Chapter 240 Composition
I think of the weight of the times and the dream-like Zen feeling of life.
Xie Yu couldn't help but think of "Fifty Years of Life", a Japanese song written by Oda Nobunaga, a man known as the "Sixth Demon King of Japan" that he had learned when he was in Gunma Prefectural High School.
I often think that the world is drifting and impermanent,
Like morning dew,
The moon reflects in the water,
The prosperity of a moment is fleeting;
romantic figure,
Things are different now,
Fifty years of life,
Could it be that it is bustling with people?
Floating dreams,
go down in history,
Failure and annihilation,
It's just fate and cause and effect,
in a moment,
What's the pity?
I arrived in Kyoto in a hurry and was unbearably worried.
The prison gate is shown to the public,
The leader of Dun Sheng,
He stole it and returned home to pass it on to the monks to worship;
Sighs like smoke,
The world is impermanent,
Fifty years of life,
Could it be that it is bustling with people?
Floating dreams,
Fifty years of life,
Looking at the world,
The past is like a dream,
He who was once alive,
How can it be eternal?
This poem tells the story of Oda Nobunaga's "fifty years of life, like a dream in such a war-torn era."
Although life only lasts for fifty years, in fact, in that turbulent era, human life was very fragile.
Hey, Xie Yu suddenly had some inspiration, "Like a dream, like a dream, like a dream,...".
In some ways, this "Miko" is also a microcosm of Japan's Warring States Period. It is not only a flower, but also a "hero" or "hero", all created by the times.
Soon Xie Yu took out a pen and paper, and while making corrections, he imitated Oda Nobunaga's "Fifty Years of Life" and Mikohana's life, and filled in a short poem.
The wind is venting the sorrow of the world
in the silent starlight
Open your chest, burning blood
gather into a huge torrent
People are fascinated by dreams
Also born from dreams
Ah, no one knows
Ah, will the flowers of tomorrow also scatter?
Promise under romantic flowers
Drinking at the banquet under the moon
If you don’t come back, leave me alone (waiting in vain)
The flowers on the day of vows flew and fell on my shoulders
People lose because of faith
Also born by faith
Ah, no one knows
Ah, will the flowers of tomorrow also scatter?
The country is ruined, the city is ruined
The grass has withered, and only the wind whistles sadly
Ah, no one knows
Ah, that gesture of the wind
Ah, the flowers are conveying
Ah, that gesture of the wind.
Finally, Xie Yu thought about it and thought of a Japanese Noh drama, so he gave this little poem a temporary name of "Flower Language".
Then, Xie Yu took his guitar and began to explore some melodies based on the lyrics and the plot discussed by the creators and editors.
According to this little poem, Xie Yu thinks about the wind and the flowing air from time to time.
What kind of figure and appearance it is, we cannot see it.
Only when the flowers fade and dance in the wind can we see the posture of the wind. This is one of them;
Secondly, the wind has no fixed posture. Doesn’t the scene of falling flowers and flying flowers symbolize the capriciousness of life?
Thirdly, the posture of the wind can only be revealed when the flowers wither and fall. In other words, the outcome of anything will not be known until the end.
When composing the music, Xie Yu knew that this was a river drama with a woman as the protagonist, so she chose the style of music as delicately as possible, added more changes in the technique of expression in minor keys, and even made the arrangement less repetitive in order to fit the overall plot.
I just finished the demo, and after Xie Yu strummed the guitar for a couple of times, I found that the melody was okay, but I still felt like there was something missing.
Only then, Bai Niao, with wet hair, walked into the house carrying a washbasin and saw Xie Yu playing the guitar.
He suddenly showed less than joy and said: "Xie Sang, this melody is interesting. Have you composed the music?"
Xie Yu came back to his senses and said: "No, I just made some demos. I still need a lot of editing and auditions. It's not that fast, but I already have some basics."
Shiratori: "Congratulations, Xie Sanda. Director Sanada also mentioned the issue of dubbing two days ago. I believe that as long as Xie Sanda can make a suitable song, Director Sanada will definitely give you a chance."
Xie Yu: "Thank you Bainiao for your comfort, and I hope it is as you said."
Breakthrough Xie Yu realized something and asked anxiously: "How do you wash up, Bainiao?"
Shiratiao smiled proudly: "The scenery of this village is nice, but the water, electricity, transportation, shopping, and education here are not convenient. Maybe you can say it's good after experiencing it for a month or two, but you have to live there for ten or eight years. 99% of people will run away."
Xie Yu said again: "White Bird, why don't you just sigh and tell me how to wash up?"
Shiratori said awkwardly: "It's the water heater that Memu and the others made privately..."
Before Bai Niao could finish speaking, Xie Yu picked up his washbasin and rushed out...
The second day.
Director Sanada: "These buildings will catch fire during the attack, and then one building will fall to another. When the building is hit, a certain amount of wood fragments, dust and sparks will be ejected. , making the scene look more natural and spectacular..."
"Shiratiao, Xie Sang, you must be prepared. Because of the cost, we have no chance to do it again."
Xie Yu and Bai Niao said at the same time: "Hi! Got it."
"Also, the watchtower will also be pushed down by the attacker. When the tower tilts to a certain angle, the stuntmen on it will be pushed out by the compressed air, simulating the natural effect of being thrown away..."
"Shiratiao and Xie Sang must pay attention to safety, otherwise the Screen Actors Guild will not be able to spare me, and I will not spare you either."
Xie Yu and Bai Niao said at the same time, "Hey, I got it."
Xie Yu has basically completely integrated into Director Sanada's prop team these days.
The most important reason is Xie Yu's several "whimsical" decisions. For example, war horses will definitely be used in the filming of this Dahe Drama war scene.
But no matter how docile a horse is, it is still an animal that cannot understand human speech.
When Director Sanada was filming cavalry combat, he also had to look at the condition of the horses.
Therefore, it often happens that the entire crew is in a mood because of a horse, and filming stops.
After waiting twice, Xie Yu suddenly thought of an immature "idea". It was even strange that Xie Yu vaguely seemed to have seen this "idea" before.
After hesitating for a while, Xie Yu suggested to Director Sanada that people could be used instead of horses. People would definitely understand Director Sanada's arrangements.
Director Sanada had the attitude of giving it a try and found Kenzo Megure, who had been a center on the school basketball team, as his "guy".
Although only close-up shots can be taken, it undoubtedly solves a big problem. As for the long-range issue, the stuntman no longer needs Xie Yu to talk about it.
Of course, this would be hard work for the three brothers, Mumu Kenzo. For this reason, Xie Yu was threatened by Mumu Kenzo to "raise him high".
In order to deal with this threat, Xie Yu used his brains and "thought again" of a "horse" that could be modified from an agricultural tricycle.
Then a saddle is installed on the back bucket of the agricultural tricycle. After the "iron horse" starts the machine, the saddle can be moved up and down, allowing the actor to simulate a horse running wildly, which is effective and safe.
(Thanks to book friends "The Battle of the Hibernators" for 3 recommendation votes, "Yunhe Nanfei" for 4 recommendation votes, and "Lazy Cat" for 5 recommendation votes.)
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