written request for leave

It has been a year since it was released today, and the book is half-written. Readers who have been able to follow this point must know that the book I wrote is not a subtle thing that can be compiled into a chapter by opening the document. The connection of previous and subsequent clues and many obscure settings are really difficult to use. Personally, I I always like to push back the main outlines that have been considered in advance, and mix in some inspired products. These small fragments and plots can make my writing more fluent, but they also cause a lot of trouble for readers. Specifically, I was trying to find a balance between making up stories and telling them, and that bothered me for a while.

However, no matter what, I wrote this book for a whole year and devoted great enthusiasm to this work. I hope to bring you good stories and create vivid souls with rich emotions. This is my original intention forever.

To put it bluntly, I don’t want to taint this book by cutting corners and muddle along. It is undeniable that the serialization mode put a lot of pressure on me, but it also prompted me to persist in doing one thing for such a long time, and finally made coding a part of my life. Otherwise, I might have given up long ago. Because Uriel and Joey's story is finished in my mind, and passing it on is my choice, what I'm doing. They are my characters, people I imagined and wanted to be, not me. Their stories should not have become boring, monotonous, and uninteresting through my mouth. That would be complete betrayal.

But I also have to admit that I am not that talented person. I write a chapter of 3,000 words, but I never feel as if I am writing smoothly and smoothly. I stumble when I write. After a few paragraphs, I am forced to look back and read the outline and previous text before I can continue. Sometimes when I encounter some bugs, I have to decide whether to correct them. In the previous article, I changed this chapter to measure their proportions in the same story at different locations.

Even some of the climactic plots were full of thoughts when I was writing them, and they were very coherent. I had to calm down after finishing writing and go back to revise them - I didn't dare to have any illusions about what I wrote when my heart was racing. Obviously, I need to be calm and cautious when writing, which is good for me most of the time, but it also prevents me from injecting emotion into my words. The result of this is that I get stuck every time I reach the climax, and I overturn when I hit the end of the volume. For example, the third volume of Chloe's Knight is extremely fast-paced, the suspense and puzzles are fragmented, and it is extremely difficult to wrap it up in the end.

Volume 4 is the longest volume, with a large amount of information and many plots. It has several main lines: Uriel, Joey, Roma and Dalton. Among them, only Joey’s part was the most complete for me. Uriel and Dalton haven't even crossed paths much yet, let alone Roma, but I imagine that will be the case in Volume 4 when their respective adventures finally intersect, simultaneously driving the war to begin, progress, and end. A complete ending.

Everyone is moving forward, everyone is a candle.

…

Ahem. It's not the beginning of the month again...

No updates today, sorry.