Even the smartest scientists can have 100% control over their own research and make the process and results completely match their own ideas without any problems?
Of course it's impossible! The Manhattan Project, started by Einstein and a group of outstanding scientists, finally produced weapons that humans could indeed destroy the earth. Is this really what these scientists want? Or is it what they like?
Even in the Marvel Cinematic Universe, Tony Stark created an uncontrolled intelligent life form like Ultron, which then led to a series of disasters.
It can be said that people who can guarantee that their work will be 100% error-free are not worthy of being called scientists. Such people are just factory operators. Because people in the factory do not innovate and adjust at a large pace. Everyone follows fixed steps and it is clear what kind of results they will get in the end. If you don't make mistakes, it can only be regarded as your duty; if you make mistakes, it is surprising.
So what a time traveler wants to do, is it something a scientist would do, or is it something a factory operator would do?
What someone thinks is a thorough consideration is actually just the best effort he can do under the consciousness of the earth that is accustomed to silence. It's not a perfect score, but on Earth, this is enough.
In the Lost World, what he did to assist the World Trees was actually equivalent to improving the level of the Lost World itself. Therefore, the unconscious consciousness that is not very active also belongs to the side that supports him. This is one of the reasons why someone seems to have no inhibitions.
But what about the abyss?
Never having experienced the uncertain and moody changes of the abyss, someone goes about his work ignorantly, thinking that he will not hinder anyone or the devil. As everyone knows, his actions have already entered the eyes of some high-level beings. They observed quietly.
In magic related to the law of cause and effect, no one can completely grasp where a certain thread is connected in the chaotic thread of fate, not even the goddess of fate. The difference is that ordinary people can't see the thread, but the goddess can. So Lin wouldn't know what he was involved in.
It is not difficult for Lin now to transform Liz Dean's real magic into a magic array. Even this magic was less familiar to him and less scientific. But the difficulty is how to record the displayed results, because this part is a function that the original magic does not have.
After successfully using the original Liz Dean Reality Technique, the target you see will change into what it will look like after losing its power. This change does not affect the target itself and cannot be seen by others. How to convert such results into information that can be recorded is a matter for someone to rack their brains.
First of all, we must determine what the output of Liz Dean's real technique is.
If it is to manifest a result that others can observe, it is the simplest. Just record the final image. Some of the more tyrannical see-through magics will also break the illusion while seeing through it. This can also be done by recording the final result.
But the result of Liz Dean's Reality Technique is to influence the caster's cognition, replacing the target object in the eyes of the caster with an appearance that excludes the effects of power. This result will last for a period of time until the magic effect is interrupted or the caster actively stops the magic.
For magicians who are not skilled in skills, or whose spellcasting is not successful, this new cognitive appearance is likely to change, rather than being fixed to one appearance. Even while the magic effect continues to work, the appearance will continue to change.
The possible failure of spell casting is due to unclear understanding of the target object, which leads to wrong changes in some necessary adjustments during the casting process, thus failing. Of course, such a situation cannot happen to someone who has thoroughly analyzed magic based on mathematics and programming languages. So basically I'm ignoring possible failure scenarios.
However, in order to derive this cognitive result into something that others can see, that is, that can be recorded, the method is surprisingly simple. Of course, this method was not thought up by someone; it was figured out by his new apprentice, Leonardo, after several days of trouble.
"Teacher, simply put, you want to find a way to turn what you imagine into something that everyone can see, is that right?"
At the dinner table, someone who didn't know what to eat nodded dully and said, "To put it simply, that's right."
"Teacher, isn't that just whiteboard writing skills?"
"Ah." This was the sound that a stunned person made after his rice bowl fell on the table.
"Ah!" "Ah!" These were the voices of two girls who suddenly realized after watching their teacher worry for several days and complaining that they could not help.
"Ah! Ah! Ah!"... This is the sound made by a group of people joining in the fun.
Regardless of those people who had nothing to do but join in the fun, Lin didn't care about eating and came to the coffin room in a flash. Although some simple tasks can be done anywhere in the house, they require a large number of water mirror screens. Even when calling up the enlarged and complete magic array diagram, you still have to work in the first coffin room to have enough space.
Looking at the magic array diagrams that were brought up, one was huge and quite complex, which belonged to Liz Dean's real magic; the other was slightly smaller, but not so simple, and belonged to the whiteboard pen technique.
The way of combining the two magics is of course not as easy as Leonardo suggested, real magic processing and whiteboard writing magic output. His statement actually ignores the role of people in it, or to put it more clearly, the key role of the brain in it.
Realism provides people with new cognition, while whiteboard writing expresses what people imagine with light, shadow and lines, and people serve as bridges. Without people as a bridge, it is like knowing that the other side is the destination, but having no means to cross the river, you can only look at the river and sigh.
But as long as you know where your destination is, you can always find a way to get there, right?
The more complicated method is to thoroughly study the input and output of these two magics and completely connect them. In a true sense, two magics are combined into one and become a new magic.
But you can imagine that the workload of this approach will be quite staggering. Because the data someone wants to connect is not the usual whiteboard writing technique. Just three or two lines and a large blank space can express an object using freehand techniques.
Lin's main purpose is to observe the stars. The purpose of stargazing is to study the location of the abyss and whether it can be connected with the mysterious land. If the Abyss is really a planet in the same universe as I hypothesized.
If it is possible, then can we use the observation results of the Abyss and the Mysterious Land to find a more accurate position of the earth through triangulation, and then find the precise parameters that can be used for the flash technique.
If you want to do this, the final result must be 100% faithful, not just a few percent similar. Although in mathematics, information fuzzy has the practice of information fuzzy. But that requires a larger amount of data to find the corrected parameters and derive a result that is close to the correct answer.
In order to get a usable result, it is not a good idea to analyze the two magics and complete the complete docking. So Lin planned to use another method, that is, to design a repeater to replace the role of humans, that is, the brain, between the two magics.
Just doing this will cause a minor problem. That is, what role will the observer effect play here?
If the result of Liz Dean's real surgery will be affected by the observer effect, that is, in the subjectivity of the operator, what he wants to see will affect the final imaging result. After removing this subjective consciousness, there will be two situations:
1. The magic goes wrong, so the spell casting is interrupted. In severe cases, it can backfire on the caster, causing serious injuries.
2. Without the interference of subjective consciousness, it is more able to present correct results. Everyone is happy!
But no matter which possibility it is, the early problem must be solved first, which is the relay setting that connects the two magics. Once this part is solved, the answer will naturally come to you as to what kind of changes will happen next.
As for the relay settings of these two magics, if it is a combination of pure magic, it may be quite troublesome for Lin. But if it is to be made into a device, it is much simpler. Because there is something that has a shape similar to the brain's nerve bundles without any modification.
This thing is the purple-level magic stone. It can be used to trick Realism into thinking there is a brain and a person watching. So magic can hand over the final result with confidence. And strictly speaking, this is not a deception mechanism, because the purple transformation magic stone really has its own soul.
When Fen was reshaping his body, he drained the entire vein of magic stone, leaving only a small purple-level magic stone untouched. This was not to prevent myself and my group from entering Treasure Mountain and returning empty-handed. But earlier, someone once mentioned that one of the flaws of undead creatures is that when they use other people's bodies, they will invisibly fuse too many incomplete souls.
In order to avoid irrelevant souls interfering with one's own consciousness, it is best not to even touch incomplete things. It was this kind of warning that made Fen abandon the purple-level magic stone that contained high-purity power during the process of reshaping.
Originally, someone was still half-convinced that there was a soul in the magic stone. However, the core material used by Silverbeard dwarves to make artificial souls will only be purple-level magic stones, and there is no other substitute.
Moreover, he learned from Lupita, the artificial soul captured by him, the guardian of the Silver-bearded Dwarves, that their existence was actually earlier than the time when the dwarves made artificial souls. It's just that at the beginning, they didn't have that much thought, and they didn't know that they could communicate with other creatures, or even find their own companions. These are all learned and taught by the silver-bearded dwarves.
After that, the noisy Hakakiri showed that anything is possible. Whether mineral life exists or not is a topic that does not require further discussion.
But before the soul in the purple transformation magic stone has been taught to be crooked, especially the crooked one like Lupita, who spends her whole day deliberately trying to wipe out the tribe she protects, she needs to use it to connect Liz. ?The repeaters for Dean's Reality and Whiteboard Pensery are more than adequate.
