"When time goes by/Perhaps we will begin to hate this world/Fate is unreasonable/Pulls us wantonly/Behind happiness is ignorance/and stupidity/Wisdom is a forbidden fruit/Sin will follow/There will be no regrets There is a way back”
"At this time/please slowly recall/the little miracle/the original intention of magic on that day"
"So what is that, sir? I don't quite understand."
Andasi said: "It's the kind of emotion you feel when you see it for the first time. When you notice the existence of magic for the first time, are you afraid? Are you afraid? Do you think it is evil?"
The boy thought for a moment and said, "I think... it's very beautiful."
"So, when you feel pain and disgust in the future, just think of this."
But Andasi also knows that it is not easy to do this.
And as time goes by, magic is destined to be not just magic, but everything that a magician can grasp.
"This is the wealth given to you by fate/This wealth can even rival the gods/For this reason, you are not tolerated by the world/But if you are willing/It will become your ultimate belief."
"There should be a moment in your life/call for a miracle/a miracle will appear/there will be one day in our life/use your power to change the world"
"There should be one moment in your life/make a wish/and your wish will come true/one day in our lives/use magic to change the rules."
Andasi's singing is not passionate in itself, but it is full of emotion and makes people unable to help but be moved by it.
Someone in the audience chuckled twice, obviously disapproving of the lyrics.
But this does not affect the progress of the plot.
The plot at the beginning of this scene is relatively relaxed and enjoyable. Next, Andasi began to teach the children how to perform magic. He taught some very simple spells, but what was amazing was the beauty of the dance. Yin Lian has already used a lot of stage design technology and special effects in the previous drama. Generally speaking, by this drama, everyone has gradually become accustomed to the application of this technology, and it should be no longer necessary. What a fuss.
But in fact, this time the set still exceeded all audience expectations.
When Yin Lian designed the stage design for the previous show, he focused on the magic effects, that is, special effects. In order to maximize its shock, she uses more dim settings and lights, using darkness and nothingness to highlight the beauty of magic.
The effect at that time was still very good.
In the deep darkness, the brilliance and beauty of magic were vividly displayed, bringing everyone the greatest surprise.
But to be fair, it is not the power of the dance, but the shocking power of the magic itself. If anything, it just shows the magic itself to the audience, and does not really show the power and appeal of the dance.
This is also something that cannot be done. Yin Lian himself is not a perfunctory person, but sometimes he has to admit that sometimes the necessary adaptability and utilizing strengths and avoiding weaknesses are part of the task that must be completed.
Martial's drama is lacking in all aspects. If you talk about acting skills, you can also choose them naturally from the crowd - because this is a natural talent. Even if you are not engaged in the acting industry, human beings still need to be talented in acting. Choosing to conceal oneself or perform oneself in the process of getting along is not to deceive. Sometimes it is just to please people or to be considerate, but things like stage settings are quite professional and technical content.
The predecessor of stage art is undoubtedly art or painting. These things, like music, were not only severely limited in Mathier's era, but were also technologies belonging to a minority group. And if the musician Yin Lian can use musicals as an excuse to attract him, after all, the two are in the same line and even include each other. But the distance between the painter and the musical is a bit far away. Although many years later, there is a deep intersection between the two, but at this moment, Yin Lian cannot use this reason as an excuse to attract people to her side. of.
After all, in many people's concepts, the two are not related things at present.
And in fact, the painting techniques and techniques of this era are indeed unable to meet Yin Lian's needs for stage beauty, so in the past, Yin Lian directly gave up this choice and used more photography techniques.
But in fact, the effect that videos and photos can have on stage beauty is relatively limited. In many cases, art processing is indispensable. It will make a stage more beautiful, and when combined with lighting, it will present a higher-than-realistic beauty. , and can express emotions closer to the theme through color and style adjustments, which is something that simple photos or special effects cannot do.
So after Yin Lian learned the relevant techniques and figured out how to apply them to Mathil, he decisively applied this technique in the second part.
Although the audience could not describe the scene this time in any specific way, it undoubtedly presented a dream-like beauty. Compared with the previous "Wizard King", the setting of "The Black Line" shows a kind of coordination in color and style from the beginning, making every scene as beautiful as a painting. According to the earth's terms, every scene is as beautiful as a painting. One frame can be used as wallpaper.
And this kind of beauty has almost reached its peak since the beginning when teaching magic.
In the last "Mage King", Luda also taught many wizards magic. At that time, there is often darkness, and the light of magic slowly flickers, shocking people's pupils and touching the souls of the audience. But in this "Black Sage", magic is naturally integrated into the surrounding environment. For example, in spring, the stage is filled with deep and shallow green, beautiful and bright, just like the kingdom of spring in fantasy.
This kind of color is difficult to pick out from the natural environment, at least with Martial's technique. Spring is also very beautiful in the wilderness or primeval forest of Matir, but this beauty is always a little incomplete and cannot really be as beautiful as the album. Perhaps it is because of the composition or other reasons that it looks unique. It has a natural and fresh beauty, but it lacks decoration when put into the painting.
Yin Lian selected some natural scenery, then completed considerable color grading and modification based on reality, and finally came up with this setting. But on this basis, she further adjusted and strengthened the overall tone of the set. With appropriate lighting, it looked very dreamy.
This kind of dreamy feeling would probably still be picked on by people on Earth, but in Martier it is just right - they don't have the knowledge and leisure to be picky about this beautiful scene they have never seen before. The freshness of the first time can always cover up the flaws in many details.
The audience was stunned.
Andasi seems to be living in the land of dreams, and the little mage is like a little angel living in a dream, happy and carefree.
In spring, the world is filled with the fresh smell of flowers and plants, covered with a thin layer of greenery, gently wrapping the mages. Under the hands of the children, the green tree buds sprouted rapidly, and each sapling began to grow along with the children's stumbling footsteps, carrying the same vitality as them.
In summer, huge bright red flowers bloom among the trees, decorating the forest with the sound of chirping insects. As the water slowly flows through the mountains, the birds will eventually be attracted by the power of the elements and cautiously try to get closer to the children's wands. , and then were scared away by ambitious children who wanted to catch them.
In autumn, the scorching red leaves burn the whole world, and the fruits of the bread tree turn golden. The children broke off a fruit, and after several of them took a piece separately, they happily bit them into their mouths.
The scenes change very quickly, but it makes people feel overwhelmed. Along with the children's harmonies, it sounds full of joy and joy.
The scenes in spring, summer and autumn are all very short, but considering various reasons - mainly the constraints of real conditions, the transition of these scenes is definitely not as fast-forward as the scenes on Earth or Xia Kingdom. It can only be said to roughly express that intention.
Even so, the combination of dreamy scenery and just-right magical special effects still makes the audience reluctant to look away for a second. If they had a camera in their hands at this time, they would most likely press the shutter button crazily, but at this time, this group of people could only record everything with their naked eyes.
From spring to summer, from summer to autumn, every scene is as beautiful as a dream. In fact, when it comes to the beauty of the picture, it is different from the Garden of Gods in "The Wizard King". However, compared to the standard "beauty" of the Garden of Gods with hundreds of flowers blooming, the spring, summer and autumn of this scene are obviously more distinctive. It can better capture everyone's different preferences.
Three seasons, three different styles of art settings, because of the great contrast, they are even more impressive.
In autumn, everyone naturally looks forward to the winter scenery, but at a certain moment, the joyful music is suddenly cut off by an unexpected sound.
Then a long arrow was seen shooting towards a child. Andasi reacted very quickly, even arriving later than the arrows. He suddenly rushed in front of the children, and then formed a defensive shield in front of him, but then, more arrows attacked the other two children. Kamomon protects one, but cannot protect the other.
But she saw Lilin alone among the thousands of arrows. Although she was panicked, she suppressed all the panic and suddenly formed a tree wall in front of her.
Kamomon suddenly breathed a sigh of relief. Lilin saw that the tree wall blocked the rain of arrows. She also breathed a sigh of relief and called back: "Brother, protect everyone! I will protect myself——"
But before he finished speaking, an arrow with divine power flew over and suddenly shot through Lilin's neck.
The intense music suddenly turned sad and lyrical at that moment. Lilin still had a slight smile on her face, but she slowly fell to the ground. Everything on the stage seemed to freeze at this moment. The girl who fell on the ground opened her eyes wide, as if she didn't understand what happened. However, a shadow slowly broke away from her body and stood up, like a ghost. , looked around blankly, and then began to sing.
[I like spring/also like autumn/like summer/also like winter/I love this world/although there are always people urging me to leave/but I always have too much reluctance]
[It would be better if time slowed down a little/Let me say goodbye to my mother/Even though I was born with sin/I hope I can make you smile more]
[Fate, if we are destined to be separated/at least let me repay my love/warm my hands that day/I have not been able to repay them with a bright flame]
The girl's ghost slowly walked to Kamomon and Andasi, hugged one of them first, and then hugged the other. Her tears fell like rain, but eventually they turned into light and began to float away.
The auditorium was filled with suffocating silence, and even the music became inaudible. Then as the girl's soul drifted away, the quiet melody was suddenly mixed with passionate harmonies. Kamomon shouted: "Lilin——"
The heartbreaking sound touched the hearts of the audience.
