Chapter 235 Composition
Xie Yu also wondered how he could agree to a blind date that he had been reluctant to do. He didn't know what was wrong with him. He was in such a strange state today!
Xie Yu secretly thought: "Isn't it because of the evil spirit? It seems that I have to take time to go to the temple."
At this time, another voice sounded outside the door, and the customer said: "Boss, one portion of soy sauce fried rice."
Xie Yu vaguely felt that the voice was familiar. At this time, Xie Yu's father said: "Xiaoyu, Xiaoyu, come out quickly. Look who is here. It's your teacher Suzuki Tsunekichi."
"Suzuki Tsunekichi?"
Xie Yu walked out of the kitchen, and his face was filled with joy when he saw that it was Mr. Suzuki who he hadn't seen for a long time and had been "traveling around the world" with his guitar on his back.
This teacher Suzuki was Xie Yu's first music teacher. It was from him that Xie Yu learned to play guitar well and gained a firm foothold in a band that was all Japanese.
Xie Yu quickly greeted him: "Teacher Suzuki, I haven't seen you for a long time. You are still in good health!"
Suzuki Tsunekichi: "Antai, Antai, how are you doing with Xiaoyu now? The children should all be in elementary school!"
Xie Yu instantly entered the state of being critically hit... and could not recover for a long time.
Xie Yu’s father: “Give the child back, I don’t know where the child’s mother is yet!”
Suzuki Tsunekichi understood something instantly and said, "Xiaoyu, please go ahead and don't be like me."
Xie Yu could only change the topic and said, "Hey, I haven't seen you for a long time. Teacher Suzuki, please play a song for us! I'm looking forward to it."
Teacher Suzuki Tsunekichi suddenly looked excited and said, "Okay, I will play a piece today."
After that, Teacher Suzuki Tsunekichi took out a Japanese shamisen from his guitar case.
This surprised Xie Yu. Teacher Suzuki Tsunekichi, whom he had not seen for many years, stopped playing guitar and started playing shamisen instead.
But the other party was an elder, so it was hard for Xie Yu to ask questions. Of course, Xie Yu was also curious about what Suzuki Tsunekichi teacher would play for him.
I saw Mr. Suzuki Tsunekichi harmonizing the harmonium first, and then using the plectrum to pluck from top to bottom, the plectrum struck the skin of the sound box while plucking the strings, making a sound similar to that of a drum.
When the plectrum is plucked from bottom to top, the delicate sound of the strings itself is produced.
In addition, Suzuki Tsunekichi suddenly used his left fingers to pluck the strings, and a brighter tone appeared.
This made Xie Yu's eyes light up, and he suddenly thought of something.
Mr. Suzuki Tsunekichi stood up first and bowed before starting to play.
People who love spring are pure-hearted people, like violet flowers, they are my close friends.
People who love summer are strong-willed people, like waves breaking against rocks, and they are my beloved fathers.
People who love autumn are people with deep feelings. Like Heine who expresses love, he is the person in my heart.
People who love winter are broad-minded, like the earth that melts ice and snow, and are my dear mothers.
This is a Japanese folk song "Song of the Four Seasons" that praises pure, sincere and affectionate friendship, family and love.
Xie Yu listened to this song carefully when she was a student, and sang it carefully, but it was rarely good.
But today at his restaurant, the sound of the shamisen from "Song of the Four Seasons" suddenly sounded, which made Xie Yu feel particularly emotional.
At this time, in the already quiet restaurant, a customer suddenly said: "Sir, can you play "Sakura"? I haven't heard it for a long time."
Teacher Suzuki Tsunekichi stood up first, bowed to this person and said: "As long as the guest likes it, I am willing to serve you."
Sakura! Sakura!
In the late spring sky in March,
Cloudless and clear;
Like colorful clouds and white clouds,
The fragrance is so beautiful;
Come on, come on!
Let’s go see the cherry blossoms together.
This song is calm and cheerful, making people want to join in. Xie Yu even feels the joy of watching cherry blossoms in spring and blooming in spring!
Teacher Suzuki Tsunekichi has rich experience in singing and performance, and he knew what to do at this time, so he shouted: "If the guests like it, you can sing together!"
Then the singing started, and all the customers present, both male and female, with loud or soft voices, began to sing.
Sakura! Sakura!
In the late spring sky in March,
Cloudless and clear;
Like colorful clouds and white clouds,
The fragrance is so beautiful;
Come on, come on!
Let’s go see the cherry blossoms together.
After singing, a man in a suit suddenly took off his shirt, pulled off his tie and tied it around his head, saying:
"Sir, let's play a little tune on Lawang. I'm ready."
Xie Yu's father immediately shouted angrily: "This guest, do you think this is a cabbage town? What are you preparing for?"
The customer suddenly made a bearish face and said, "Ah, hey, boss, just one song, just one song. I feel like I'm coming up, I'm coming up!"
Xie Yu's father muttered: "Okay then, I won't give you any discount coupons tonight, just one song!"
Then Xie Yu's father winked at Teacher Suzuki Tsunekichi and turned around to go to the kitchen. This made Xie Yu confused.
Teacher Suzuki Tsunekichi stood up first again, looked around, and sang:
Yi ah hi
lansolan lansolan
solan solan solan
Hi hi
Listen to the sea of cries singing and singing
Brave fishermen love the ocean, love the ocean
Yasahhey
Hate you
Sanodo wide show
Oh, so wide show, so wide show
Yi ah hi
lansolan lansolan
solan solan solan
Hi hi
We are all five-foot-tall men
Ride the wind and waves out to the ocean out to the ocean
Yasahhey
Hate you
Sanodo wide show
Oh, so wide show, so wide show
Every time the rhythm changes, the customers will shout, "Ah Lian, Solan, Solan, Solan, Solan, Keke Tuo, Sano, Du Kuan Xiu, Oh, Du Kuan Xiu, Du Kuan Xiu" and so on. The accompanying words echo.
For a time, Xie Yu's "Chinese Restaurant" truly became a singing and dancing town.
However, the customer kept his promise and left in a panic after singing this song, but he still took away the coupon.
Another Japanese man who finished his words but showed no responsibility.
At this time, Xie Yu's father also had the "opportunity" to serve a bowl of "soy sauce fried rice".
Teacher Tsunekichi Suzuki finally put down the shamisen in his hand, said "I'm starting," and started eating in small bites.
When customers in the store saw this "Sanxian artist" starting to eat, they felt embarrassed to interrupt him.
Order was finally restored in the store, and the diners began to eat quietly and restrainedly again, while Xie Yu was thinking about something absentmindedly.
After Mr. Tsunekichi Suzuki had eaten, Xie Yu began to ask Mr. Tsunekichi Suzuki about the instrument, especially the Japanese shamisen.
The most representative of Japanese traditional musical instruments, it is played with three strings: plectrum, pizzicato and pluck.
The biggest feature of the shamisen is that it can combine the sounds of various timbres into one beautiful music.
There are nearly 20 types of shamisen, which are classified and used according to the pitch and timbre of the sound.
The length of the three-stringed harp is the same, but differences in strings, stems, and plectrums can even produce octave differences in the range.
When a stronger sound is needed for musical performance, a thicker stringed balalaika and a thicker plectrum are used.
For softer songs, the shamisen is required to be accompanied by strings that can produce a delicate tone.
Different musical occasions require different timbres of the shamisen. For example, kabuki has kabuki shamisen, and ditty has shamisen. Players use the corresponding shamisen according to the requirements of artistic expression.
(Thanks to book friend "Devil 2203" for his 10 recommendation votes.)
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