Yin Lian feels that a good literary or dramatic work must contain some common human emotions.
For example, life and death, love, hope and despair, or, at a certain moment, resonance with the world.
Death is not a serious topic in Mathil. Rather, it happens so frequently that it has made most people feel numb. There will definitely be fear and fear when facing death, but it is difficult to have more leisure to think about deeper things.
Yin Lian took into account the overall social environment, so he did not give any too profound philosophical topics. This kind of topic may be useful to mages, but it is more difficult for ordinary people to understand. So she simply picked an entry point, and among the different ways of death, she chose the most superficial and easiest-to-understand point.
It's parting.
Although it is a very superficial point, it seems that the effect is very good at this time.
It is worth mentioning that the main difficulty in this scene is not the performance, but the positioning. Among the performances of the plot, the "ghost" performance is actually a pre-recorded magic photo. Although according to the actual performance difficulty, it is actually more convenient and accurate to let real people perform ghosts and use props to perform corpses, but in this case, the expression technique will be severely restricted.
Yin Lian has also been urging magicians to design and invent more and more practical magic props, but it will take time to really produce results, so for the time being, Yin Lian can only accomplish it through fixed action choreography and a combination of magic images and stage performances. work in this area.
The positions and postures of Andasi and Kamomon were strictly restricted. Coupled with countless rehearsals with the video, they were able to accurately select their positions and achieve a performance that just "fits".
Lilin's embrace and final dissipation were undoubtedly extremely shocking - that moment of pause and virtual scene insertion were completely unexpected by the artists of the Lapis Gold Capital who knew they had mastered the art of drama. The expression techniques made them feel countless inspirations and suddenly enlightened thoughts. In fact, some people have vaguely noticed that in the changes in the plot, the emotional rendering brought about by the flexible and clever replacement of different styles of music is also an important factor affecting people's emotions, but they really have no time to study it in depth at this moment.
It wasn't until the freeze-frame was over that some people in the audience were touched, and they started to get restless. As usual, some people inevitably cursed like they did in "The Wizard King", but there was an obviously more emotional response than that time. People began to cry uncontrollably and shed tears.
In fact, many people shed tears when Hulucheng massacred the city before, but in terms of number of people, it was only a small part of the entire audience - and most of them cried quietly, which was not enough to attract too much emotion. of attention.
But this time it was different. Looking around, there were many people with serious emotional reactions. Some people even suddenly started crying heartbrokenly. As these cries became contagious, the grief spread instantly and soon invaded the entire theater.
The mages were puzzled and asked: "What the hell? It was just an insignificant little girl who died, right? Why are you crying so hard?" Although some people's eyes were a little moist, it was because they recalled the people who were persecuted before. A young magic apprentice. But for many older mages, similar things have happened so many times that they have developed corresponding immunity. So even if you feel a slight resonance when you see the child on the stage, your emotions won't be too intense.
But why did the people in the audience react more violently than they did?
I'm afraid only Yin Lian can answer the entire question and the entire Magic Association. Unfortunately, Yin Lian is not in the same box as them at this time, so these mages can only look confused.
In a daze, a mage said: "I have not experienced the darkest time at that time, but what I remember is that I once had a student who was very talented, but his character was a little too weak. So I have always been He is very strict. What I hate the most is his cruelty. Sometimes he will be merciless when faced with church intruders or sneaky spies who come to the door. I deliberately force him to kill people, killing saints. He always refused to accept the people in the city and the adventurers who broke in. Later, I went out for some reason. As a result, the lord of Guimir City took the opportunity to assemble a group of church knights and adventurers to attack my mage tower. In order to cover other people, the child student, he killed seventy-one intruders and died in the mage tower I had at that time... The Holy City even gave him a name for this... bloody hypocrite."
His eyes were moist and he said: "To tell you the truth, I have always felt that regret is an extremely weak and useless thing. When my student was still here, I always taught him this lesson. But later, although I never told anyone I have admitted it, and I regret it in my heart... I really would rather he was really weak. If under normal circumstances, he could kill more than 70 church villains, I would only be happy... But when it really comes to that time, But I can’t be happy no matter what.”
Someone asked: "Bloody hypocrite...are you talking about Krall?"
The mage nodded.
Although the questioning mage also knew the name, he seemed not to understand the specific situation. Hearing what Krall's teacher said, he couldn't help but say: "I also heard about this at the time, and I admired him very much. I lament that your Excellency is really cruel...is he really such a character?"
The mage immediately smiled and asked, "Did you feel disappointed?"
The mage who asked the question shook his head and said: "Although there are magicians who kill people for fun, in fact, most of us just want to live, to live freely and peacefully, and to be upright. I just want to study and use magic. If the Holy City hadn't been aggressive, I wouldn't have wanted to take so many lives... As Mr. Li An said, we have tried our best to survive, so why would we want to take away the lives of others at will? What? The world brought by magic is so glorious, and it is much more interesting than killing people."
"In other words, I feel even more impressed. Your disciple is very great. Even though he is unwilling to kill, he can kill so many villains of the church and protect his companions in such a situation."
While they were talking like this, the play actually started to move on to the next act. The noise in the audience was distracting. Fortunately, the actors on the stage had experienced the baptism of public attention for a period of time, and at least the performance would not be interrupted by this commotion. But even so, as there were heartbreaking cries in some places, staff members still came over and asked people to leave the auditorium.
After talking, the staff learned the reason for the crying of these audience members who were crying particularly hard - they all had children who were once magic talents, but for various reasons... they all lost their children in the end.
In fact, there are quite a few such people in the City of Sages, perhaps more and more concentrated than anywhere else. Many of them get close to the Master precisely because of such experiences.
The staff calmed the crying people and tried to get them to rest in a nearby room. Some people agreed, but some said they wanted to continue watching, so after actively adjusting their emotions, they returned to their seats.
Of course, not all of those who cried were those who had family members of mages. Some of them were simply infected by Yin Lian's sensationalism, and couldn't hold back their emotions for a while, so they cried.
In response, Lord Li An snorted softly: Too weak.
The drama continues. While Kamomon and Andasi were protecting the children, they tried to get close to Lilin's body. However, because they were protecting the two children, they were inevitably a little constrained, and even almost allowed the two apprentices in their arms to be attacked. The attackers seemed to have discovered their scruples, and began to attack the students in their arms more and more crazily... So as a last resort, Kamomon, full of pain, took a deep look at Lilin's body, and said to Andasi Shouted: "Let's go!"
Lilin's body lay on the right, at the attacker's feet, while Kamomon and Andasi held the two children and retreated to the left. As they walked further and further away, Kamomon looked back at the dead Lilin again and again, and there was a sense of despair in the arrow rain.
This kind of restrained grief is also painful and sensational in another sense, causing many nobles and mages to inevitably start to worry and follow the plot intently.
But the tragedy doesn't stop here.
According to the development of the plot, it seems that on the night of escaping from the church, one of the two remaining children fell ill.
Kamomon was very impatient and tried all the healing magic he knew, but could not find a spell that could be used. Andasi knew that the church had a magic that could "dispel diseases", but he was unable to sort out its spell version in a hurry. Instead, he was attacked and doubted by the anxious Kamomon because of his knowledge of this magic.
Kamomon asked in a rapid singing voice: "Why do you know magic?"
Andasi replied: "I was in the church choir."
"You never told me"
"Because it doesn't matter"
"Not true for me"
"It's all over"
"Your side of the story"
After a quick and rapid quarrel, Andasi sang to Camomon:
“Kamomon/Kamomon/Keep it fair/Keep calm/I have never been your enemy/nor should I ever be/Remember we promised/to treat each other as brothers? Don’t reject me at this time/Because you legitimately need me "
Kamomon pushed him away suddenly and accused angrily:
"I never need a believer/He will remind me of the blood covered in Hulu City/I should not have believed in you/I would not have experienced the sorrow at this moment/Andasi/Andasi/Tell me why the pursuers came? They How do you know our whereabouts? You have all our plans/Are you ready to betray us!?"
Kamomon's accusation was too serious. Andasi was obviously hurt, but he stood there and didn't make a sound for a long time.
On the stage, even the music disappeared. The few seconds of dead silence seemed to interpret Andasi's quiet heart.
This scene is ridiculous and ridiculous. The Mage King was accused of being a lackey of the Holy City. However, such absurdity showed a reality that was divorced from history - although it was not actually true.
After a while, Andasi said: "Kamomeng, is this what you said after calmly thinking about it?"
Kamomon said: "Go away! Andasi! Before I take action against you!"
Kamomon expelled Andasi and asked him to leave. Andasi tried to persuade him, but his irritable companion was not willing to listen to his explanation at all, and instead spoke harshly.
After thinking about it, Andasi actually turned around and left.
The audience thought that the two parties were going to part ways.
Some high-level mages who were familiar with history sitting in the VIP seats felt something was wrong - history obviously didn't develop like this!
Facts have proved that the plot does not develop like this. All of this is just some little tricks played by Yin Lian, an emotional trap.
When Andasi left, the other boy wanted to stay, but was brushed aside and told to "stay here."
After Andasi left, Kamomon was at the door, looking at the direction he left for a long time. Then he was alarmed by the child's cough, and then began to try to treat him. He tried every method as if in despair, refusing to give up even if his magic power was exhausted, and encouraged the children with his singing, but in the end he failed.
When he realized that the child was not breathing, Kamomen finally couldn't bear the continuous blows, his vision went dark, and he suddenly fell down.
When he woke up again and opened his eyes, the audience saw the stage slowly rotating, and from the door illuminated by the light, a soft humming sound came: "Ten grams of golden awn, three sesame seeds, five Ye Haran is a stilbene. This potion is not evil, but it can solve the world's ailments."
Kamomon raised his head and Andasi sat down next to him. Kamomon said: "...You are back."
Andasi replied: "You are sick. Drink this potion. This is a magic potion spread among the people. It will never poison you."
Kamomon said: "Even if it is really poisonous, it doesn't matter." Then he took Andasi's hand and drank the potion he made.
