced eating of rats, toads, and snakes.

In the picture, Fei Chi, who was not bought by anyone, was sent to a dilapidated and narrow breeding base. Fei Chi seemed to have decided not to succumb to the 'little loach' diet and began to sneak out to eat. Today he went to eat rats. In two days, I'll eat pet frogs one day, and eat newborn snakes after a while... It's like my eyes are red from eating, and it's like opening the door to a new world. The more I eat, the more I eat, and I run to wash it after eating it. Take a bath, go back to the snake pit and pretend to be innocent, take a nap and pretend to be good.

When I look at Fei Chi's pictures, I feel that the painting style of the entire space has been biased. They could be named "The Life of Green Tea Eater Snake", "As a Snake, My Recipe is Super Wide", "Monologue of Fei Chi Boss: Snake's" Life is about eating, drinking, sleeping, sleeping"...