[The Sioux City Museum surprisingly discovered Tang Bohu’s “Picture of Jinshan Scenic Spots”! 】
[The second authentic work of Li Bai in the world, "The Wine Will Come in" was dedicated to the Qin Family Museum in Sioux City and personally inspected by Professor Zhang Guowen from the History Department of Qinghua University]
[A batch of cultural relics sales cases occurred in Yanjing, an oolong incident. This batch of cultural relics turned out to be all fakes]
[Liu Yang, a well-known treasure appraisal expert, was suspected of defrauding cultural relics through improper means and has been revoked as an expert from the appraisal association]
After two live broadcasts by Xiaoyuanyuan, many tourists forwarded it on their own.
At present, the news about Sioux City Museum and Qin Museum have begun to appear in major news headlines.
The reconstruction of the Qin Museum was also completed at this moment.
Looking at the quaint new museum in front of him, Qin Luo was a little excited.
Not only is the exterior architecture well done,
Even the internal lighting, Qin Luo has seen before, is that the design team specifically considered that many cultural relics are made of hemp paper, rice paper and other materials, and are very afraid of the light, so the entire lighting specifications are based on the specifications of the Sioux City Museum.
"Xiao Qin, Tang Bohu's "Pictures of Jinshan Scenic Spots" and Li Bai's "Journey into the Wine" have been brought back and placed in the exhibition hall!"
Ma Baoguo, director of the Sioux City Cultural Tourism Bureau, came in person to attend the opening of the Qin Museum.
Of course, there are just a few of them.
Ma Baoguo, Zhang Guowen, Wang Hui, Zhao Ying, Ren Quan, and two unknown graduate student security guards.
Qin Luo nodded.
Because there is a system in place, he actually knows where each collection is now.
Moreover, in addition to those, Qin Luo also placed Song Huizong's "Thousand-Character Essay on Thin Gold" in the Tang and Song Exhibition Hall, lying next to Li Bai's original work.
"Let's go see the new museum scene!"
Under Qin Luo's greeting, the group walked through a small wind and rain corridor together, and first entered the exhibition hall of the Tang and Song Dynasties.
"Why is there an extra exhibit here?"
As soon as he entered, Zhang Guowen noticed something strange.
"Oh, this is Song Huizong's "Thousand-Character Essay on Thin Gold". I accidentally discovered it when I was sorting out my father's inheritance!"
How calm Qin Luo is.
Others are so shocked + not calm.
What the hell?
Song Huizong's "Thousand-Character Essay on Thin Gold"?
Several experts present had seen this work in the Magic City Museum.
But why did you get here?
In their impression, there was only one piece of "Thousand-Character Essay on Thin Gold" left by Emperor Huizong of the Song Dynasty.
It is said that Tong Guan was gifted to Tong Guan by Emperor Huizong of the Song Dynasty. In the end, Tong Guan's home was confiscated and abducted by the Jin Dynasty. After several transfers, he finally arrived at the present Modu Museum.
Several people present now no longer care about Li Bai's authentic works.
They have been researching "Jiu Jin Jiu" for almost a month and have already received a lot of goods.
Therefore, in comparison, Song Huizong's "Slender Gold Thousand Character Essay" has become a popular piece of cake at this moment.
Under the light,
A long thousand-character text lies quietly in the display cabinet.
The length is 30.9 cm and the width is about 330 cm.
The first time Zhang Guowen saw it, he knew that this was not the one from the Magic City Museum.
Because the overall length is at least 10 centimeters longer than the original one in the Shanghai Museum.
There is another difference.
The work in the Magic City Museum is signed "Chongning Jiashen Sui Xuanhe Palace Letter to Tong Guan". That painting is exactly the one that was given to Tong Guan that year.
And this one in front of me.
"The letter from the Xuande Palace of Xuanhe and Jiawu was given to Zhao Ding!"
hiss!
At this time, everyone took a breath of air.
If it is true, then the historical value of this work is higher than the one in the Shanghai Museum.
The one in the Magic City Museum was made in the Jiashen year of Chongning, that is, 1104. Chongning was the first reign name used by Emperor Huizong of the Song Dynasty.
And this painting, Xuanhe's Jiawu year, is 1126 AD.
This year was the year when Song Huizong died.
If it is true, then this is basically the legacy of Song Huizong.
Moreover, this "Skinny Gold Thousand Character Essay" was actually given to Zhao Ding.
As a treacherous minister, Tong Guan had a very bad reputation in history, but Zhao Ding did not. He was a New Dealer through and through. Under his promotion, land reform, banknote transfer, and even the introduction of the Great Depression began in the late Northern Song Dynasty. Song Bank and other yamen revitalized the economy of the Northern Song Dynasty.
If Song Huizong hadn't passed away, maybe everything Zhao Ding did would have been successful.
"is that true?"
Several big guys present looked at each other.
This "Thousand-Character Essay on Thin Gold" is also written on plain paper with Zhu silk borders, and is no different from the one in the Magic City Museum.
Zhang Guowen is lying on the glass display cabinet like a man who has found a treasure.
This character is overall even and steep, with strong muscles and bones, fresh and smooth, elegant and agile.
As the saying goes, "Iron painting and silver hook".
This style of calligraphy is based on Xue Ji and Xue Yao of the Tang Dynasty, which brings the thinness and strength of regular script to the extreme, and is highly decorative.
It is completely in line with the writing style of Zhao Ji, Huizong of the Song Dynasty. This can be regarded as a calligraphy style with his distinctive personal style.
To put it bluntly, if this calligraphy is not a rubbing, then it is most likely true.
This is Zhang Guowen's first impression.
He raised his head and looked at his other friends in disbelief.
Shock!
What a shock!
And his shock also shocked several others.
"Lao Zhang, is it true?"
Zhang Guowen said with some uncertainty:
"I can't make a conclusion now, but this writing style is completely the style of Song Huizong, and in many details, it is even better than the one in the Magic City Museum!"
hiss!
At this time, everyone gasped again.
Where can this grandma go to reason?
"Xiao Qin, open it and take a look?"
Everyone looked at Qin Luo expectantly, they needed further identification.
Qin Luo smiled and opened the glass display cabinet.
Appraisal, this can still be fake.
About 10 minutes passed.
"You two, take off your security clothes!"
? ? ? ?
"From now on, I will be the security guard. You can do whatever you are supposed to do. You are not worthy of being a security guard in this museum!"
? ? ? ?
Wang Lei and Tang Chao felt that their young hearts had been greatly hurt.
I, a graduate student at Qinghua University, am not worthy of being a museum security guard?
?
wrong.
What's the meaning?
Is this "Thousand-Character Essay on Thin Gold" real?
Then, they saw several big guys taking out their appraisal documents and writing inscriptions.
Several people even almost yelled at each other because of the first list of appraisals.
"Old thief Wang, I wrote it first, how dare you put it first?"
"Whoever is released first will naturally be in first place, don't you agree?"
"Old thief, don't be so arrogant. I discovered Xiao Qin's place first. If I hadn't informed you, you wouldn't be qualified to witness the appraisal of these works now!"
"Both of you, don't rob me. Xiao Qin is from Su City, so naturally I, the director of the Su City Culture and Tourism Bureau, will be the first!"
While Zhang Guowen and Wang Hui were fighting for it, Ma Baoguo put his appraisal document on top.
He couldn't even remember how many years it had been since he had his collection appraised.
This time, he even grabbed the documents from Zhang Guowen, but to be the first to grab such a rare treasure would be a very glorious face.
