For three whole days, after Qian Chao got his first glimpse of the door, he kept trying different methods. His idea was also very simple. The first was to find a way to stabilize his eyes and enable him to see for a long time. Changes in aura. Secondly, if you want to find an easier way, you can't think of bleeding from all seven holes when you use your eyes, and spit out a mouthful of blood after using your eyes. That would scare people to death.
In the past few days, he had tried his best and suffered enough. Finally, in the afternoon of this day, he gradually found a way out. At that time, something happened that made him dumbfounded. He used his own unique eye technique to When he went to look at his spiritual sword, he didn't find any runes on it. He couldn't help but feel disappointed. Could it be that all his efforts were in vain? However, he soon discovered that the runes of this spiritual sword were actually engraved on the other side of the sword, and he couldn't help but secretly curse himself for being impatient.
This method of visualizing spiritual energy was Qian Chao's original creation, so he naturally had to come up with the name. After thinking about it, Qian Chao named it "Blue Eyes Technique", which means "blue eyes". He felt that the name It's not a bad start, at least it's pretty likable. Although it was not certain that there was no similar spell in the world of cultivation, Qian Chao, as a lowly entry-level disciple at the first level of Qi Refining, was able to create a sect of his own. For a while, Qian Chao was very proud.
However, the pride did not last long, and trouble soon came.
The biggest use of the Blue Eyes Technique for Qian Chao now is that he can clearly see the runes engraved on it when refining weapons. Without the Blue Eyes Technique, Qian Chao would still use the Yuanchu Technique and the Object Control Technique when refining weapons. Engraving runes is like a blind man touching an elephant.
Now that there is the Blue Eyes Technique, the Blue Eyes Technique must be used at the same time when refining weapons, so that the runes can be seen clearly and written neatly. Originally, Qian Chao planned to go to Chengqi Hall to give it a try after tidying up a bit. Fortunately, he tried it first in his own courtyard, so he didn't rush to Chengqi Hall. He was surprised to find that when he used the Yuanchu Technique and the Object Control Technique, once he also used the Blue Eyes Technique, the spiritual energy in his body would suddenly be disordered, making it difficult to continue, and he had to stop all three spells. Not to mention refining weapons, even if he used the Object Control Technique to hang a pebble in front of him and then used the Blue Eyes Technique, he couldn't do it for a long time or even for a moment.
This discovery greatly disappointed Qian Chao. Could it be that this blue eye technique cannot be used when refining weapons? If this is the case, although this green eye technique cannot be said to be useless, its current help to Qian Chao will be greatly reduced.
Qian Chao didn't know where the problem was, but since he had created the blue eye technique, he could find a way to use it anyway. Since the three spells cannot be used at the same time, try them several times and try them separately.
Needless to say, Yuan Chu Technique and Object Control Technique, he was very proficient in using them, so let’s not mention this.
Yuanchu Technique and Qingyan Technique can be used at the same time when put together.
The Object Control Technique and the Blue Eyes Technique can also be used together.
Only three spells cannot be used at the same time.
Two two can be combined, but three cannot be combined at the same time. What is the reason?
Qian Chao once used three spells at the same time. When smelting ore in Chengqitang, he used Yuanchu, Object Control and Fire Control at the same time. This means that the three spells can be used at the same time. But why can't the Blue Eyes Technique be used at the same time as the Yuanchu Technique and the Object Control Technique?
What is the difference between Blue Eyes and Fire Control?
Thinking back to when he first started practicing the art of controlling the air, he found that the art of controlling the air and the art of Yuanchu could not be used at the same time, but the art of controlling the objects and the art of controlling the air could be used at the same time. Why was this?
Qian Chao had just started training and didn't know many spells, including Yuanchu, Object Control, Air Control and Fire Control, plus the Blue Eyes Skill he had just acquired.
There are only five spells, why are there so many troubles!
Qian Chao wiped away the joy of getting the Blue Eyes Technique and sat in his courtyard, falling into deep thoughts.
From the afternoon when the sun was still warm to the night when the moon came up, Qian Chao woke up from the meditation of forgetting about this thing and me.
After some thinking, Qian Chao had some vague ideas, but it was still not very clear. He never let go of this problem in the long years to come. As his cultivation deepened and his experience broadened, Whenever I have some insights on this issue, I will write them down in a booklet. Many years after Qian Chao became the elder of Jiuxuan, there was only one more book in the library. The book was not thick, just a small booklet, but the title was very strange. It was called "Collection of Guests and Friends", which was exactly what Qian Chao wrote. In this "Collection of Guests and Friends", Qian Chao elaborates on some of his views on many magic methods.
In "The Collection of Guests and Friends", many spells are classified in detail, and individual spells are given different meanings of "movement and stillness" and "receiving and releasing" by Qian Chao.
For example, Yuanchu Shu requires the word "quiet" when practicing, and it can only be practiced while sitting quietly. At the same time, Yuanchu Technique is used to help monks absorb the spiritual power of heaven and earth to increase their cultivation. Therefore, Yuanchu Technique is an attribute of "quiet harvest".
For example, the air control technique is used by monks just to rush on their way, so it is a moving character. At the same time, when using the air control technique, it consumes one's own spiritual power, so it occupies a hair character. Therefore, the art of controlling the air belongs to the category of "moving hair".
Another example is the art of controlling objects. To put it simply, the art of controlling objects is a spell in which monks use their own spiritual power to drive foreign objects. It must consume their own spiritual power, so it takes up a word. However, this object-controlling monk can use it when sitting cross-legged, and it can also be used when flying. It is a spell suitable for both movement and stillness.
However, monks often use different spells together. For example, when fighting with others, it is impossible to stand still and cast spells or magical weapons face to face without even hiding. It would be too stupid to fight in that way. . If you want to hide, you will naturally use various spells to speed up your movements, such as the most common air control technique.
Or when refining weapons and elixirs, you can achieve twice the result with half the effort by combining different spells.
However, in "The Collection of Guests and Friends", it is stipulated that if spells are used together, they must abide by a rule called "Host, Guest, and Servant". The purpose is to make the attributes of the master, guest, and servant between the spells consistent. .
The first rule in the book about the use of spells is: no two masters.
This means that two spells defined as "main" cannot be used at the same time. Among the spells defined as "quiet" according to the rules of "static and dynamic sending and receiving", as long as they can improve cultivation and increase spiritual power, they are defined as the main spell. The Yuanchu technique practiced by Qian Chao is a "main" spell. Another example is air control. This is the first flying spell that monks come into contact with. Almost all subsequent flight spells are similar to it. Qian Chao also defines it as a main spell. Because they are both main spells, air control and air control are the same. The two Yuanchu techniques cannot be used at the same time. However, there are exceptions, such as "Jade Sea Sutra". Qian Chao has never known how to define it. "Jade Sea Sutra" can be used at the same time as "Yuanchu Shu", and if you practice "Jade Sea Sutra", even a Qi Refining monk can It can slowly improve one's cultivation, so Qian Chao had no choice but to designate a "weak master" for "Jade Sea Scripture".
Take Qian Chao's smelting of ore as an example. Qian Chao's approach is to use Yuan Chu Technique to continuously provide himself with spiritual power to support the Object Control Technique and keep melting the ore above the eye of fire. If the Yuanchu Technique is broken, the Object Controlling Technique cannot continue to support it forever. When one's own spiritual power is exhausted, the Object Controlling Technique will definitely stop.
Therefore, when Qian Chao smelt ore, he mainly used Yuanchu Technique, used the Object Control Technique as the servant, and used the master to control the servant. The up and down were smooth, so the two spells could be used at the same time.
When smelting ore, you also need to use fire control. It's okay to share the three spells. This is what is said in "The Collection of Guests and Friends": "The master can control his servants, one master can control two servants, and he can control many servants."
Of course there are exceptions. Taking Qian Chao as an example, when he was refining the weapon, he wanted to add the Blue Eyes Technique to the Yuanchu Technique and the Object Control Technique at the same time, so that he could see clearly how he imprinted the talisman stroke by stroke. Wen, but it was difficult to do it for a while. This is because among these three spells, Yuanchu Technique is still the master, and the Object Control Technique is still the servant, while the Blue Eyes Technique is neither the master nor the servant. Among these three, the Blue Eyes Technique is still the master. "Bin".
What is Bin? When a low-level monk learns an intermediate or high-level spell, this spell is Bin. Judging from Qian Chao's current level of cultivation, Yuan Chu's attainments are not profound. If these three spells are used at the same time, the master will be weak and the slave will be strong. Two spells cannot be used at the same time.
The rules recorded in "The Collection of Guests and Friends" are that the master can control the servant, the master can control the guest, and the guest can control the servant, but the master and the guest cannot control the servant at the same time.
However, this situation is not absolute. The main characteristic of magic, such as Yuanchu Shu, is that the more you practice it, the stronger its "main" nature is. However, this is different for the guest magic. As the monk masters the spell, it becomes more and more "main". As the monk becomes more proficient or the monk's own cultivation becomes more and more advanced, the "guest" nature of this spell will become weaker, and eventually it will become a servant. At this point, servants and guests are the same, so there can be one master and multiple servants.
In other words, as the monk's cultivation level increases, the master will become stronger and stronger, and the guest will become weaker and weaker. Finally, the master, guest and servant will become one master and two servants, so that the three spells can be used smoothly at the same time. Qian Chao was able to use Yuanchu Technique, Blue Eyes Technique and Object Control Technique at the same time only in the middle stage of foundation building.
In "Collection of Guests and Friends", Qian Chao collected nearly a thousand magic methods, and divided and annotated them in detail for guests and servants at different stages of monks. Of course, in "The Collection of Guests and Friends", Qian Chao did not add the Blue Eyes Technique as one of his own secret techniques. After accepting some apprentices, Qian Chao only selected a few with higher talents and better temperaments. He steadily taught this secret technique and told them to recruit disciples in the future. This method must be carefully selected.
"Collection of Guests and Friends" also records many experiences on the use of spells when fighting with others and the theory of matching spells with each other for combos. However, this book was not taken seriously in the library for many years until Qian Chao and After Tang Ping and other five people were regarded as the "Five Ancestors" of the Wuling Sect, this book was published, which benefited many people and was regarded as a guide by later monks.
