When he saw the lollipop, Hualin almost wanted to give up. He was a wizard...even if he was a fake, he shouldn't analyze the meaning of a colorful lollipop! But compared to carefully analyzing what information a lollipop contains, the other option is, forget it, he also knows that his immediate boss has left him no choice at all. He can either successfully complete the task or have to end up in the Second Sky. The world was eating endless amounts of sand and poisonous smoke along with those wizard killers created by wizards, so after standing up and walking a few steps, he still held up the lollipop picture, trying to figure out something from it.
He looked at the lollipop picture upright and backwards, but could not see anything other than lollipops. There was no secret message written with special ink on the paper. There was no witchcraft on this page of paper, at least in the past. His level is imperceptible.
So he decided to skip this page and see what was on the next page.
On the next page is another colorful lollipop, which seems to be mocking him mercilessly.
Hualin's eyelids twitched, and he moved his fingers to flip through seven or eight pages in a row. Sure enough, on every page, there was an identical colorful lollipop drawn, which really made him...wait a minute! Don't be a careless apprentice, or a failed witchcraft, binding Edward Astarte's notes with the merchant's lollipop advertising album! Hualin thought of this answer and slowly shook his head.
This answer would indeed help him immediately get rid of this ridiculous analysis work, but each lollipop was hand-drawn, and in terms of lines, it could also be seen that it was the handiwork of Edward Astarte, or At least it belongs to other necromancers, because Hualin has been collecting information on necromancers these days, so he knows that, unlike wizards from other factions, necromancy wizards have very demanding tool-free line drawing Basic skills, which is impossible for a down-and-out painter who draws advertisements for a mere candy store.
line?
He read the lollipop picture pages from beginning to end again, and he did see some clues. The lines outlining the outside of the lollipops were indeed all the same, but the colored parts could be seen to be different! From the inner colored lines, it can be seen that the artist was in an extremely angry mood at first, and then gradually - probably by continuously drawing lollipops - calmed down, and finally, he could even vaguely see the drawing Edward Astarte's ill will when he finished writing these pages. As for why he chose to draw a lollipop to calm down, it is probably because he happened to have a lollipop on hand...
Hualin vowed that he would never take on a mission like this in the future, even if he was sent to Storro to see his children! However, he also understands Edward Astarte's mood. Every wizard is very concerned about his own safety and privacy. Why do wizards in any world like to live in tall spires? Even those wizards who live deep underground are not willing to live in more convenient and comfortable continuous caves like the underground dwarves. Instead, they try their best to dig a big enough cave and build an exaggerated spire in the cave. , if that is not possible, they can find a natural cave and hollow out a stalactite to make a tower. In short, they must have a tower. Some people think this is to facilitate the separation of rooms with various functions. For example, the alchemy workshop and the summoning room are not together. This may make sense on the ground, but underground it is easy to distinguish between various spaces, so they still have to build towers.
The reason is that the steeple shape helps them peek at others, but it is not conducive for others to peek at them. In a dwarf cave like that, no one knows whether the enemy has dug out the last pickaxe behind the stone wall, but the steeple not only has a good view brought by the height, but the large open space outside the tower is also conducive to the wizards to observe the surroundings. When there are many wizard towers in a city, they will all have a tacit understanding to stay as far away from other people's towers as possible. Even in a public building like a college, the wizard towers of each teacher are still separated by student dormitories, classrooms and other buildings as much as possible.
So when Edward Astarte discovered that he had been consciously controlled by people in the dark, Hualin could feel the anger. Sure enough, after turning two more pages, a new view of Tara appeared. arrange.
"Execute Tara. This is her only chance to survive."
"No one who will help her can stay in the academy."
"Luther Morsefa needs to be dealt with as soon as possible."
Hualin suddenly missed the lollipops on the previous pages again.
Fortunately, he had some other information in his hand, otherwise he would really have thought that Edward Astarte's next step would be to destroy the Academy of the Dead! Indeed, according to the timeline, Tara and her friends left the academy one after another at this time, and actually - Hualin thought about it quickly - they did not violate the rules of the academy! Tara "graduated successfully", and the reason Robert and Luther left the college was - "not a living person" - OK, Robert turned into a living pig due to out-of-control witchcraft, and a living pig certainly cannot be considered a living person.
According to the file records, Tara immediately joined the ranks of serving the country like other low-level wizards of the necromancy department after graduation. Her friend, the guy who turned into a living pig, had no reason to continue to stay in the academy. Not being restricted by the academy's prohibition on leaving, she applied to become an assistant. Everything was so natural and even a little ridiculous. If Hualin hadn't seen Edward's notes, he would have really thought that Robert's transformation into a pig was an accident. !
But what does Luther Morse’s law mean by “get rid of it”? There was no sign that he had turned into a pig or something other than a human being, and certainly no sign that his cousin had sliced or pickled him. He left him alive and bipedal, no different than when he came. There are no differences, including the fact that he doesn't know necromancy, but this is the strangest thing.
It can also be seen from later records that Luther Morsefa did not learn any witchcraft when he was in college, so he did not take any advanced courses, but this did not prevent him from using extremely skilled necromancy in the future. It is a witchcraft, and some of those witchcraft cannot even be used by ordinary necromancy wizards.
But he really had no contact with Edward Astarte, let alone learned from him.
This once puzzled the senior leaders of the Necromancer Department, but Hualin had some surviving information on the First Firmament World. By comparing the two, the answer was readily apparent, that is, Edward Astarte and Luther Mo. Ersfar used the Familiar Pact to share knowledge of magic and witchcraft.
Logically speaking, this is impossible. This spell only applies to humans and familiars.
Hualin was able to think of this answer because he happened to have intensively read through the history of the First Firmament World - the origin of the elemental royal family was to intermarry with various monsters - and then continued to marry incest - the marriage of the Morsefa royal family was even more There have always been extremely secret rumors - maybe they are still married to monsters - then Luther Morsefa may have more monster blood than human blood!
The reason why he was able to leave the academy is that he was not a human in the first place!
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Set a small goal first, such as remembering in 1 second: Shukeju
