Chapter 177 The blue-haired boy in London

Although "The Virgin and Child in Berlin" is a relatively recent work among Verrocchio's works, it is one of his most famous works.

In the art exhibition two years ago, although many people witnessed Anno's new style, there were still many mature connoisseurs and artists who appreciated Verrocchio's "Madonna and Child in Berlin" more. This art form is more It is more popular among the public and is more accepted by the older generation.

"This painting is from my teacher's painting when I was staying in Berlin." Annuo sat aside, took out a comb from his pocket, took his long hair to his chest, and began to comb himself s hair.

This has become his daily must-do + hobby.

By the way, he is very good at braiding and has done many experiments with his own hair.

"At that time, I remembered the teacher's painting, so I imitated it. It was just a humble work." He smiled modestly.

Several students in the studio were hit hard.

Listen, is this human language?

Several people carefully appreciated Annuo's "Picture of the Virgin and Child". The Virgin's expression was kind and vivid, and the Son was lively and cute, grabbing the Virgin's finger playfully.

The fineness of the picture and the exquisiteness of the painting are not inferior to Verrocchio's painting.

Verrocchio no longer knew what to say. Although he had already known the terrifying learning ability of Lawrence Anno, at the moment when he was surpassed, he still couldn't help but feel a deep loss, and The discovery of rough jade.

The complicated emotions only lasted for a moment. Verrocchio's face turned red and he patted Anno on the shoulder excitedly: "What a boy, you have already left me, the teacher, far behind!"

"Keep moving forward! You must make sure you can't see me."

Annuo awkwardly but gratefully hugged Verrocchio and fist-bumped: "I'm still just a newcomer, and I still need the teacher's guidance."

Verrocchio really didn't know what to say, but his eyes were a little red. He turned around and said to several students in the studio: "Everyone, now, I want to assign a topic. Everyone , within one month, I have to draw a "Picture of the Virgin and Child" and hand it in. You can sell it yourself, but it must pass through my or Lawrence's eyes."

"I hope you can learn more from Lawrence. He has surpassed me."

"oh oh!"

"I understand, Mr. Verrocchio."

Several senior brothers were also inspired by Annuo and were full of fighting spirit.

Only Leonardo da Vinci took out Anno's works during his journey one by one.

"Lawrence, where was this picture painted?"

"This was drawn when I was staying in Vienna, mainly drawing local buildings."

"What about this one?"

"This is in Milan..."

"This is London." When Leonardo da Vinci asked about a painting, Anno thought of his own experience in London.

The newly built Big Ben always has a group of strange people coming in and out.

A young blue-haired boy paid for him to paint a portrait for him. The boy seemed to be an aristocrat. He acted elegantly but with a hint of impatience, which left a deep impression on Annuo.

The man's name was "Joseph Zolgen."

The young man kept talking about something when he came into contact with him: "Why don't you have the qualifications?" "You can't enter that field" and other words.