Inexplicably being slapped by this shameless guy, Li Chuan felt helpless.
He turned his head and looked at the other person, writing down his name deeply.
Stranger (Guo Huaizong)
He is also a quasi-foreign person who has not controlled any exotic treasures.
However, in a flash of lightning, a few people reached a tacit understanding.
That is, in the current situation of evil spirits, don’t tear each other down.
If possible, let's support each other and fool around together.
If something really happens, there can be more people to support you.
So these three people, together with Xue An and the square-faced man beside Huang Ying, quickly formed a temporary alliance and became a team.
As for the others who were half a beat behind, they completely lost the opportunity to hitchhike and could only sit there and wait.
Huang Hanlin didn't seem to pay much attention to them. He just invited Li Ao, who had outstanding appearance and temperament, to make a few comments.
This is the negative price of being handsome, even if you want to hide and keep a low profile.
However, reviews are reviews, who is afraid of whom?
Appreciation of calligraphy and painting generally involves aspects such as composition, brushwork, and conception. More advanced ones include the use of light, shadow, and color.
The unique method of using ink in Chinese painting and the artistic conception that can only be understood but cannot be expressed are the most important.
The few paintings I saw in front of me seemed to be Huang Hanlin's landscape, flower and bird paintings. This man became famous at a young age and became an official in the court. He entered the official career for decades. Although he never became a very popular minister, he was still In the eyes of many people, he is a big boss in North Korea and China who is out of reach.
After such people retreat, they will focus on the mountains and rivers and hold paintings with a bit more courage than others.
Then Li Fan opened his mouth and said: "This mountain is majestic and majestic. A few strokes of it show how tall it is. The clouds are deep in the mountain and there is no temple. However, there is a picture of an old monk walking carrying firewood. It is very thought-provoking. The cleverness of the intention is really mysterious... …
Looking at this river again, it is completely made of blank space. The ink and wash boats here are like a fairyland. There is not a single stroke of fog, but the majestic scene of heavy fog is painted. The method of creating the environment is really perfect...
Looking at this fisherman again, I thought of a poem: A man with a coir raincoat fishing alone in a boat, fishing alone in the snow in the cold river..."
Huang Hanlin and several of his friends nodded repeatedly after hearing this.
Even Huang Ying couldn't help but cast a surprised look.
There is nothing wrong with Li Fan not knowing art, but he knows Chinese and understands.
At this moment, Li Fan seemed to have become the painter's mouthpiece, expressing clearly the artistic conception he wanted to express in the painting.
Although there are some things in it that Huang Hanlin didn't think much about when he was painting, but after listening to Li Chuan's words, it seems that it is really the case.
"My little friend is so impressed. These are all imitations of paintings by famous artists. There is no real purpose behind them."
"My lord, you are being humble. It is said that it is difficult to paint the skin of a tiger but its bones. In this copying work, the brushwork and ink can be approached through hard work. Only the word "charming" is the most difficult to come close to. lord, can you even touch this point? You can do it all, which shows that you have understood the true meaning."
An old man next to him was slightly flattering and flattered the horse without any trace.
Others said yes.
During the laughter and conversation, Huang Hanlin was so relieved that he finally asked his son to take out several other paintings that had been prepared for everyone to enjoy.
As a result, after everyone saw it, their expressions changed slightly.
The first one is "Skeleton Fantasy Picture".
In the center of the picture is a large skeleton wearing a fu head and a transparent gauze robe, sitting leisurely on the ground, holding a small skeleton with his right hand, grinning.
The little skeleton was waving and dancing. Opposite it was a child who had not yet learned to walk. He was crawling on his knees, reaching out to grab the little skeleton.
Behind the child is a woman with her hands stretched out as if to block her. Behind the big skeleton sits another woman, exposing her breasts and nursing the child in her arms.
The book in the painting includes the song "Drunken Heaven" by Huang Gongwang:
No skin or flesh at all, only a burden of pain and sorrow. The puppet will also pull out the silk thread, looking for a little trick to tease the enemy. Isn't it shameful to find out? I have been alone for five miles.
The inscription is on the third day of August in the eleventh year of Delong's reign, when Taoshan layman published "Skeleton Fantasy Picture".
The magic technique can be used to ground the energy of the earth, not the underworld.
Seeing this "Skeleton Fantasy Picture" with his own eyes, Li Fan couldn't help but secretly complain again.
However, this painting is not an authentic work, but was made by Taoshan layman Huang Laohanlin who copied the famous Southern Song Dynasty painting "Skeleton Fantasy".
What the original painter Li Song wanted to express is unknown to future generations, and it is more of his own conjecture.
What the Huang Hanlin in front of him wanted to express through this was even more confusing.
Li Chuan frowned and looked at it.
"Skeleton, woman, child...could it mean the transformation of life and death and the reincarnation of cause and effect?
The two women have corresponding expressions and postures, and the two children also have skeletons and flesh, making them lifelike. "
From a purely technical point of view, Li Fan couldn't see the reason, but he vaguely noticed that the big skeleton controlled the small skeleton and played with the children, and the big skeleton itself was also controlled by inexplicable power.
Extremely intriguing.
But soon, his eyes fell on the second painting.
Huang Hanlin's painting skills and brushwork were obviously much better at this time, depicting a salesman carrying a load, shaking a wave drum to attract children, smiling, and displaying a dazzling array of kites, paper carps, small drums and other toys.
The children's attention was all attracted by those toys, and they were unaware that half of the salesman's body had rotted away, and even a section of white bones was exposed on the arm hidden behind his back.
On the first day of June in the twelfth year of Delong, Taoshan layman, "Picture of a Merchant".
"Huh?"
Li Fan was slightly surprised. Was this done by Huang Hanlin himself?
This picture has little connection with the famous works of Li Song of the Southern Song Dynasty, but the style is similar. It can be seen that there are strong traces of imitation, and it is even more sinister.
Immediately afterwards, everyone continued to appreciate the third painting.
The painting depicts a scene of several children playing and chasing each other on a street corner.
There was a stooped, hunched-over old man in brocade clothes, leaning on a cane and grinning. He seemed to be enjoying family happiness, but the strange thing was that the old man's whole body was filled with white bones, making him look like a skeleton.
The people next to me turned a blind eye to this and didn't notice anything unusual at all.
It is inscribed on September 12, the 13th year of Delong's reign, by Taoshan layman, "Spring Society Family Picture".
After this there is a fourth painting.
It was a street market scene similar to the Riverside Scene during the Qingming Festival that I had seen in my previous life.
It is not that large in length and scale. It just shows a corner of the market and various traffickers and pawns.
Originally this should be a normal scene, but most of the traffickers and lackeys on the street were not normal humans, but skeletons one after another.
An unknown outsider sneaked into the scene, and when he saw the scene of this man and the skeleton coexisting peacefully, he was frightened and curious, as if he had entered a foreign city.
On June 23rd of the 14th year of Delong, Taoshan layman, "Taoshan City Well Picture".
