In the early morning, in a remote courtyard in Jingzhou City.
In the open space of the courtyard, a woman in black in her twenties was holding a long sword, performing sword skills one by one, and kept shouting: "Suddenly, I heard a gust of wind blowing, and people fled like mountains. I guessed it was heading east. , please go home late..."
Directly in front of her, another girl in a blue shirt, about fifteen years old, was sitting on a wooden chair, holding a brand-new manuscript and looking at it carefully. From time to time, she used her peripheral vision to look at the way the woman in front of her was using the sword, revealing her expression. A thoughtful expression.
These two people are Qi Fang and Zhao Qing.
Yesterday, after Wanjia left behind the martial arts tournament and the talk about Liancheng's treasures, Zhao Qing took a few pieces of silver tableware from the banquet, used his skills, and quickly disappeared in front of everyone present with Qi Fang.
Then he spent the silver cakes formed by kneading these tableware into balls, bought some new clothes for makeup, and rented a remote courtyard in the south of the city to live in temporarily.
Speaking of which, Zhao Qing actually wanted to buy the yard, but he underestimated the housing prices in the Qing Dynasty. This courtyard with ordinary decoration and small area actually cost nearly three hundred taels to buy.
With only twenty or thirty taels on hand, she didn't want Qi Fang to use her jewelry, and she couldn't turn around and leave to rob the rich and help the poor, so she bought it instead of renting it.
This small courtyard is half a journey from Jingzhou City to Wanjia. Plus, since he has changed his clothes, he doesn't have to worry about people like Ling Tuisi finding out here soon.
According to the information she gathered, Ling Tuisi quickly sent troops to surround Wanjia after she left, and did not lift the siege until midnight.
The crippled Wan Gui still stayed in the Wan family, recuperating under the care of servants and servants; Wan Zhenshan's other apprentices had been taken back home by their families. As for Wan Zhenshan's body, it was taken away by the prefect's Yamen for autopsy, perhaps because they thought they could find some clues.
Now, Qi Fang was practicing the "Lying Corpse Sword Technique" handed down from Qi Changfa to Zhao Qing, and reported the names of each move one by one, such as "Brother, if you call me up, you won't dare to cross" and so on.
What Zhao Qing was browsing was a "Selected Collection of Tang Poems" that he had just bought from a bookstore.
She memorized the verses recorded in it while observing Qi Fang's sword skills. In fact, she wanted to learn the verses corresponding to each move in Liancheng's sword skills.
In order to deceive others, Qi Changfa deliberately pretended to be an uncultured farmer. For this reason, when he taught martial arts to his apprentice's daughter, he intentionally taught Liancheng Sword Technique into Lying Corpse Sword Technique, and changed the beautiful poem into a jingle with a similar pronunciation.
By consulting "Selected Tang Poems" and comparing pronunciations, Zhao Qing gradually restored the true names of each sword move, and realized the artistic conception behind these moves.
Although Zhao Qing's own sword moves can already display the secrets of no moves, to the extent that there are no traces between moves, it does not mean that she has no room for improvement.
In fact, it was quite the opposite. Only when she got to this point did she realize how broad the future of martial arts was.
Victory without tricks is only a conceptual realm, which is equivalent to helping lay the foundation of a high-rise building. You still need to search for materials and build the floors on the ground yourself.
At this step, the "Heavenly Weapons Refining Form and Qi Entrainment Method" and "Five Symbols Yin and Yang Transformation into Gods" that Zhu Jiwuci passed on to her were of little use.
These two articles talk about high-speed cultivation methods in the Qi training stage before the six Qi realm, as well as high-level attack methods involving the six Qi of heaven, earth, yin and yang in the later stage. There is almost no description of martial arts moves. .
Zhao Qing reasonably speculated that maybe the master wanted her to follow the example of her master Shen Shendao who created his own martial arts and understand the secrets of the martial arts realm on her own; of course, it is also possible that the Kuaiji Martial Arts Academy that the master planned to let her go to actually has Teaching about this aspect.
In short, since he can travel into other worlds through dreams and has plenty of time, Zhao Qing has already made preparations to practice martial arts from all walks of life and master them to improve himself.
Regardless, she was able to gain new insights and turn them into her own heritage.
Unlike Zhao Qing, Linghu Chong was quite lucky in that he only had to practice the Dugu Nine Swords martial arts and did not need to learn or practice anything else.
Because Dugu Nine Swords is an eclectic collection of martial arts essentials from all schools in the world, it is the best material for building the realm of no moves. It must be the result of Dugu Qiubai's travels and battles in the past.
The final result of such an extremely talented martial arts master who combines the strengths of hundreds of schools is naturally not something that Zhao Qing and Yuan Gong can match after two years of sparring. She also needs to learn a large number of superior martial arts and summarize and integrate them one by one to create her own "Zhao Qing Nine Swords".
This was also Zhao Qing's purpose in spreading the news about Liancheng's treasure yesterday, hoping to attract experts to come and fight with him.
The first superior martial art she learned was the "real" City-linking Sword Technique, which was used by Wan Zhenshan and learned through observation and restoration.
Liancheng Sword Technique, also known as Tang Poetry Sword Technique, each move is inspired by a line of Tang poetry and is consistent with the artistic conception of the original line. It is extremely exquisite and wonderful.
Even the weakened version deliberately passed down by Mei Niansheng can be regarded as a first-class swordsmanship, but after all, the adaptation has been affected, and its luck method is not so matched.
In Jin Yong's world, many profound martial arts moves are accompanied by internal energy transfer methods, such as the Eighteen Dragon Subduing Palms, One Yang Finger, the Seventy-two Shaolin Skills of the Tianlong Period, etc.
If you use the inner strength of other schools to operate it, it will inevitably be deficient in the subtleties of strength, and the power will be much worse. Tianlong's small and medium-sized formless kung fu makes other sects' kung fu have no form, no trace to be found, and their power is not weakened. It is a very special situation.
Since Mei Niansheng had long noticed that the three disciples had evil intentions, in addition to weakening their swordsmanship, the internal strength passed down naturally did not match the swordsmanship.
Although Wan Zhenshan was defeated by Zhao Qing in one move, it was because his own strength was far inferior, and the moves were not combined with internal strength. Liancheng Sword Technique itself was quite superior, with a unique poetic conception.
For example, "When Gu Honghai comes up, Chihuang dare not take care of it." The author uses these two lines of poetry to describe his high status and his dislike of fighting for power with others.
After transforming into swordsmanship, the artistic conception is filled with an air of elegance and pride while looking forward.
Closing his eyes, Zhao Qing put the poem and the sword move he saw yesterday into his mind. Zhao Qing seemed to see the figure of the poet when he was writing the poem, and a figure who was creating this sword move.
The two gradually merged together, becoming distinct but indistinguishable from each other.
She suddenly realized something new: How can swordsmanship contain multiple alternating emotions? How can changing emotions cultivate new swordsmanship?
Taking a deep breath, Zhao Qing opened his eyes, his pupils filled with light, exuding a different kind of look.
Sure enough, the artistic conception of other people's moves can indeed inspire you, which is something you cannot do behind closed doors.
Some are looking forward to the tournament in three months.
The process of learning a new martial arts is like opening a new game. The mood is joyful, full of curiosity and expectation. As long as there are some merits, you can feel the joy and satisfaction of the harvest.
Therefore, in these six months in the world of Liancheng Jue, how many new martial arts can I gain that can bring inspiration?
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