A two-front war is really not something people do, let alone a three-front war.
Yin Lian obviously overestimated his abilities, especially his liver competition ability.
At this time, some people will persist with strong willpower, but Yin Lian does not.
When she can use her brain, she doesn't want to waste her health and happiness at all, and she feels that sometimes, knowing how to persist and give up are virtues in different senses. Of course, she was not prepared to give up so easily, but was just prepared to adjust her plan.
When effort is not enough to get the job done, methods and ways of thinking are important.
When Yin Changning came to deliver fruits, he saw his sister making plans with several virtual screens open.
Yin Changning: "What are you doing?"
Yin Lian took a piece of melon from the plate in his hand. With something stuffed in his mouth, he naturally stopped answering, but he didn't stop and listed a long list of data.
Yin Changning had no choice but to look at it himself, and roughly recognized from the table on the screen that Yin Lian was calculating the performance data that needed to be achieved in each competition to enter the semi-finals. With these data, she listed the winning rates needed to achieve these goals. The number of days to participate in the competition and the number of competitions to be completed each day.
There are quite a few variables in this. Because Yin Lian can't decide which game he will win and which game he will lose. As the art of war goes, victory lies with the enemy, but invincibility lies with oneself. If Yin Lian wants to win the game, it most likely depends on what kind of opponent she encounters.
Because of this uncertainty, she cannot design her itinerary too harshly. She must leave time to adapt to changes, otherwise she will have to give up something.
For example, the exposure rate of the winning percentage list.
This sounds strange. After all, Yin Lian is anonymous, so where does the exposure come from? But in fact, this perception is wrong. Exposure itself is a state, and it is the degree of attention that everyone pays to one thing. Although Yin Lian is anonymous, many players and audiences have always paid a lot of attention to her during the competition, that is, exposure.
Anonymity is just a displayed image. In essence, as long as Yin Lian reveals his true identity under appropriate circumstances, the attention can be perfectly transformed into popularity during the official competition.
But due to time issues, she had to give up the gains in this area. The winning rate list requires players to participate in at least three games every day. Unlike the standings list, as long as the total points are at the top, they will always be on the list. This is a huge burden for Yin Lian.
Although it is a pity to lose this part of her popularity, Yin Lian believes that the linkage effect brought by participating in three competitions at the same time can completely make up for this loss of popularity, not to mention her own appearance bonus.
All that remains is the ranking of the other two competitions.
The competition methods and content of "Dream Chasing Line" and "Hundred People, Hundreds of Faces" are different from May Dream. "Dream Chase First Line" considers the ability of drama directors. It is not a PK mechanism, but requires players to submit three works, namely two short plays and one complete drama. These three works require specially hired actors to perform according to the scripts, and ready-made material libraries cannot be used. There will be no restrictions on the title or content of the three works, but they will require corresponding genres - for example, comedy, tragedy, documentary, or public service film, etc.
Although the subject matter is also restricted, the parts that allow for self-expression are much larger than May Dream, but the requirements for completion are also higher.
As for "Hundred People, Hundred Faces", it is a competition about character creation. It generally tests the description and creation of characters. It is not simpler than the comprehensive "June Dream", but it is said that this competition will also have many people engaged in or People who want to work in the acting industry are participating, so the competition is a little bigger.
May Dream starts auditions in March, June Dream starts in April, and July's "Hundred People, Hundred Faces" starts in May. But in May, Yin Lian - if she can make it to the semi-finals - will have to do it at the same time. I have started to participate in the official recording of May Dream, and my time will be divided between classes, review, program recording and program auditions at the same time, so I will be very busy.
Classes and review can be adjusted, but the time for recording the program cannot be determined by Yin Lian. In this case, Yin Lian must complete the creation of the three works of June Dream in April. On average, each work only takes about ten days. But in fact, it is definitely impossible to allocate it like this. In terms of the content, five days is best. One day to complete a short play, and the remaining twenty days are reserved for the complete film.
If we were in China, this would be impossible.
Thanks to Xia Guo for his convenient technology. If possible, Yin Changsheng must learn all these black technologies secretly and then bring them back to Earth for use.
The audition mechanism of "Hundred People, Hundred Faces" still requires the production of finished products. The difference is that it is not limited to film and television dramas, but also includes other entertainment projects that can use the skills of screenwriters and directors, such as games and intelligent AI, etc. In "Hundred People, Hundred Faces", players will first receive a script, which will have a clear world view and events. Players must create a character in the process and then experience these events.
Because different contestants will have different careers in the future, "Hundred People, Hundreds of Faces" generally provides nine topics, three topics are film and television related, three topics are game-related, and the remaining three topics are It is related to AI. The three topics under each project will face three different design directions.
Yin Lian is also quite interested in the latter two, but since he has never studied before and has no time to study for the time being, he must choose film and television related topics first.
For the three film and television topics, Yin Lian focused on referring to previous questions and results, and found that contestants who are good at different genres are generally considered, and there will be three main types of works - drama/light comedy, drama and wit. , although the specific content will not be exactly the same. For example, the drama/light comedy categories in the first three years were respectively fairy tale themes, light comedy sketches and absurdist farces, while the intellectual warfare category was espionage one year and detective one year. , the last year is a survival-type battle of wits. The details are actually very different, but generally speaking, the skills are universal.
After Yin Lian looked at past questions, he discovered a characteristic. Contestants in the drama and wit genres generally do not invade the territory of the comedy genre, but comedy contestants are not shy about using the topics of the other two. In many cases, if they grasp it well, they can use the contrast to create a pretty good plot. The effect is even to achieve the advantages of both at the same time.
But people who want to do this will probably have to be good at both genres.
Yin Lian has no idea about the topic she will choose at that time, mainly because she has no idea what type of player she is now. It seems that she can handle most of the subjects quite smoothly. Her first reaction to the subjects that she is not comfortable with is to practice and overcome them. Due to her positive attitude and deft methods, she can quickly reach a level above the standard.
But there is nothing that I am not good at. In a sense, it is equivalent to having no particular preference or expertise.
Yin Lian decided to put this question aside for now and wait until the time comes to see the actual competition questions before making a choice.
Thinking like this, she arranged her schedule.
Then she stretched out her hand to Yin Changning, blocking the melon that he fed again, saying: "That's enough! I'm full!"
Yin Changning peeked at her game plan for a long time and casually fed Yin Lian a bellyful of melon. Although the melons are delicious, they are fed too carelessly - don't think that Yin Lian doesn't know, he brought a tray over before, and now half of the pot has been filled.
When Yin Changning saw her asking to stop, he didn't force it and said, "Don't work too hard. Just compete if you can. If you're too tired, just give up one or two." Then he went out with the melon plate.
After he went out, Yin Lian made a schedule for himself according to the final game arrangement, then saved it and started to collect points.
Because considering the tight schedule in the future, Yin Lian will not be able to maintain the intensity of three games a day, so he will start to rack up points while he has time.
In fact, brushing up on popular works is also a way, but considering the popularity and attention that may be attracted by revealing his identity later, Yin Lian feels that it is better to bite the bullet and persevere, saving the rewards for the official competition in the future.
Because of this, she played an average of about fifteen PK matches every day in the first five days of April, but she also had to admit that such high-intensity and frequent writing competitions really exercised one's writing skills. ability. And because they don’t know what kind of questions they will encounter during the competition, everyone is prepared to deal with various questions and conducts all-round exercises. Not only can they be proficient in all topics, but at least they can make up for some of them to the greatest extent. Shortcomings in specific themes.
On April 5th, the title of June Dream was announced.
The three topics are family, friendship and love, corresponding to public welfare films, dramas and comedies. Among them, public welfare films and comedies require a duration of about 20 minutes, and feature films require 80-120 minutes. Topics and genres can be freely combined.
Time was tight, so Yin Lian mapped out the general plot content that night - family relationships corresponded to charity films, romance corresponded to comedies, and friendship corresponded to dramas. The reason why family relationships correspond to public welfare films is that this is the most suitable subject matter for public welfare content. The reason why romance corresponds to comedies is because romantic comedies are the easiest to write brilliantly. The reason why friendship corresponds to drama films is also Yin Lian's experience. Whether it is about brothers living or dying, or discussing the relationship between people, good and evil, giving and reward, friendship is the best and easiest to expand subject matter, suitable for feature films.
After deciding, she began to write.
For this first family-friendly charity film, she planned to take a rather special angle.
For the aborigines of this world, there is a social phenomenon that may not be obvious to them, but as an outsider, Yin Lian can clearly see a certain undercurrent of this era. The script she is going to write will probably be a bit unusual compared to the subject matter, but if done well, it will be a work that can have a creative advantage.
In Xia Country, you can basically find that robots and intelligent AI occupy an increasing proportion of people's lives, including in the care of children. Robots that take care of children are still not artificial intelligence with human-like emotions in essence, but in order to facilitate communication with children and develop children's intelligence, they will have a certain degree of intelligence and very low-level emotional simulation programs.
Humans are very emotional creatures, and inanimate objects such as dolls or teddy bears can produce feelings, not to mention robots with certain intelligence and anthropomorphic performance.
As this entry point, it actually deviates a bit from "family love" in the narrow sense, but in a broad sense, it is a discussion of family love from a higher level perspective.
There are pros and cons.
When Yin Lian started writing the script, the first TV series with her image as the protagonist had already been staged. Yin Lian herself did not pay special attention to this information. If it had not been for Yin Changning's initiative to remind her, she would not have known about it.
According to the original script, the first episode of the TV series was of course without her. However, in order to make the most of Yin Lian's beauty, the director drastically changed the script and gave Yin Lian a surprising glimpse at the beginning of the TV series.
And it was this glimpse that caused a sensation in many forums.
