In the end, the news of the missing cultural relics in the British Museum was still not exposed.
The British Museum explained to Zhang Aiguo that it would definitely be repaired within five days at most. If it cannot be returned within five days, he is welcome to expose it and call the police.
Zhang Aiguo believed it for the time being.
Because he looked at some other cultural relics, and it was true that except for the "Picture of Proverbs of Female History" which had been replaced, the others remained the same.
If it was really stolen, there couldn't be only this one work.
But under such circumstances, time is running out for the British Museum.
They must find the missing painting within 5 days. If they cannot find it, they will suffer the consequences of losing a cultural relic.
If you don't want to bear it, then you can only let Zhang Aiguo never be exposed.
A two-pronged approach was used to find a way to silence Zhang Aiguo while also searching for where the "Pictures of Admonitions from Women's History" had gone.
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China at this time.
Inside the Qin Family Museum in Sioux City.
Qin Luo received feedback from the system.
The gift is back.
"Pictures of Proverbs from Women's History".
Sure enough it was him.
Qin Luo knew that he had made the right bet. This painting, which was originally supposed to be in the British Museum, arrived at the Qin Museum.
But it's very strange. If the previous system model was followed, shouldn't the "Proverbs of Women's History" currently in the British Museum have that period of history erased?
But after searching the information on the Internet, the painting is still in the British Museum.
And this painting was not included in the cultural relics lost last time in the British Museum.
"Could it be that the system reproduced a "Picture of Proverbs for Women's History"?"
If the system was to exchange specialties with Yan Liben of the Tang Dynasty, Qin Luo might believe that there are two "Pictures of Proverbs for Women's History" in the world now, but no, he is now exchanging with the British who invaded China. In that era, there could only be There cannot be two pictures of one picture.
Moreover, this work of mine has Qianlong's seal on it, which further proves that this work should be the one in the British Museum.
But is it reasonable for two pictures to exist at the same time?
Qin Luo was not in a hurry this time.
He decided to wait and see for a while. If he took out the work rashly and caused unnecessary trouble, it would be more than worth the loss.
[System, the reason for the appearance of this work, how it is packaged! 】
[In the British Museum, someone was guarding and stealing, and finally secretly sold it to the country, and finally ended up in the hands of your father]
River, very river.
Qin Luo just wanted to give the system a thumbs up, and it was his late father's fault again.
But that's not right.
[No, this is the one from the British Museum? But the British Museum now has one. I never heard that this "Picture of Proverbs for Women's History" has been lost! 】
[The one in the British Museum is fake! 】
"..."
66666,
System boss 666.
After systematic confirmation, Qin Luo already roughly knew the situation.
As for why the British Museum did not expose it, I think it must have been deliberately concealed.
There is a lot of news about the British Museum right now. If this happens again, another public opinion crisis will probably break out.
But, how long can they hide it?
Qin Luo now also understood why the energy value required by this group of people was higher than before, because in terms of historical value, the historical status of this wave of target characters was not comparable to that of Li Bai, Tang Bohu and others before.
But, the difference is.
In the past, Li Bai and others all mailed specialties to themselves from themselves. They did not even conflict with the existing ones, but were separate new works.
For example, "Journey into the Wine" may not exist in the world now, but Li Bai's original work was mailed from the Tang Dynasty.
As for Tang Bohu's "Picture of Jinshan Scenic Spots", there may still be one in some corner of the world. This one of mine does not match that one at all.
But this time it's different,
The target persons this time are all preservers of cultural relics, or have passed through their hands, and these cultural relics are still in existence.
For example, this time's "Picture of Admonitions of Women's History", that is, the one from the British Museum was directly delivered to me out of thin air.
The corresponding one is the one in the British Museum, which has disappeared.
value!
So worth it!
Even if it's a little more energy, it's still worth it.
And I don’t know if the gas canister I sent has any effect, but that doesn’t matter anymore.
History is history after all.
We Chinese people will never take a one-sided view of being bullied during the period when the country was weak. We will only face history squarely.
If we fall behind, we will be beaten, so we run as hard as we can.
As long as we run fast enough, you can show those countries and dare to try to provoke China again now?
I guarantee you will never come back.
After thinking about this matter, Qin Luo felt that there was no need to wait for the British Museum matter to subside before taking out the "Pictures of Admonitions of Women's History".
Instead, it would be better to take it out yourself before the other party is exposed.
You didn't say you lost it, so why would you say that this painting of mine is from your museum?
Thinking of this, Qin Luo decided.
This "Picture of Admonitions of Female History" appears directly in a corner of the Tang and Song Dynasty Pavilion.
Grandma's, it's from the Tang and Song Dynasties, so Mr. Ma is probably jealous again.
But there is no other way. Who wants more cultural relics from the Tang and Song Dynasties? Next time, next time we get the animal heads from the Old Summer Palace, that one should be placed in the Ming and Qing Museum.
"Xiaoyao, please contact the museum over there in Suzhou to see if there is a photographer who can cooperate with you and make an appointment to take photos of our cultural relics. By the way, I will arrange an article today about the Tang copy of "The Picture of Women's History" !”
As for photographers, it’s better to find a professional.
Now Qin Luozhi is quite skillful in arousing Chen Xiaoyao.
""Pictures of Admonitions of Women's History"? Boss, we don't have this work in our library, right?"
"It'll be there when you get to work!"
Qin Luo said mysteriously.
Now as long as he has special products to send back, he has to enter the museum early. He can't let everyone see the process of him conjuring cultural relics out of thin air. It's scary.
"Boss, did you find something good among your father's belongings again?"
Now, it's become a meme in their museum.
Whenever Qin Luo comes up with a new gadget, everyone knows that it was a treasure he found while packing up his father's belongings.
Moreover, every time something is produced, it is either unique in the world or of great historical value.
Some employees have quietly calculated in private that if the curator were to sell the collections now in the museum, they would get more than 20 billion.
Many young girls from the Sioux City Museum are secretly asking if the curator is single.
If I were single, could I be the boss's wife?
Unfortunately, their boss seems to look down on them.
Even Chen Xiaoyao was shocked when he truly understood the value of these cultural relics.
